Vallecchi, Attilio (Firenze, 1880 – Firenze, 1946) - Papini, Giovanni - Soffici, Ardengo - ed

Florence, Editions of the Voice (A. Vallecchi), 1915. In 2 (445 x 334 mm). Eyelet, frontispiece printed in red and blue, portrait of the author, light browning, binding in modern red canvas, preserved

Livorno, 1866 - 1942 Verso Antignano a Livorno Firmato Giò Bartolena in basso a sinistra Olio su tavola, cm 52,5X87 Provenienza: Firenze, raccolta Benzmore Firenze, Galleria d'Arte Duomo Milano, coll

Handsome Pair of French Grand Tour Bronze Sculptures 19th century, the first bronze of "Apollo Belvedere", after the original marble sculpture by Giovanni Angelo Montorsoli (Firenze, 1507-1563), h. 39

olio su tavola, W. 45 - H. 55 Cm, Collezione Molinari Pradelli, Castenaso (BO), La Bottega di San Luca, Torino, 2003, Collezione privata, Torino, "Firenze e la Toscana dei Medici nell'Europa del '500"

Livorno, 1825 - Firenze, 1908 Corse alle cascine Firmato Giò Fattori in basso a destra Olio su tavoletta, cm 19X33 Reca sul retro l'autentica di Giovanni Malesci. Provenienza: Milano, Galleria Armand

Atlante geografico degli stati italiani - Atlante illustrativo Firenze, presso gli editori, 1844. In 2° massimo, 440 x 620 mm. 2 voll. Il I volume contenente le carte dell’Italia Superiore in 52 fo

Carboncino su carta applicata su tela, cm. 64,5x49,6. Firma in basso a destra. Sul verso: Autentica su foto del Prof. Giovanni Faccenda.

Vocabolario degli Accademici della Crusca. Impressione Napoletana secondo l'ultima di Firenze. Tomo I (-VI). In Napoli: a spese di Giuseppe Ponzelli, nella stamperia di Giovanni di Simone, 1746-1748.

Galileo Chini, Paesaggio. 1931 Olio su compensato. cm 24x66. Firmato in basso a destra. Al verso timbro ed etichetta della galleria d'arte Il fiorino di Firenze, con riferimento n. 87, cat. 62.&n

Herbert Paus (American, 1880-1946), Soldier with Package from Homeoil on canvas, signed at center right, 1916, retaining label with publishing date, framed. Stretcher 28 x 20 in.; Frame dimensions 31

FIELDS, W.C. (1880 – 1946). W.C. Fields’ Crooked Pool Cue. Twisted, tapered design wooden pool cue, length 63”, width 1 1/8” at base (even craquelure). Owned and used by legend

Dove, Arthur Garfield (American, 1880-1946) Watercolor painting. Watercolor on paper. Greeting card. Signed lower right Dove. Measures 5” x 6 ”. The card is from the NY estate of Michael Lekakis (

ATTRIBUTED TO GLENN HENSHAWNew York/Indiana/Maryland, 1880-1946European street scene. Unsigned. Inscribed verso "Henshaw".Oil on canvas, 25" x 34". Framed 32.25" x 41.25"

Arthur Garfield Dove (American, 1880-1946) Attributed: Abstract Landscape. Oil on canvas, framed. Arthur Dove is credited as being the first innovative abstract painter in America. Many of his abstrac

Glenn C. Henshaw (American 1880-1946)- ''The Marketplace''- oil on canvas, ca. 1911. 36 x 48''

Maude Drein Bryant (American, 1880-1946) Still Life with Mums and Peppers Signed 'Maude Drein' bottom right; also partially pencil titled on upper stretcher verso, oil on canvas30 1/2 x 25 in. (77.5 x

RUNYON, DAMON. 1880-1946. Guys and Dolls. New York: Frederick A. Stokes Company, 1931. 8vo. Publisher's wrappers with pictorial dust jacket attached at spine, custom quarter morocco clamshell box. Pre

GLENN COOPER HENSHAWNew York/Indiana/Maryland, 1880-1946“New York”. Signed “Henshaw” and titled lower left.Mixed media on gray wove paper, 13.75” x 16” sight. Frame

Pair of pastel paintings on paper of West 12th Street, Chicago, by Glenn Cooper Henshaw (American, 1880 - 1946). [Art: 11 x 14 inches; Frame: 13 1/2 x 16 1/2 inches]. In good condition.

Cornelis Vreedenburgh (1880-1946 Dutch) ''Thatched Cottage with Fisherman'' Oil on Canvas 18.75''x30'' Image. An impressionist scene of fisherman in boat with cottage. Signed l.r. Original ornate gilt

Glenn Henshaw, America (1880-1946). Pastel on paper signed lower right of 'New York Harbor', wood frame. Measures 27.5"H x 21.75"W framed; 20.5"H x 15"W unframed. Condition report: good overall, wear

Includes a small framed Pietra Dura landscape - with label verso reading, "Il Mosaico di Firenze, Firenze Piazza S. Croce 15R"; an unframed Pietra Dura plaque of a parrot with butterfly and flowers -

VISAGES: HENRI MATISSE-PIERRE REVERDY, 1946. Editions du Chene, Paris. Portfolio with complete text and 14 lithographs printed in brown, 12.75 inches x 10 inches (32.5 x 25.5 cm), full margins, loose

(Monticelli di Firenze, 1503 - Firenze, 1572) Madonna con Bambino e San Giovannino Olio su tela, cm 81X67 Raffigurante la Madonna con il Bambino e San Giovannino in un paesaggio, il dipinto trova conf