Boxing.- Rowlandson (Thomas) Rural Sports. A Milling Match, etching with hand-colouring, 1811

Rowlandson, Thomas (British, London 1757–1827 London), Preparing to Start, 1811, hand colored etching (coloring possibly later), Sheet: 9 5/8 × 13 11/16 in. (24.4 × 34.8 cm), Publisher: Thomas Teg

(lot of 2) Framed hand colored etchings on paper, signed in print H. Bunbury Del (Henry William Bunbury, British, 1750-1811) and Rowlandson Scul (Thomas Rowlandson, British, 1757-1827), including: (1)

Thomas Rowlandson (British 1756-1827)- 1). ''A Milling March'' 2). ''Joint Stock Street'' 3). ''Summer Amusement at Margate'' 4). ''Distributers of Domestic Happiness'' 5). ''Sports of a Country Fair'

"Quaker in Love" hand colored satirical etching by Thomas Rowlandson (English, 1757-1827.) The image shows a man in Quaker garb fondling an apparently willing young woman, while two other young women

India.- Daniell (Thomas) The Entrance Of Indra Sabhâ, etching with aquatint with hand-colouring, on J. Whatman wove paper with watermark date '1801', sheet 545 x 690 mm (21 1/2 x 27 1/4 in), some

Daniell (Thomas) Five plates, from "Views in Calcutta", from a set of 12, etchings and aquatint with hand-colouring, images each approx. 405 x 525 mm (16 x 20 3/4 in), laid onto paper mounts [?] as is

Daniell (Thomas) Near Currah, on the River Ganges, from Oriental Scenery, etching and aquatint with full hand-colouring, an excellent impression on thick Whatman wove paper without watermark date, pla

Daniell (Thomas) and William Daniell. An Hindoo Temple, at Deo, in Bahar, from Antiquities of India, etching and aquatint with full hand-colouring, an excellent impression on thick Whatman wove paper

Daniell (Thomas) Govinda Ram Mittee's Pagoda, Calcutta, from Oriental Scenery, etching and aquatint with full hand-colouring, an excellent impression on thick Whatman wove paper with watermark date of

Daniell (Thomas) Ruins at the Antient City of Gour Formerly on the Banks of the River Ganges, from Oriental Scenery, etching and aquatint with full hand-colouring, an excellent impression on Whatman w

Daniell (Thomas) and William Daniell. Exterior of an Eed-Gah near Chaynpore, Bahar, from Oriental Scenery, etching and aquatint with full hand-colouring, an excellent impression on thick Whatman wove

Thomas and Pugin Rowlandson (English 1756-1827)- ''Royal Cock Pit''- etching with hand-coloring, mat burned and some staining; along with 3 Cruikshank prints- ''The Shop and The Shay''; ''Blood Heat a

Daniell (Thomas) and William Daniell. Three plates from 'Oriental Scenery', etchings and aquatint with full hand-colouring, excellent impressions on Whatman wove paper, each platemark approx. 490 x 65

Daniell (Thomas) and William Daniell. Ryacotta, in the Barramah'l; Sankry Droog, two works from Oriental Scenery and Twenty-Four Landscapes, etchings and aquatint with full hand-colouring, both excell

Jukes (Francis) and Thomas Anburey. Three views from 'Hindoostan Scenery consisting of Twelve Select Views in India', etchings and aquatint, with full hand-colouring, on Whatman wove paper, each plate

Salvador Dalí (1904-1989) Petits Nus Ronsard, from Actes Nues (Michler & Löpsinger 258-265) The complete set of eight etchings with hand-colouring, 1974, on Japan paper, with title, text in

Rare, a view of the City of Montreal and the "River St. Lawrence River from the Mountain", etching and aquatint with hand colouring. E. Walsh 49th Regiment Delint, engraved by John Bluck (printmaker)

Sir Howard Hodgkin (British, 1932-2017) Red Print (Heenk 91) Etching with carborundum printed in orange and green with hand-colouring, 1994, on BFK Rives, signed with the initials, dated and numbered

Salt (Henry) A View at Lucknow, etching and aquatint, by D. Havell, with vibrant hand-colouring, on thick Whatman wove paper with watermark date '1806', platemark 480 x 675 mm (18 7/8 x 26 1/2 in), sh

Salt (Henry) Three plates from 'Twenty Four Views in St. Helena, the Cape, India...', etchings and aquatint, by D. Havell, all with vibrant hand-colouring, on thick Whatman wove paper with watermarks,

Wavy Brushstrokes Superimposed, Plate #01, 1995, LITERATURE: Krakow, 1995.09, 17/35Etching with hand-drawn photo transfer and aquatint in colors on Rives BFK paperSigned and editioned lower right, wit

Wavy Brushstrokes Superimposed, Plate #02, 1995, LITERATURE: Krakow, 1995.09, 17/35Etching with hand-drawn photo transfer and aquatint in colors on Rives BFK paperSigned and editioned lower right, wit

Wavy Brushstrokes Superimposed, Plate #04, 1995, LITERATURE: Krakow, 1995.09, 17/35 Etching with hand-drawn photo transfer and aquatint in colors on Rives BFK paper Signed and editioned lower right,

Wavy Brushstrokes Superimposed, Plate #03, 1995, LITERATURE: Krakow, 1995.09, 17/35 Etching with hand-drawn photo transfer and aquatint in colors on Rives BFK paper Signed and editioned lower right,