James Abbott McNeill Whistler "Nocturne in Black and Gold, The Falling Rocket, 1875" Print

James Abbott McNeill Whistler (July 10, 1834 – July 17, 1903) was an American-born artist, active mainly in the United Kingdom, and a leading figure in the Aesthetic movement. Whistler was known for

James Abbott McNeill Whistler (American/British, 1834-1903) "Nocturne in Blue and Gold - Old Battersea Bridge", ca. 1910-1920 color lithograph on paper board "Franz Hanfstaengl, Munchen, no. 100" blin

After James Abbott McNeill Whistler (American, 1834-1903), "Black Lion Wharf," rotogravure reproduction on paper, signed in plate, sheet (unframed): 8.75"h x 11.75"w

James Abbott McNeill Whistler (1834-1903). Black and white etching on laid paper titled La Vieille Aux Loques. 1858. Signed in plate and framed under glass. Mat opening: 8-1/2 in x 6-1/4 in.

James Abbott McNeill Whistler, (American, 1834-1903), black & white etching, Hurlingham, signed in plate with butterfly, image 5 1/4" x 8", evenly toned, some mat burn apparent, not examined out of fr

James Abbott McNeill Whistler (American, 1834-1903), "The Little Cafe au Bois," 1894, lithograph, pencil signed lower right, plate signed with the butterfly lower center, with a collector stamp verso,

James Abbott McNeill Whistler (American, 1834-1903), "Gants de Suede," circa 1890, lithograph, butterfly monogram center right, sight: 10"h x 5.75"w, overall: 16.75"h x 13"w

James Abbott McNeill Whistler, (American, 1834-1903), two prints on paper, comprising “Hurlingham," ca 1879, drypoint etching with a crown watermark, depicting docked sailboats, and "The Traghet

James Abbott McNeill Whistler (1834-1903), (3) framed prints. Info verso. Largest frame overall 15 1/2" x 19 1/2".

After James Abbott McNeill Whistler (American, 1834-1903), Thames Police (Wapping Wharf), 1859, etching, plate signed and dated lower right, image: 6"h x 8.75"w, overall (with frame): 15.75"h x 18.75"

After James Abbott McNeill Whistler (American, 1834-1903), Annie Haden, drypoint etching, plate signed and dated lower left, overall (with frame): 19.5"h x 15.5"w

After James Abbott McNeill Whistler (American, 1834-1903), "The Adam and Eve, Old Chelsea, 1879," print, overall (with frame): 14.5"h x 19.25"w

James Abbott McNeill Whistler (American, 1834-1903). Lithograph in black ink on thick wove paper after the original. First Edition. Printed in the studio of Thomas Way in London c.1910.

James Abbott McNeill Whistler (American, 1834-1903). Lithograph in black ink on thick wove paper after the original. First Edition. Printed in the studio of Thomas Way in London c.1910.

James Abbott McNeill Whistler (1834-1903): The Winged Hat Lithograph in black on laid paper, 1890, signed with the artist's monogram in pencil, inscribed '22' in another hand upper left and on the rev

James Abbott McNeill Whistler (1834-1903): Drury Lane Rags Lithograph in black on laid paper, 1888, variously inscribed in pencil in another hand on the reverse. 9 1/8 x 8 1/4 in. (sheet), 16 1/2 x 12

JAMES ABBOTT MCNEILL WHISTLER (Am./Br. 1834-1903) "Billingsgate"1859 Black ink on laid paper, unframed 6 1/4" x 9" sight, 11" x 14" matted Signed l.c. Private Collection Readfield, Maine

Title: The Rag Pickers. James Abbott McNeill Whistler (1834-1903) Etching, 1858. Edition: 80 Known impressions. Unsigned. Only signed and dated within the plate. Fifth state. Image size 6 x 3 1/2"

Title: Annie. [Seated.] James Abbott McNeill Whistler (1834-1903) Etching and drypoint, 1858. Edition: 58 known impressions. Unsinged. Only signed and titled in stone. Second state. Image size 5 1/

James Whistler, American (1834-1903). Black and white etching of his mother sleeping titled 'Whistler's Mother' mounted in chrome frame and signed 'W 56' lower right corner. Measures 15 3/8"H x 17.75"

JAMES ABBOTT MCNEILL WHISTLER (American, 1834-1903). Reading by Lamplight, circa 1859, Etching and drypoint, printed in black ink on likely fine ivory oriental laid paper. Plate signed lower right in

James Abbott McNeill Whistler (American, 1834-1903), The Forgeetching and drypoint on laid paper, 1861, retains antique gallery label from the Old Print Shop, New York, matted and framed. Kennedy 68.

(American, 1834-1903) Charing Cross Railroad Bridge (W.120), signed at center with butterfly monogram, lithograph on paper, 8-1/2 x 13 in. (sheet); black painted frame,. Condition: foxing, toning, sma

Soupe a Trois Sous (1859) Etching and drypoint h. 6 w. 9 in. (subject) With burr, printed in black on Japan paper, 1859 overall: 13 x 15-1/2 in., frame Provenance: Descended through an Armonk, NY fami