Central Virginia Primitive Walnut Washstand

38 in tall to backsplash x 28 in T to counter x 31 in x 15 in

19th Century Central Virginia Walnut Breakfast Table on Turned Legs

Southern Chippendale Walnut Corner Cupboardattributed to central Virginia, circa 1800, poplar secondary, one part form, applied cornice molding with applied stylized dentil molding, upper and lower pa

A Federal-style marble-top walnut table with mother of pearl inlay, late 19th/early 20th century. 31" x 43 1/2" x 21." Minor wear from age & use. Marble top newer than base.

Pennsylvania Country Sheraton walnut miniature drop-leaf table with two drawers. Oval drop-leaves with swing-out supports, dovetailed skirt drawer and turned legs. 30" H x 41 1/4" L x 25" W. Staining

Rounded top with carved drawers & brass pulls resting on whorl feet. 33" H x 41 1/4" L x 19 1/4" W. Wear consistent with age & use.

14 1/2" H x 16" L x 16" W.

A Chippendale Walnut Slant Front Desk, probably Virginia, Fourth Quarter 18th Century. The hinged fall enclosing an interior fitted with small drawers and pigeon holes about a central prospect do

VIRGINIA FOLK ART PICTURE FRAMES, LOT OF TWO, comprising a primitive carved walnut cross-style with original glass and dry, stained surface; and a tenth anniversary tinned sheet-iron example with

Circa 1810, Central Carolinas or Virginia origin. The piece having a very nicely figured grain to the top and case. The rectangular top rests atop lower case housing two long drawers at center flanked

DESCRIPTION: Southern Chippendale side chair. Probably Maryland or Virginia, circa 1770-1790. Walnut. Box frame base with side stretchers, a slip seat with later corner blocks. Central pierced splat a

DESCRIPTION: Southern Chippendale side chair. Probably Maryland or Virginia, circa 1770-1790. Walnut. Box frame base with side stretchers, a slip seat with later corner blocks. Central pierced splat a

circa 1780, eastern Virginia or North Carolina, yellow pine corner blocks, stiles and crest rail with molded edge, central shaped splat with pierced heart cut-out, shaped arms and supports with scroll

Blue glaze design of Chinese characters. On bottom blue glaze Chinese mark. In presentation box. 3 3/4" x 3 1/4" Diam.

Seascape with boat. Oil on board, signed & dated 1934 lower right corner. Sight, 19 3/4" x 23 3/4"; frame, 24 1/2" x 28 1/2."

A Peter Danko bench, c.1970s. Oak. Undulating form creates the seat with straight seat stretcher frame with peg construction & curved, carved legs. 20" x 96" x 22." Minor wear from age & use.

Three Duffner & Kimberly Co. single-arm wall sconces with lead-glass geometric pattern, c.1910s. Impressed into base "4019A." Electrical wiring reworked. 11" x 4 3/4" shade Diam. Minor wear from age &

(1711-1799). Overall floral & fretwork motif with key fret design around base of foot with blue glazed body. On bottom of each, impressed mark "Made in Qing dynasty, Qian Long period". 12"H. One lid h

"Three English Jockeys Up." 1968. Charcoal and oil pastel. Signed l.r. Signed, dated, and titled on verso of frame. 18" x 24". Matted and framed under glass: 26 3/4" x 32". Condition: Small tack hole

Untitled. 1988. Elongated & twisted piece of polished steel. Signed & dated on bottom edge of steel. 11'3." This piece is smaller but nearly identical to "Ascent" at the Smithsonian National Air and S

"Samson and Delilah" c.1990. Bronze wall sculpture with patina, signature and number inscribed lower right corner. Edition 361/375. 19 1/4" H x 22 3/4" W. Wear from age and use.

Untitled. 1983. Polished steel on granite base. Signed & dated on bottom edge of steel. 53" (with base). Base: 12" x 12."

Image of Washington Monument from the White House. Signed lower left corner & dated lower right corner "December 25, 1931." Removed from frame for inspection. Signatures still bold against cream-color

Leather-interwoven chain strap, the tan faille-lined interior with slip pocket & zippered pocket, with a stitched leather label stamped: "Chanel/Made in Italy", the interior clasp and zipper tab stamp