Rembrandt van Rijn, Jesus Christ Mis Au Tombeau (B86), Heliogravure on Laid Paper

Rembrandt van Rijn. Christ and the Woman of Samaria: An Arched Print (1657). New Hollstein 302, IV/V Sturdy, medium-weight cream laid paper. 1/16" margins all around. No visible watermark. The Tip of

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermark

Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with drypoint, 1635, a good but later impression of New Hollstein's fourth state (of four), on laid paper without

Artist: Rembrandt van Rijn (after) Title: Jesus Christ Preaching Year: 1888 Dimensions: 14.6in. by 11.5in. Edition: From the rare limited edition Suite: Rembran

After Rembrandt van Rijn (Dutch, 1606-1669), etching on laid paper titled 'Christ Driving the Money Changers from the Temple,' 5.5"h x 6.5"w, overall dimensions including frame 14.25"h x 15.25"w x 1"d

After Rembrandt van rijn. (1606-1669). Study of a Lion. Antique Copper Plate Heliogravure on watermarked dutch laid paper, after the original drawing and executed by a master engraver. 1880. Excellent

Rembrandt Harmensz Van Rijn (Holland, 1606-1669)Christ before Pilateetching with drypoint and engraving on laid paperLarge Plate (B., Holl. 77; H. 143) Etching with drypoint and engraving, 1635-36, wa

Rembrandt Van Rijn Self Portrait At A Window 1648 Etching On Laid Paper With Watermark, Comes With COA. Frame Measure 24 1/2" X 23 1/4", Sight 17.5" X 16.5". From A Mid Florida Estate. Please carefull

Rembrandt Van Rijn The Artist Mother 1631 On Laid Paper With COA On Laid Paper With Watermark. Frame Measure 22" X 20 3/4", Sight 15" X 14". From A Mid Florida Estate. Please carefully read our terms

Rembrandt Harmenszoon van Rijn, framed antique etching laid on paper "St. Jerome Reading". Provenance: Contessa Gallery, Cleveland OH. From a Greenwich, CT private collection. Dimensions:  Art:&n

DESCRIPTION: "Raising Of Lazarus". (Rembrandt Van Rijn 1606-1669). Etching on Arches laid paper. Signed in the plate. The tenth state (Bjorkland and Nowell-Eusticke). From Millennium limited edition.

After Rembrandt van Rijn (Netherlands, 1606-1669) etching on laid paper, "Man in a Coat and Fur Cap Leaning against a Bank," [Bartsch-Hollstein 151; Hind 14], 1630. Plate measures 4-1/2" x 3-1/8". In

Rembrandt Harmenszoon van Rijn "Jesus and his Disciples". Beautiful Heliogravure Phototype by the dutch master Rembrandt. Limited edition, hand numbered on lower left margin. Published by Birkhauser K

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

** Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's fourth state (of five), on laid paper without watermar

Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression of New Hollstein's third state (of four), on laid paper without watermark, sheet 91 x 1

REMBRANDT VAN RIJN The Presentation in the Temple: Oblong Print. Etching on thin, cream laid paper, circa 1640. 215x292 mm; 8½x11½ inches, narrow margins. Biörklund's third state (of 3)

Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, but a later impression of New Hollstein's final state (of 5), on cream laid paper without watermark, platemark 105 x 130 mm

Rembrandt van Rijn (1606-1669)Bearded Man in a Furred Oriental Cap and Robe: The Artist's FatherEtching, 1631, a very good impression of New Hollstein's final state (of five), on laid paper without wa

Rembrandt van Rijn. St. Jerome Kneeling in Prayer, Looking Down (1635). New Hollstein 142, II/II Medium-weight, cream laid paper. 1/16" margins all around. No visible watermark. Overall including part

Rembrandt van Rijn (1606-1669)Woman Bathing her Feet at a BrookEtching and drypoint, 1658, but a later impression of New Hollstein's final state (of two), on thick cream laid paper without watermark,

Rembrandt van Rijn (1606-1669)The Pancake WomanEtching, 1635, a good but later impression of New Hollstein's final state (of seven), printing with plate tone on cream laid paper without watermark, pla

Rembrandt van Rijn (1606-1669)The Ringball Player ('The Golf Player')Etching, 1654, but a later impression of the the second state (of two), printing with plate tone on cream laid paper without waterm