Classical Carved Cherry Candlestand

American Carved Cherry Tilt Top Candlestand, 19th c., the oval top on a baluster turned support, with tripodal tapered splayed legs, Open H.- 40 3/4 in., Closed H.- 29 1/4 in., W.- 22 1/2 in., D.- 21

New York, c. 1825. 28-1/2"h x 19-1/3"w x 25"d Provenance: Property from a Distinguished New Jersey Gentleman

An American Classical carved mahogany and cherry chest of drawers, second quarter 19th century, having two outset short drawers over one deep and three long drawers below, flanked by acanthus carved p

Lot 2 stands including Sheraton carved cherry tilt top candle stand, 19th century & contemporary single drawer stand by the Bombay Company with spool legs

American Classical Carved Mahogany Tilt-Top Candlestand, early 19th c., New York, manner of Duncan Phyfe, oval top, turned standard, outswept acanthine legs, scrolled toes, h. 28 in., w. 26 in., d. 18

American Classical Carved Mahogany Tilt-Top Candlestand, early to mid-19th c., likely Philadelphia, gadrooned top, foliate standard, scrolled tripod base, paw feet, casters, h. 29 in., dia. 30 1/2 in.

Early 19th C. Boston classical mahogany candlestand with carved acanthus leaf pedestal base on three legs with brass casters, 29"h. x 16" x 16". Attributed to Stephen Badlam of Dorchester, Massachuset

Great versatile cherry and glass showcase with single door, two interior glass shelves and glass top. Classical carved art nouveau base, columned corners and square body measuring approx 37" tall x 24

Cherry Candle Stand with shaped top on urn carved shaft ending in tripod base, height 29 1/2 inches, top 15 3/4" x 16 1/4".

A Louis XV style cherry two-door buffet, French, circa 18th century. Original iron hardware. Mortise-and-tenon construction, breadboard top, classical decoration carved in low relief. The interior she

Early 19th C. Cherry dish-top candle stand, single board top carved from the solid-small size, 25” H X 15” dia.

New England, c.1740-1750, the circular dished top with concave molded edge over a column and ring turned standard, on a tripod base of carved cabriole legs ending in snake feet. Old repair to one leg.

carved base with tri-footed standian legs, circa 1820, 29" tall, 21" X 17 1/2" top.

Lot (2) candlestands. Includes Federal carved tiger maple and cherry (14 1/2" x 14" x 29"), and paint decorated (repairs).

Cherry and birds eye maple, carved pulls, some minor veneer losses, 55 x tall x 74 wide x 23 deep

Two Piece Lot, to include a Sheraton cherry drop leaf table, having round top candle stand, along with carved fluted legs, height 30 inches, top 18" x 32", stand height 27 inches, depth 15 inches. Pro

Corydon, Indiana, c. 1825, cherry and poplar. A fully developed classical case, with a broken-arch pediment, and the waist with four fully turned columns with carved capitals, the base with an arch fl

Mid 19th century. Having a shaped top over a single drawer with carved center over scrolling lower case on nicely shaped feet all atop casters. H28" W27 3/4" D15 3/4" Sold from the collection of a Kin

19TH C TILT TOP CANDLESTAND, FROM HUDSON VALLEY ESTATE, LOOKS LIKE CHERRY, OPENED, IT MEASURES 41" HIGH, AS A STAND IT IS 29" HIGH. HAS A PINEAPPLE CARVED CENTER.

Transitional from late Federal to early Classical cherry with white pine secondary. Having ovolo corners resting on turned columns and ogee carved legs. In overall good condition consistent with age a

probably Wethersfield area, circa 1740-1760, with molded top over four dovetailed drawers, central drawer with deep fan carving, scalloped skirts, cabriole legs with pad feet, white pine secondary, 33

Philadelphia, attributed to the shop of Anthony Quervelle, circa 1840, with variegated marble top, over scrolled supports, single door with mirrored inset, shelved interior, pull out mixing slide with

Italian, 19th century. A carved oak classical life sized sculpture of Ceres, goddess of agricultural and crops, or Carpo, goddess of fruit, wearing a draped robe and carrying a reticulated basket of f

Philadelphia Empire carved marble top pier table. Possibly by Querville. With a rectangular marble top supported by carved scrolled columns with acanthus leaf carving. The sides carved with grape vine