Francesco Bartolozzi Engraving of Di Vinci Artwork

19th Century Francesco Bartolozzi Engraving of Di Vinci Artwork.Measures 24 inches x 18.25 inches.

Grouping of Three (3) Antique or Vintage Artworks. Includes: after Francesco Petrucci engraving, after F. Bartolozzi "Zampieri Palace" engraving, and after Jan Goeree "Arch of Septimius Severus" engra

Francesco Bartolozzi - Engraving. Dimensions 37.5x35

AFTER FRANCESCO BARTOLOZZI, ENGRAVING, PUB G. ZOCCHI 1761 H 13.5" W 17'' APRILE Scene of a man and a woman shearing sheep; two women and a boy standing behind them ready for more sheep; a dog standing

Thomas 7th earl of northcumberlan, earl of essex, his grace the Duke of Marlborough, Mary queen of Scots, untitled engravings on paper sculpt Francesco Bartolozzi largest 18 x 12.5 inches unframed Ove

Jenny, Francesco Bartolozzi engraving. Enclosed in a Hogarth frame. 24 x 19 cm.

FRANCESCO BARTOLOZZI ITALIAN ENGRAVING HOLY FAMILY

18th Century Francesco Bartolozzi stipple engraving 1795, titled "The Lady of Richmond", Mary Howard. One of the famous Bartolozzi plates of the Royal Collection of drawings by Hans Holbein. Published

1795 Francesco Bartolozzi (1728 - 1815) Stipple Engraving. Imitation of original drawing by Hans Holbein with biographical tracts. Nicholas Borbonius Poeta. 1792. Published by John Chamberlaine. Print

1795 Francesco Bartolozzi (1728 - 1815) Stipple Engraving. Imitation of original drawing by Hans Holbein with biographical tracts. John Colet. 1792. Published by John Chamberlaine. Printed by W. Bulme

1796 Francesco Bartolozzi (1728 - 1815) Stipple Engraving. Imitation of original drawing by Hans Holbein with biographical tracts. Howard. 1792. Published by John Chamberlaine. Printed by W. Bulmer an

FRANCESCO BARTOLOZZI Four Seasons Engravings, label to reverse reads ‘Saxons & Clemons Inc’, subject portraits of four figures, measures 9 7/8 x 25 5/8 inches, white wooden frame, surface wear and

1793 and 1799 Francesco Bartolozzi (1728 - 1815) Stipple Engravings. Two imitations of original drawings by Hans Holbein. 1792. Published by John Chamberlaine. Printed by W. Bulmer and Co., London. In

Dated 1798 Francesco Bartolozzi (1728 - 1815) Stipple Engravings. Two engravings on one sheet, Image sizes 2.75 in. x 2.625 in., sheet size 21.1875 in. x 15.9375 in. Duke's of Suffolk. F-G/G. Unframed

Bartolozzi, Francesco (Italian, 1727-1815), Group of 9 Religious Prints, engravings, signed in plate, smallest sheet 9.5 x 13.25 inches, largest sheet 9.75 x 14 inches, all unframed.

Edward II the Martyr and Elfida colored engraving on paper William Hamilton, Francesco Bartolozzi sculps 13 x 15.75 inches (plate) unframed Overall good condition.

A set of coloured engravings by Francesco Bartolozzi  largest 41 x 27cm (3).

Copper engraving by Francesco Bartolozzi after Giovanni Francesco Barbieri (Guercino), originates from "Original Paintings and Drawings of Guercino in the Collection of His Majesty", published in Ital

Framed hand-colored stipple engraving by Francesco Bartolozzi (1727-1815) after a painting created by the British artist, William Hamilton. Titled "Caractacus". Published by S (Susanna) Vivares, Londo

Copper engraving by Francesco Bartolozzi after Giovanni Francesco Barbieri (Guercino), originates from "Original Paintings and Drawings of Guercino in the Collection of His Majesty", published in Ital

Copper engraving by Francesco Bartolozzi after Giovanni Francesco Barbieri (Guercino), originates from "Original Paintings and Drawings of Guercino in the Collection of His Majesty", published in Ital

Copper engraving by Francesco Bartolozzi after Giovanni Francesco Barbieri (Guercino), originates from "Original Paintings and Drawings of Guercino in the Collection of His Majesty", published in Ital

ASSORTED BRITISH AND EUROPEAN PRINTS, LOT OF FOUR, including a Francesco Bartolozzi (Italian, 1727-1815) engraving titled "Cupid & Psyche", published 1781 in London; and an Angelique Briceau (French,

A large fine engraving by Francesco Bartolozzi after William Hamilton showing Mr. Kemble as Richard III in a theatric production. Held by the British Museum (R 10.48). Very Good, light tatter at top a