Gillray (James) A Kick at the Broad-Bottoms!-i.e.-Emancipation of "All the talents", etching, 1807;

[English Cartoon/Political Satire] The Funeral-Procession of Broad-Bottom. Etching after John Gillray. Lon: H. Humphrey, 1807. “Js. Gilray sec.” above lower edge of image, “328” at upper right

Gillray (James) Collection of six caricatures, including 'The Wounded Lion' [BM Satires 10421], 'The Nursery, with Britannia reposing in Peace' [BM 9895], 'Tales of Wonder' [BM 9932]', 'Tirailleur Fra

Gillray (James) Light Expelling Darkness, - Evaporation of Stygian Exhalations,-or- The Sun of the Constitution, rising superior to the Clouds of Opposition, etching with hand-colouring, on cream wove

James Rizzi, etching with color, James Rizzi (American, b. 1950), "Oncoming Traffic", mixed media etching, signed, titled and numbered (2/99) in lower margin, 8.25"h x 6.25"w (sight), 12.5"h x 9.5"w (

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

*** START PRICE IS THE RESERVE *** AUDUBON, John James (1785 - 1851). Broad-Winged Hawk, Plate 91. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 39” x 25 3/4”

AUDUBON, John James (1785 - 1851). Broad-winged Hawk, Plate 91. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38 5/8" x 26 1/4" sheet. Comparables: Guernsey's, 2014 -

JAMES ENSOR Masques Scandalisés. Etching on imitation Japan paper, 1895. 117x80 mm; 4x3 inches, full margins. Signed and dated in pencil, lower right, and countersigned in pencil, verso. A very g

An important antique Chinese possible imperial family embroidery dress decorated with 8 circular crane motif decoration (3 at front, 3 at back and 2 at top of sleeve), the bottom with broad border of

SCULLY, SEAN. Pomes Penyeach. Poems in English and German by James Joyce. 13 etchings and aquatints printed in colors by Scully; printed by Jennifer Melby, New York, published by Bernd Klüser, Mu

Hand-colored engraving with etching after John James Audubon, "White Headed Eagle", plate 31. Robert Havell and Son engravers, 1828. Frame Opening: 25 x 38 in.

James Whistler, American (1834-1903). Black and white etching of his mother sleeping titled 'Whistler's Mother' mounted in chrome frame and signed 'W 56' lower right corner. Measures 15 3/8"H x 17.75"

James Ensor (Belgian, 1860-1949) Etching on Simili Japon 1895, Bataille Des Éperons D'or (Battle of the Golden Spurs), H 7" W 9.3" | Signed in pencil lower right, dated and annotated Bataille des &#2

Fine early impression with artist butterfly mark upper left, titled "The Balcony Venice", image size 11.75" x 7.75", matted and framed under glass, remnants of original label on reverse. Condition app

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

"Untitled (Woman)" by Kerry James Marshall, 2010 Signed Etching. Paper size is 26.25 x 21 inches, with an image size of 15.75 x 12 inches. The Etching is from an edition size of 50 and is currently fr

James A. McNeill Whistler signed etching [The Beggars]. Measures 12-in. x 8.25-in. plate size. Kennedy 194. Masfield 191. Ninth State. Printed on laid paper. Unframed and mounted. Mounted in 3 corners

Pair of Old Chinese Persimmon Glaze Dingyao Tea Bowls 2''x5'' Each. Floral lobed form with consistent deep brown glaze. Each bears a James Fould collection label on bottom. Excellent condition.

Title: Annie Seated. James Abbott McNeill Whistler (1834-1903) was an American artist active during the American Gilded Age, and based primarily in the United Kingdom. He eschewed sentimentality and m

Preston Singletary (American, b. 1963) "Tlingit Hat", 2010 blown glass with surface etching incised signature and dated at bottom. h. 7-3/4", dia. 19-1/2" Provenance: Holsten Galleries, Santa Fe, New

Joan Miro (French / Spanish, 1893-1983). Color etching and aquatint with drypoint and carborundum on wove paper. Titled "Le Dandy," (1969). Hand signed in pencil "Miro" lower right. An artist's proof,

"Hippo"; 1937; Glazed Ceramic; 4.5" x 10" x 4"; Signed on Bottom.

"Hippo"; 1924; Glazed Ceramic; 7.25" x 15.75" x 7"; Signed on Bottom.

Lucian Freud (1922-2011) Girl Sitting (Hartley 33) Etching, 1987, on Somerset wove paper, signed and numbered 35/50 in pencil (there were also ten artist's proofs), published by James Kirkman, London,