After Nicholas Matthew Condy (1816-1851) British. ‘The

Nicholas Matthew Condy (United Kingdom, England, 1816 - 1851) Signed lower right. Oil/Panel. Sight Size: 9.75 x 7.75 in. Overall Size: 19 x 17 in. Condy is represented in the following collections: Na

Attributed to Nicholas Condy Sr. (British, 1799-1857), first quarter 19th c; 'Fisher folk on Beach," oil on board depicting fishermen working on boats, apparently unsigned. Provenance: from the Estate

Edward Matthew Ward, RA (British, 1816-1879) The last sleep of Argyll signed and inscribed 'E M Ward RA' (lower right) oil on canvas 103.5 x 118.5cm (40 3/4 x 46 5/8in). Footnotes: This work

Leslie Matthew Ward (Spy) (British, 1851-1922), Winston Spencer Churchill for Vanity Fair, 1900, lithograph in colors, signed in plate lower left, overall (with frame): 15.75"h x 10.75"w

Carlo Pellegrini "APE" (Italian/British 1839-1889), Sir Leslie Matthew Ward "Spy" (British 1851-1922), chromolithographs, set of four political caricatures comprising: APE-William Connor Magee, Bishop

Carlo Pellegrini "APE" (Italian/British 1839-1889), Sir Leslie Matthew Ward "Spy" (British 1851-1922), chromolithographs, set of four political caricatures comprising: APE-William Connor Magee, Bishop

Artist: Leslie Matthew Ward (Spy), British (1851 - 1922) Title: Mr. Rivers Wilson, C.B. Portfolio: Vanity Fair - "Egyptian Finance" - Men of the Day, No. 187 Year: 1878 Medium: Lithograph Image Size:

Artist: Leslie Matthew Ward (Spy), British (1851 - 1922) Title: Mr. William Dudley Ward Year: March 29, 1900 Medium: Lithograph, signed "SPY" in the stone Size: 13.5 x 7 in. (34.29 x 17.78 cm) Frame S

Walter Shaw (1851-1933) British. This painting by Walter Shaw shows a natural ocean seascape. The water features breaking waves with cliffs in the distance. The bottom right of the painting is signed

the first: J. W. M. Turner (British, 1775-1851), "Entrance of Calais Harbour" from Etchings and Engravings for the 'Liber Studiorum', etching with mezzotint, 1816, retains gallery label to backing, ma

Victorian Painter Edward M Ward Signed signature piece. Signed in Pencil. Edward Matthew Ward, RA, 14 July 1816 - 15 January 1879, was a British painter who specialised in historical genre. He is best

HART, William Matthew (British, 1830-1908). Quezal or Pharomacrus mocinno. Original watercolor heighened with gum arabic on paper. Inscribed in pencil upper left by Gould "Plant Barkeria Elegans", and

(1739-1816 British) "The Day's Catch", oil on canvas, approximate image size 14 1/2" x 19", frame 19 1/2" x 24".

Sir Matthew Smith (British, 1879-1959) Still Life with Green Leaves signed with initials 'MS' (lower right) oil on canvas 58.5 x 72.5 cm. (23 x 28 1/2 in.) Painted in the 1940s Footnotes: Provenance

A PAIR OF MONUMENTAL ORMOLU-MOUNTED SERPENTINITE URNS, MANNER OF MATTHEW BOULTON (BRITISH 1728-1809)the bell-shaped serpentinite urns with George III-style gilt mounts in the manner of MATTHEW BOULTON

A unique grey external and cream internal spiral twist ceramic sculpture. Signed by artist. Dia: 11 in (27.94 cm)H: 10.5 in (26.5cm)

Nicholas Pocock British, 1740-1821 The Glorious First of June Ink, gray wash and watercolor on paper 6 3/4 x 9 7/8 inches (17.2 x 25.1 cm) Provenance: Rafael Vals, London Exhibited: London, Cadogan Ga

Wooded Stream And Wildflowers, Oil On Canvas Painting, Signed Lower Right. See Attached Provenance Documents. Canvas Height 71 X Width 47, Gilt Frame Height 81.5, Width 57, Depth 4 Inches, Paint Surfa

Oil on board, featuring landscape scene. Signed and attributed to Sir Matthew Smith (British, 1879-1959) on lower left corner. 9 x 12 inch (23 x 30.5 cm). Sir Matthew Smith, CBE (22 October 1879 - 29

A Pair of George III Gilt Bronze Mounted Blue John Cassolettes In the Manner of Matthew Boulton (British, 1728–1809) each pineapple finial and Bacchic handles. Height 11 inches. Provenance: Sotheby'

Alfred Wheeler - British, 1851-1932 Steeplechasers Oil on canvas 24" x 36" Signed

William Mellor (British, 1851-1931) Welsh Llyn, North Wales signed 'William Mellor' (lower right) oil on canvas 50.8 x 76.2cm (20 x 30in). Footnotes: Provenance With Haynes Fine

William Mellor (British, 1851-1931) Bolton Abbey on the Wharfe, Yorkshire signed 'William Mellor' (lower left) oil on canvas 61 x 91.4cm (24 x 36in). Footnotes: Provenance With H

Matthew Curtis (British, b. 1964) Neo and Ruby Phloem, 2015 Blown, fused and cold worked glass, stainless steel frame 14 x 23 x 7 inches (35.6 x 58.4 x 17.8 cm) Signed by the artist PROVENANCE: Sabbia