Eduard Charlemont, Vienna 1842 - 1906 Vienna, Der Landsknecht

1883; oil on panel; signed and dated lower right; 12 1/4 x 9 1/4 inches; 16 3/4 x 14 inches frame

Eduard Charlemont (1848 - 1906) Original watercolor by an important Austrian artist. A Tunisian scene from 1888 of a Woman dressed in Arab robes and a headdress. a rich a lovely watercolor in person.

Vienna, 1906 ca. cm 10,5 x 16,2 x 11,7 Jewellery case. Elm briar-root, silver engraving. Monogrammed: JC 925. Silver hallmark 925.

circa 1930, signed to base "GERDAGO" and with foundry mark for Arthur Rubenstein of Vienna, Austria, raised on a stepped onyx plinth. HOA 12.5 in. Born Gerda Gottstein in Vienna in 1906, she studied a

J. Sedlicky for the Wiener Werkstätte Gilt and Enameled Silver Cigarette Case Vienna, Austria, circa 1906 Of rectangular form with a hinged cover, the whole decorated with a geometric pattern com

AN OCCASIONAL "FLEDERMAUS" TABLE BY JOSEF HOFFMAN (AUSTRIAN 1870-1956), DESIGNED CIRCA 1906, EXECUTED BY THONET, VIENNA CIRCA 1921the circular table top with a conforming base separated by roundels wi

19TH C. AUSTRIAN STAND WITH PORCELAIN DISH INSERT. Yellow and Gold Painted Parlor Table, circa 1890, containing inset porcelain bowl by Franz Dorfl of Vienna, titled "Der Kleine Lohengrin", signed 'Su

Eduard Klablena, Small baboon, 1912-18, H. 12 cm. Made by Langenzersdorfer Keramik. Earthenware, predominantly glazed blue and black. Signed: EK., Fellner/Temel, Eduard Klablena, Vienna 2000, cat. rai

Sugar bowl with key Austria, Vienna, Eduard Steiner, 1852 silver. In cross-section rectangular body. Hinged lid. On the front with chased leaf and flower motifs in small escutcheon with keyhole. Insid

Friedensreich Hundertwasser 1928 Vienna - 2000 Mit der Liebe warten tut weh, wenn die Liebe woanders ist Color serigraph with metal embossing on paper, 1972; H 402 mm, W 605 mm; stamp numbered ''00709

Friedensreich Hundertwasser 1928 Vienna - 2000 Kreisverkehr der Strassengekreuzigten Color serigraph with metal embossing on paper, 1971; H 430 mm; 585 mm; stamp numbered ''01559'' (of 3000)

Eduard VeithNeutitschein 1858 - 1925 Vienna"Rome"Oil on Canvas68 x 87 cm, with frame 81 x 97 cmSigned b.r.

Koloman Moser Original woodcut for Ver Sacrum "Parzen" woodcut on transparent paper, framed 14.5 x 14.1 cm Ver Sacrum: Mittheilungen der Vereinigung Bildender Künstler Österreichs, Vienna, 1

Royal Vienna hand-painted porcelain charger titled "Verstosung der Hagar" depicting Abraham expelling Hagar and their son Ishmael as his wife Sarah observes from behind and his son Isaac looks on from

H. 75 x 40 x 80 cm. Made by Wittmann, Etsdorf, c. 2002. Wood, painted black, black linoleum. Literature: Koller, Radikalisierung der Phantasie, Design aus Österreich, Salzburg/Vienna 1987, p. 17

Helmut Leherb "Parc Montsouris oder der Nachmittag kleiner Leute" 1974 mixed media on paper; framed 29 x 37.5 cm (cut-out) signed and dated on the lower right: Leherb 74 Dorotheum Vienna, 30 May 2001,

Sei sedie. Tubolare metallico cromato, canna d'india intrecciata. Italia anni '70. cm 84x46x77 Buone condizioni generali. Lieve ossidazioni alla cromatura, piccole mancanze alla paglia di Vienna GOOD

Fine Vienna Hand Painted Porcelain Oval Platter. "Die Wahl der Kasten"; Shakespeare, Kaufmann, Von Venedig. Act III, scene 2. Artist signed lower right. 14" x 21". A Private Rochester, NY Estate.

Vienna Style Porcelain Charger Plaque Signed A Wallner. Shaped round, painted in polychrome enamels to the center with a named scene "GEFANGENNAHME DER GATTIN K÷NIG/ MANFREDS UND IHRER KINDER" the

Robert Zeppel-Sperl "Der Däumling" 1982/86 acrylic on canvas; unframed 55 x 68 cm signed and dated on the lower right: R. Zeppel-Sperl 1982/6 Wien Dorotheum Vienna, 16 December 2010, lot 187; priva

Eduard Angeli Untitled 1981 mixed media on paper; framed 29 x 39 cm signed and dated on the lower left: Angeli 81 private property, Vienna

Eduard Angeli Untitled 1978 mixed media on paper; unframed 50 x 70 cm signed and dated in the lower centre: Angeli 78 dedication in the lower centre private property, Vienna

A Vienna Porcelain Charger Early 20th Century depicting The Adornment of Venus (Schma¼ckung der Venus), the painted scene signed Gorner, bearing a beehive mark and titled to the reverse. Diameter

Artist: Gustav Klimt (After) Title: Der Lebensbaum (Fortsetzung) I Year: 1931 Dimensions: 19in. by 18in. Edition: 108 from the limited edition of 500 Publisher: