Adam and Evelyn at Kew,

REMINISCENCES AND REFLECTIONS Max J. Friedländer (1969). London / Evelyn, Adams & Mackay. CHF 20 / 40 EUR 20 / 40

For your consideration is a framed, signed and numbered print by Evelyn Marx, 81/250. This fresh and beautiful depiction of Adam & Eve is entitled "Forest Temptation." In excellent condition. The dime

Evelyn Ackerman Carved mahogany Adam and Eve Circa 1960 Signed in relief, front. Measure 26 x 7 inches each. We happily provide seamless in-house packing and shipping services on nearly everything we

Adam-style gold mirror, 50" H x 26" W. Provenance: Estate of Evelyn Wallace Richter, Palm Beach, Florida.

B. Adams(?), signed, and dated [19]85, colored lithograph [4/44], "Deaths". [Provenance: Collection of Evelyn Alloy, Philadelphia]. 39 1/2" h x 31 1/2"w=frame. CONDITION: Not examined out of frame; no

A RARE & COLLECTIBLE MYSTERY-SET SAPPHIRE AND DIAMOND FLOWER BROOCH, BY VAN CLEEF & ARPELS The realistically modelled flowerhead mystery-set throughout with calibré-cut sapphires, with a brilliant-

ALEX KATZ (b.1927) Catherine (2006) Oil on panel, 30.3 x 22.6cm Signed and dated 2006 Provenance: With Hillsboro Fine Art, Dublin; Private Collection, Dublin

AN IMPORTANT PAIR OF EARLY 20TH CENTURY DIAMOND EARRINGS Each transitional-cut diamond weighing respectively approximately 4.10cts & 4.22cts within a multi-claw setting to hook back fittings, mounted

Norah McGuinness HRHA (1901 - 1980) Waterweeds Oil on canvas, 122 x 91.5cm (48 x 35¾) Signed; inscribed with title and dated 1968 verso Though this Norah McGuinness painting is clearly of water

AN IMPORTANT DIAMOND SINGLE-STONE RING The old European-cut diamond weighing 6.94cts within a four-claw setting, to a plain hoop, ring size O Accompanied by a report from the GIA laboratory in America

AN IMPORTANT DIAMOND BRACELET The articulated strap set with a continuous line of graduated baguette-cut diamonds between graduated brilliant-cut diamond borders, mounted in 18K gold and platinum, dia

Daniel O'Neill (1920 - 1974) Portrait of Young Woman Oil on board, 45 x 35cm (17¾ x 13¾) Signed The epithet Romantic is often applied to the work of Daniel O’Neill, though that ca

Donald Teskey RHA (b.1956) Broadhaven Bay V Acrylic on paper, 76 x 105cm (30 x 41¼) Signed One of the leading Irish artists of his generation, Donald Teskey is so well known as a superbly tacti

Norah McGuinness HRHA (1901 - 1980) Days End on Dublin Bay Oil on canvas, 91.5 x 122 (35¾ x 48) Signed Provenance: With The Dawson Gallery, Dublin, label verso Norah McGuinness was one of a num

Daniel O'Neill (1920-1974) Girl in the Green Mask Oil on board, 46 x 37.5cm (18 x 14¾) Signed Provenance: With Oriel Gallery, Dublin; with Charles Gilmore, Holywood, Co. Down, where purchased b

Gerard Dillon (1916-1971) Clown Dreaming Oil on board, 41 x 51cm (16 ¼ x 20) Signed, inscribed verso Provenance: With The Dawson Gallery, Dublin, label verso A fantastically imaginative and sli

A SAPPHIRE DOUBLE CLIP BROOCH, BY RENÉ BOIVIN, CIRCA 1955 Composed of two stylised wings set with circular and oval-shaped sapphires accented with calibré-cut sapphires, mounted in 18K gold,

A RARE DIAMOND TORQUE COLLAR, BY BOIVIN, CIRCA 1965 The hinged circular collar leading to an oval bombé front set with old brilliant-cut diamonds, the clasp en suite, mounted in 18K gold, French

AN EMERALD AND DIAMOND CLUSTER RING The central circular-cut emerald weighing 5.89cts within a brilliant-cut diamond frame and further circular-cut emerald accents, mounted in 18K gold, diamonds appro

A FINE 'TOI ET MOI' DIAMOND DRESS RING Each brilliant-cut diamond weighing 1.69ct and 1.81ct within an eight-claw setting to a plain hoop, mounted in 18K gold, with maker's mark, French assay mark, ri

Louis le Brocquy HRHA (1916 - 2012) The Táin A set of nine lithographs, 36 x 52cm (14 x 20½) Signed, dated 1969 and numbered from an edition of 70; Together with a key to the images (10)

THE PRIVATE PROPERTY OF A NOBLE ITALIAN LADY A LADY'S GOLD AND DIAMOND 'TUBOGAS' BRACELET WATCH, BY BULGARI & MOVADO, CIRCA 1965 The 17-jewel manual wind movement, the silvered blue dial with baton in

A TIGER’S EYE AND GOLD NECKLACE, BY GEORGES LENFANT, CIRCA 1970 The long chain formed as a series of alternating ropetwist and polished links, interspersed with woven knot-shaped motifs and poli

Hughie O'Donoghue RA (b.1953) Fallen Elm (Kilfane) Oil on board, 71 x 122cm (28 x 48) Signed, inscribed and dated 2007/'8 verso In 1995, Hughie O’Donoghue and his wife Clare moved to Ireland. T