Zu Safra D'Adam Kadma'ah sheNatan Lo Raziel HaMalach.

Four monopodia figural legs, lattice work frieze surrounding a stone base, granite top. Silver-blue metal x-form stretcher. The table after an example by Adam Weisweiler, possibly made by Paul Sormani

A early 20th century silver and enameled box. The flowing tendrils and enameled leaves are very much in the style of the Vienna secession movement. Marked for Vienna maker Georg Adam Scheid. Dia.: 5.5

Adam's form with classical design urn, English 18th C. H. to finial: 21 1/2in, Dia. at largest point: 14in

Neoclassical form with Adam's influenced details, Possibly English, late 19th C, electrified. L. 48cm (19in) W. 33cm (13in) Provenance: Property of a Prominent Canadian Collector

Brass instrument bearing royal warrant. Engraved Maker to his Majesty. In fitted mahogany case. By George Adams. London. Circa 1760s. Together with various accessories and period slides. H. ofmicrosco

Hammered copper body with studded detail, mushroom shaped Mica shade. Made by Michael Adams for Aurora Studios. Signed Prototype #2 12/95 with initials. Dated 1995. H.: 58 cm (23 in.)

Hammered copper body with studded detail, mushroom shaped Mica shade. Made by Michael Adams for Aurora Studios. Signed Prototype #1 12/95 dated 1995. H: 58 cm (23 in.)

Flame mahogany with satinwood banding, straight legs, with fitted central drawer, flanked by deep drawers. English, late 18th C. Old label from Norman Adams Ltd Hans Road London H. 37 1/2" W. 60" D. 2

A pair of early 19th century candelabra. The plain cast and fabricated sticks in an Adams style have detachable arms, each with two lights and a central finial topped by an acorn. Each pieceengraved w

A RARE & COLLECTIBLE MYSTERY-SET SAPPHIRE AND DIAMOND FLOWER BROOCH, BY VAN CLEEF & ARPELS The realistically modelled flowerhead mystery-set throughout with calibré-cut sapphires, with a brilliant-

In the manner of an example by Francois Linke and Leon Message, Paris that was made for the 1904 World's Fair. Kingwood veneer richly decorated with gilt bronze mounts, including C and S scrolls and a

An early 18th century carnelian intaglio ring by gem engraver Nathaniel Marchant (1739-1816). The yellow gold ring fitted with an oval shaped orangish-red cornelian carved intaglio depictingclassical

ALEX KATZ (b.1927) Catherine (2006) Oil on panel, 30.3 x 22.6cm Signed and dated 2006 Provenance: With Hillsboro Fine Art, Dublin; Private Collection, Dublin

Untitled (circa 1970) Colour lithograph on wove paper Signed and numbered 61/95 in pencil Size: 29.5 x 43.5 in. Provenance: Albert White Gallery, Toronto; stock no. C-51; Private Collection, Toronto,

Front panel with hard stone inlays on a yellow ground and painted details. The back with a lacquer surface and polychrome paint. Frame size: 99 x 65cm (39 x 25 1/2 in.)

AN IMPORTANT PAIR OF EARLY 20TH CENTURY DIAMOND EARRINGS Each transitional-cut diamond weighing respectively approximately 4.10cts & 4.22cts within a multi-claw setting to hook back fittings, mounted

Purportedly removed from the waters in the area of the sinking of the RMS Titanic. The chair is typical of White Star Line folding deck chairs, made of beech wood with caned seat and slat back. The up

Norah McGuinness HRHA (1901 - 1980) Waterweeds Oil on canvas, 122 x 91.5cm (48 x 35¾) Signed; inscribed with title and dated 1968 verso Though this Norah McGuinness painting is clearly of water

Merlot colour crocodile leather with key and lined lock, matching shoulder strap, stamped Hermes Paris, Made in France in gold. W. 13 in H of body 9 3/4 in. Bidders living outside of Canada are warned

The plaque carved on one side with boat travelers in a rocky landscape, the other side with three five-claw dragons chasing after a flaming pearl in a cloud waves. The frame border carved with lotus f

AN IMPORTANT DIAMOND SINGLE-STONE RING The old European-cut diamond weighing 6.94cts within a four-claw setting, to a plain hoop, ring size O Accompanied by a report from the GIA laboratory in America

Untitled (Oxen in Winter) Mixed oils on beaverboard (pulp board) Signed lower right Size: 11.75 x 14 in. Provenance: Acquired directly from the artist, 1966; by descent to present Private Collection,

Chinese, late 19th C. Globular body with spreading neck, painted in the Ming manner with floral scrolls, bands of lotus petals and a trefoil cloud collar and neck beneath a cloud rim. Each with six ch

Transitional period, the bottle vase with straight tall neck painted in underglaze blue with bamboo sprigs, the body with military and civilian figures with attendants with elaborate pavilion roof and