The Great Gatsby by Rovenskaya Original

Artist: Nastya Rovenskaya. Medium: Original Mixed Media on Paper. Title: The Great Gatsby. Size (Unframed): 20" x 24". Size (Framed): 29" x 33". Certificate of Authenticity: From the publisher . Addit

Artist: Nastya Rovenskaya. Medium: Original Mixed Media on Paper. Title: The Great Gatsby. Size (Unframed): 20" x 24". Size (Framed): 29" x 33". Certificate of Authenticity: From the publisher . Addit

Artist: Nastya Rovenskaya. Medium: Original Mixed Media on Paper. Title: The Great Gatsby. Size (Unframed): 20" x 24". Size (Framed): 29" x 33". Certificate of Authenticity: From the publisher . Addit

Artist: Nastya Rovenskaya. Medium: Mixed Media. Title: The Great Gatsby. Size (Unframed): 20" x 24". Certificate of Authenticity: From the publisher. Reference# 19931.

Artist: Nastya Rovenskaya. Medium: Mixed Media. Title: The Great Gatsby. Size: 20" x 24". Signature: Hand Signed by the artist. Certificate of Authenticity: From the publisher. Reference#: 19930.

Oil on canvas titled 'The Youth of Bacchus' after the original by William-Adolphe Bouguereau (French, 1825-1905), 65"h x 158.5"w overall size including frame 78"h x 170"w x 4"d. Bouguereau was one of

Monumental 19th century oil on canvas, after the original titled 'The Officers of the St Adrian Militia Company,' by Franz Hals (Dutch 1582-1666), the officers of the Haarlem guard are depicted seated

Late 19th to early 20th century Continental carved marble sculpture depicting Mercury, winged messenger to the gods, tying his sandal, after the original by Jean-Baptiste Pigalle (1714-1785), 24"h x 1

Rare and unique Quinting Swiss transparent "mystery" chronometer and date wristwatch, with 43mm custom red face, stainless steel bracelet with hidden clasp, and original ostrich egg presentation case

Ancient Egyptian carved wood, gesso, and pigment mummy mask, retaining much of the original painted decoration, the figure having a dark headdress and false beard above an elaborate multi-strand neckl

Late 19th to early 20th century Continental carved marble sculpture depicting Psyche seated on a pedestal, after the original by Valerio Villareale, 1843 Palermo, 25"h x 10"w x 12"d.

Oversized bronze figural sculpture titled "Coming Through the Rye", after the original by Frederic Remington, on large marble base; sculpture 28.5"h x 31"w x 22"d, marble base 27"h x 32"w x 26"d.

Pair of late 19th century arched Minton majolica plaques depicting scenes of playful putti, taken from the original oil on canvas by Eduard Torok (Hungarian, 1836-1892) titled 'Meeting of the Angels,'

Late 19th century hand painted German porcelain portrait plaque depicting Queen Louise of Prussia, known as the Venus of Mecklenburg (1776-1810), after the original by Gustav Carl Ludwig Richter (1823

Oversized late 19th to early 20th century French bronze figural sculpture of a gladiator, after the original by Louis Leon Cugnot (1835-1894), 37.5"h x 21"w x 12"d.

Massive 19th century French Louis XVI style carved walnut trumeau, the arched top with central monogrammed shield issuing fruit filled garlands, the original beveled mirror with an egg and dart surrou

Mid 19th century hand colored lithograph, circa 1846, by John James Audubon (French / American, 1785-1851), from "Viviparous Quadrupeds of North America", titled "The Cougar / Female & Young", publish

Bronze sculpture titled "The Jockey", after the original by Isidore Bonheur, on verde marble base, 29"h x 30"l.

Elaborately carved Renaissance Revival style mahogany partners' desk after the original model by R.J Horner & Co., the rectangular top with bull nose corners surmounting the double-sided three over tw

Signed French pastoral landscape, late 19th century, executed in oil on canvas, after the original 'Returning Home' by Constant Troyon (French, 1810-1865), depicting a dog crossing the path of cows an

Limited Edition signed and numbered: "Florida Architecture of Addison Mizner," with introduction by Ida M. Tarbell, New York: William Helburn,1928, the large folio volume having original Moroccan leat

Late 19th century Continental oil on canvas depicting the Madonna and Child, after the original by Correggio (Italian, 1489-1534), unsigned, 33"h x 26"w, overall size including frame 42.5"h x 36.5"w x

English tower clock face, 19th century, with the Roman dial with original cast iron surround and clock gears, 41"dia. X 11"d.

Original Navajo pictorial eagle rug, centering a row of five eagles with partially spread wings executed in grey, black, and cream on a natural tan ground, having a geometric border in cream and grey,