Alfredo Jarr (Chilean, b. 1956) Gold in the Morning,

Alfredo Jaar (Chilean, b. 1956) Coyote, 1988 light box, color transparency and fiberglass Lightbox: 40 1/2 x 40 1/2 x 5 1/4 inches. Property from The Private Collection of Ted and Generosa Ammon, New

Alfredo Jaar (Chilean, b. 1956) Geography = War, 1989 c-print attached to plexiglass unsigned 36" x 54" Provenance: Galeria Grita Insam, Vienna, Austria Property from the Collection of Dr. Robert H. D

Original Limited Edition Silkscreen on White 100% Acid Free Archival Museum Board 2020 Edition Size: 2500 Paper Size: 25 x 35 Unsigned. Published by Sunday B. Morning. Excellent Condition; never frame

George Vuillard (French, b. 1956) "Greeting the Morning" oil on wood panel signed lower left. Framed. 39" x 28", framed 46" x 36"

Tarleton Blackwellb. 1956Hog Series CLIX: Morning Tea II1996stone lithograph30-1/2 x 22-1/2 inches (full sheet)Signed, titled, dated, and numbered 9/70From the Resounding Heart Colophon, a

Shinji Nakabori (Japanese, b.1956) "Soiree" C1989 oil and gold leaf on wood board panel. Panel on wood frame. Central landscape pathway with gold leaf surround. Monogram signed LL on painting rectangl

Shinichi Nakazawa (b.1956 Japanese) ''Reunion III'' Etching with Gold Leaf 23.25''x11.5'' Impression. Pencil signed and numbered 3 of 25 edition lower margin. Purchased Azuma Gallery, Seattle with lab

Michael John Hill (English, b.1956) Oils on Canvas Both undated, 'November's Early Frost' and 'Early Morning After the Storm', signed and titled lower right, uniformly framed in distressed bronze-tone

Titled "Three Stacked Cups." Excellent condition. Frame approx. 22 in. H x 12 in. W. Visible approx. 20 in. H x 10 in. W. Weight: 3.3 lbs. Depicting three unmatching gold-rimmed porcelain teacups an

ROOFTOPS OF PARIS AT NIGHT, 2005, color screenprint on Gesso board, signed and numbered 34/295 in gold ink, 27 x 36”, frame 33 ½ x 57”. Certificate from Chalk Vermilion, Provenance Ma

Michael John Hill (British, b.1956) 'The Elm Tree Family' Oil on Canvas 1999, signed lower left, dated and titled on reverse, landscape including water and trees, in a gold tone wood frame, having Atl

CHILDREN OF THE SEA, 1983, color offset lithograph with original watercolor remarque, signed and numbered 204/300 in gold marker, signed in pencil under the remarque, image 30 x 22 ½”, full

JOSEPH FRANCIS QUILLAN (American b. 1956) A SCULPTURE, "Calypso," 1989, bronze sculpture with mottled blue and brown/gold patina, inscribed at base "'CALYPSO' / Joseph Francis Quillan / © 1989 10

δ Jimmy Cauty (b. 1956)Damien Hirst Skull StampInkjet print in colours, 2009, signed in gold ink, numbered from the edition of 69, on Hahnemühle photo rag paper, the full sheet, sheet 327 x

SECRET PLACE, color giclee on canvas appears to have hand-embellishing, signed and numbered 138/275 in gold ink, 30 ½ x 23”, frame 41 x 33 ½ x 3”.

“Bee.” Collagraph with gold leaf. 11 1/8 x 13 3/4 in. (full sheet). Signed and dated 1998. Edition: AP

AT THE PIANO, embellished color giclee on canvas, signed and numbered AP 57/95 in gold ink, 22 ¾ x 16”, framed.

James Nowak (American, born 1956). A studio art glass sculpture. A marine sea life work depicting a clam shell. Fused and melded in a palette of blues, pinks, oranges, greens and golds. Signed on bott

Donald W. Demers (b. 1956) Oil on Board "Sailing Lesson", signed lower left Donald Demers, 1995, in molded gold leaf frame 9 in. x 12 in. Framed 16 in. x 19 in. Demers a marine and landscape paint

Donald Demers Maine, Massachusetts,b.1956 Impressionist depiction of a schooner rolling through high seas in the early morning hours. Demers attended the School of the Worcester Art Museum and the Mas

Two Scott Duce (American / Massachusetts b. 1956), tree paintings comprising, "Tree Row II", 2006, oil on panel and "Winter Marker I," 2006, oil on panel, signed, dated, titled and Fay Gold Gallery la

Scott Duce (American b. 1956), "Olive Tree", 2005, oil on canvas with an olive tree landscape scene depicted within a square on an otherwise red canvas with pink edges and a gold line, attribution and

(American, b. 1956) the smaller an oil on panel, titled "Bright Morning," signed and dated '87 l.r. the larger an oil on canvas, depicting a railroad crossing, signed l.r. Sight sizes: 10"h x 15"w and

Novoa, Gustavo (Chilean, b. 1941), Sharing, lithograph printed in colors, 22 x 18 inches, Pencil signed, titled, and numbered 50/275 lower margin, framed in a gold metal frame measuring 30.25 x 24.25