Martin Facey (b. 1948) Californian

POOL WITH CRYPT, 1980, oil pastel, signed and dated and inscribed “Poolside in L.A.” lower left, 28 x 22”, discardable frame with glass with LACMA/ Art Rental label on verso.

TABLESCAPE / WAITING, HOW THE CAT SEEKS AT DUSK (P-164), 1982, oil painting on canvas, signed and dated lower right, signed and dated and inscribed on verso, 66 x 46”. Exhibited at Tortue Galler

SUSPENSION, LOSING ONE’S GROVES, 1981/82, oil painting on paper, signed and dated lower right, 22 x 28”, finger-jointed frame 24 ¾ x 32 ¾” with Plexiglas.

Oil on Canvas by Martin Facey (American, b.1948), "Seated Dog, Pears, Landscape", 1981. This painting depicts a colorful, surreal-like landscape featuring a hound-like dog in a resting position among

CAT BURGLAR, 1989, polychrome patina bronze, signed and dated, numbered 5/375, published by Martin Lawrence, with their stamp by the signature, mounted to a marble base, overall 17 x 15 x 8 ”, in go

THE IMPRESSIONISTS, 1984, color screenprint, signed in pencil, from the numbered edition 50 hors commerce, image 19 x 30”, full margins, published by Martin Lawrence Editions, with blind stamp lower

SNOW CASTLE, 1983, color screenprint, signed in pencil, from the numbered edition 275, image 34 x 23 ”, full margins, published by Martin Lawrence Editions, with blind stamp, framed, in apparently g

ICARUS FIGURE, 1992, oil, charcoal and collage on wood panel, signed lower left, 30 ½ x 18â€. Artist's or gallery label on verso. From the collection of Paul J. Coady.

RED COLUMN, reverse painting with gold-leaf on glass triangular column, with black granite base, 76” tall including base, small chips at base, small unobtrusive losses at edges visible upon close in

BLACK COLUMN, reverse painting with gold-leaf on glass triangular column, with granite base, 82” tall including base, a few small internal impact cracks, a few hairline cracks at base, small unobtru

UNTITLED RED SPHERES, 2005, encaustic and paint on canvas, signed and dated on verso, 14 x 11”, in good studio condition. Provenance: acquired directly from artist.

UNTITLED, 1986, reverse painting with gold-leaf on glass, mounted to wood, signed (twice) and dated and stamped on back, 47 x 36” multi-directional, small repair on one corner, some small filled in

BETTY PAGE MERMAID, color lithograph on silk coated paper, signed in pencil, from a numbered edition 25 Roman Numerals, aside from the numbered edition 450, sheet 38 x 26”, published by Robert B

BETTY PAGE MERMAID, color lithograph on silk coated paper, signed in pencil, from a numbered edition 450, sheet 38 x 26”, published by Robert Bane, with his and artist’s blind stamps lower right a

TORSO, oil painting with oil stick on paper, signed lower right, 26 ¼ x 20 ¼ x 1 ¾” including frame with glass.

PEARL (III), 1990, oil painting on linen over panel, signed and dated on verso, canvas 8 x 6 ½”, overall 9 ¼ x 7 ¾” framed. Provenance: Works Gallery, Long Beach.

BETTY PAGE MERMAID, color lithograph on silk coated paper, signed in pencil, from a numbered edition 450, sheet 38 x 26”, published by Robert Bane, with his and artist’s blind stamps lower

BETTY PAGE MERMAID, color lithograph on silk coated paper, signed in pencil, from a numbered edition Roman Numeral 25, sheet 38 x 26”, published by Robert Bane, with his and artist’s blind

TWO CAT WOMEN, color print, signed in pencil and inscribed HC 20/50 (hors commerce), published by Robert Bane with blind stamps lower left, sight 25 ½ x 28 ½”, frame 37 ¾ x 40 ¾”; Together wit

BETTY PAGE MERMAID, color lithograph on silk coated paper, signed in pencil, from a numbered edition 450, sheet 38 x 26”, published by Robert Bane, with his and artist’s blind stamps lower right a

BETTY PAGE MERMAID, color lithograph on silk coated paper, signed in pencil, from a numbered edition Roman Numeral 25, sheet 38 x 26”, published by Robert Bane, with his and artist’s blind

BETTY PAGE MERMAID, color lithograph on silk Certificate of Authenticityted paper, signed in pencil, from a numbered edition 25 Roman Numerals, aside from the numbered edition 450, sheet 38 x 26&#8221

BETTY PAGE MERMAID, color lithograph on silk coated paper, signed in pencil, from a numbered edition 25 Roman Numerals, aside from the numbered edition 450, sheet 38 x 26”, published by Robert B

BETTY PAGE MERMAID, color lithograph on silk coated paper, signed in pencil, numbered 36/ 450, published by Robert Bane with his and artist’s blind stamps lower right and left, sheet 38 x 26&#82