Leon Golub, Cyber Man, 1994, color screenprint

"Two Black Men", photolitho with selective gloss finish, 1994, pencil signed lower right. Unframed, loose, sheet size: 11 1/2" x 21 1/2". Fine condition.

(5) NANCY SPERO & LEON GOLUB SCREENPRINTS a collaboration from the 1971 “Conspiracy” portfolio, 5 individual color prints titled “They Will Torture You, My Friend Artaud”, signed in pencil by

Sam Francis (American, 1923-1994). Color screenprint on Arches 88 wove paper titled "Toward Disappearance" depicting splatters of colors forming an arch, 1973. Pencil signed along the lower

GRETA GARBO, 1994, color screenprint, signed in pencil, artist’s proof 2/4, with artist’s blind stamp lower right, sheet 47 1/2 x 36".

Sister Corita Kent, CURE OF THE BLIND MAN, color screenprint on wove paper, signed and titled in pencil, sight 18 ½ x 23 ½”; Ben Shahn UNTITLED, color lithograph, signature on the stone, numbered

UPHEAVAL, 1994, color screenprint, signed and numbered 240/295 in pencil, published by Martin Lawrence Limited Editions with blind stamp lower left, printed by American Serigraph Los Angeles, image 36

CUBIST FACES, 1994, color screenprint, signed and dated and numbered 168/300 in pencil, image 20 x 16”, full margins frame 30 ¼ x 25 ¾” with Plexiglas. From the Alan Charles

UMBRELLA MAN, 2016, color screenprint, signed and numbered HC (hors commerce) 35/100 in pencil, artist’s blind stamp lower left, image 12 x 9 ¼”, full margins, frame 31 ¾ x 28 &#

UMBRELLA MAN, 2004, color screenprint, signed and numbered 135/200 in pencil, image 15 x 16”, full margins, frame 24 x 25” with glass.

WOMAN/MAN, embossed color screenprint on gold card stock, signed and titled in pencil, numbered 42/75, sheet 17 x 13", matted.

Clayton Pond (born 1941) Flowering Woman and Flowering Man, 1969 Color screenprints on paper; each titled, numbered, and signed '...Clayton Pond' in pencil along the lower margin; framed. each 13 1/4

LeRoy Neiman (American, 1921-2012) The Paris Suite: Eiffel Tower, July 14th (on Champs-Élysées), and Notre-Dame, 1994 (three works) color screenprint on Arches signed and numbered lower

Leon Golub (1922-2004) The Burnt Man, 1961-62, Silkscreen, Signed lower right and numbered 9/60. Chiron Press, New York. Sheet dimensions: h: 38 x w: 49 7/8 in. H: 34 1/2 W: 46 in.

Leon Golub (American, 1922-2004) Seated Man lithograph signed, titled, dated, and numbered 19/20 29 1/4 x 21 3/4 inches.

BAD DOG, 1988, 1988, color screenprint of Man Ray the dog, signed in pencil, numbered 79/96, sheet 33 x 26”, printed by Jeff Wasserman, published by Laddie John Dill, framed and in apparently good c

COMMISSION, ONE MAN ONE WOMAN, 1976, color screenprint, signed and inscribed ed 500 (edition of 500) in pen, sight 15 ¼ x 13 ¾”, frame 21 x 19 ¼” with glass.

Claes Oldenburg (American/Swedish, 1929-2022) "N.Y.C. PRETZEL (AXSOM/PLATZKER 250.4)," 1994, three-ply cardboard color screenprint multiple, stamped and initialed verso, overall: 7.5"h x 6.5"w

STACKED MAN ON HIGH WIRE, color screenprint, signed and numbered 122/150, sheet 41 ½ x 29”.

Ed Flood (American, 1944-1985) One-Eyed Man, Tatoo Six, 1965 color screenprint and lithograph on Arches signed and dated lower right 6 7/8" x 9 3/4"

SNOW WHITE SUITE, 1994, set of four color screenprints, each signed in colored pencil, numbered 391/500, images 16 x 14”, full margin, printed by Soma Fine Art Press, all with artist’s and printer

RB Kitaj, print, RB Kitaj (American, 1932-2007), "Men and Books", 1971, color screenprint on paper, signed and dated in pencil lower right, framed under glass, 29"h x 21"w (sheet), 31.5"h x 23.5"w (fr

WOMAN WITH JAR AND MAN WITH HAT; TWO MEN WITH BLANKETS, two color screenprints, each signed in pencil, numbered 32/100 & 9/150, images 8 3/4 x 12 1/4" & 9 x 12", both with blind stamps lower right and

MANABU MABE (Brazilian /Japanese, 1924 ñ 1997), Abstract, 1994, screenprint in colors, image size: 12 x 15.75 inches, framed: 19.5 x 25.5 inches. pencil signed and dated lower center, edition 33/

Kayla Mahaffey (American/Chicago, b. 1994), "Safe Haven", 2021, 45-color screenprint, pencil-signed and monogrammed in plate lower right, numbered "58/100" lower left, 24 in. x 27 1/2 in., unframed.