Andrea Brustolon (1662-1732)-attributed

ARMLEHNSESSEL IM VENEZIANISCHEN STIL Wohl Italien, in der Art des Andrea Brustolon (1662-1732) Nussbaum, teils vollplastisch geschnitzt, dunkel gebeizt. H. 117 cm, B. 93 cm, T. 63 cm. Auf vier Klauenf

ARMLEHNSESSEL IM VENEZIANISCHEN STIL Wohl Italien, in der Art des Andrea Brustolon (1662-1732) Nussbaum, teils vollplastisch geschnitzt, dunkel gebeizt. H. 119 cm, B. 85 cm, T. 60 cm. Auf vier Klauenf

C. 20th Century. A fantastically imaginative Baroque Revival parlor suite in the manner of Venetian sculptor Andrea Brustolon (1662-1732). Suite includes a sofa and bergere, with elaborately carved Cl

Venetian polychrome decorated figures of Blackamoors, late 19th century and later elements, in the manner of Andrea Brustolon (Italian 1662-1732), each modeled seated and exuberantly attired on tassel

Venetian Baroque style highback armchair, in the manner of Andrea Brustolon (Italian, 1662-1732), scrolled crest, embossed leather upholstery, oversized brass tacks, carved walnut frame with recumbent

(pair) Venetian Baroque Revival throne armchairs, 19th c., in the manner of Andrea Brustolon (Italy, 1662-1732), raised foliate-carved ears, padded back and seat in damask upholstery, scrolling foliat

Pair of Italian Baroque style carved stools or benches in the manner of Andrea Brustolon. Each features four carved figural cherubs supporting carved armrests with scrolled volute ends, above acanthus

Italian Renaissance Revival Carved Walnut Desk. Three short drawers, two single door cabinets on either side, parcel gilt accents to carvings, figural supports inspired by Andrea Brustolon. {Approxima

Baroque Carved and Stained Wood Armchair, in the manner of Andrea Brustolon, late 19th century, having reclining children resting on carved branch form arm rests, standing Blackamoor figures raised on

ATTERBURY, FRANCIS (1662-1732) TWO SETS OF TWO VOLUMES, "Sermons and Discourses on Several Subjects and Occasions" and "Sermons on Several Occasions," LONDON, T. WOODWARD & C. DAVIS, 1734-1735, full n

Attributed to Andrea Del Sarto, 16th Cent. Two nobleman. Pencil, ink, color. 10.75/3.38. Museum quality drawing from Florentine School. Andrea Del Sarto. 1485-1530 was an Italian painter from Florence

attributed. Small bench. Fabric and wood.. Cm 140,00 x 76,00 x 65,00. 1950s.

Artist: Andrea del Sarto (Attributed to) Title: Untitled (Holy Family) Medium: Oil on wood panel Size: 21" x 26" Approximate panel size (not including frame) Date: 1540 Circa Very good quality Italian

Artist: Andrea del Sarto (Attributed to)Title: Untitled (Holy Family)Medium: Oil on wood panel Size: 21" x 26" Approximate panel size (not including frame) Date: 1540 Circa Very good quality Italian l

Artist: Andrea del Sarto (Attributed to)Title: Untitled (Holy Family)Medium: Oil on wood panel Size: 21" x 26" Approximate panel size (not including frame) Date: 1540 Circa Very good quality Italian l

Artist: Andrea del Sarto (Attributed to)Title: Untitled (Holy Family)Medium: Oil on wood panel Size: 21" x 26" Approximate panel size (not including frame) Date: 1540 Circa Very good quality Italian l

Vintage porcelain Greek figurine attributed to Andrea by Sadek. Marked in red M-662. Approx. height 14.5 in.

Attributed to Giovanni Andrea Podesta (Italian, 1608-circa 1674) The Andrians or The Bacchanal of the Andrians, after Titian, circa 1640-1650 etching 16 1/2" x 22 1/2" Catalog Note: The original etchi

CHINESE ANTIQUE FAMILLE VERTE BOWLS ATTRIBUTED TO KANGXI (1662-1772) 4.5 X 5.5" EACH

Cornelius(Kees) Andrea(attrib.to); 20thC. Modernist Mixed Media Signed . Kees Andrea (1914 - 2006) Watercolor and ink on paper. Figures at a Table. Attributed to Kees Andrea. Signed lower left and dat

Artist: Giovanni Andrea Donducci (1575–1655) "Mastelletta", attributed to. Title: Untitled Size: 28 3/4" x 33 3/4" inches; (approximate) Date: early 17th century

Attributed To Kangxi Calligraphy(1662-1722) Ink On Printed ‘Cloud Dragon’Paper, Monuted, Signed And Three Seals 98 X 51cm 康熙（1662-1722）款 勤儉

A CHINESE FAMILLE VERTE LOTUS, INSECTS AND BIRDS ENAMELED PORCELAIN DISH, QING DYNASTY (1644-1912), attributed to the Kangxi (1662-1722) period, the overall barbed petal form is painted with individua

Attributed Jean-Honore Fragonard (1732-1806) Landscape with Castle Ruins Watercolor, bodycolor with brown ink on laid paper affixed onto a heavier backing Inscribed lower left: "Fragonard Del." Size: