Anne Carleton (American/New England, 1878-1968)

Anne Carleton (American, 1878-1968) Inhabited Rocks, Ogunquit, Maine oil on canvasboard signed Anne Carleton (lower right) 12 x 16 inches. Property from the Collection of Noel and Kathryn Dickinson Wa

DEPICTING A BOAT AT DRYDOCK;15" X 22" (1878-1968, STUDENT OF CHARLES WOODBURY)

(Massachusetts/Maine, 1878-1968) Pushing Off, signed lower left "A Carleton" and inscribed with title verso, oil on canvas board, 8 x 10 in.; modern Arts and Crafts style frame, 14-3/4 x 16-7/8 in.

(Massachusetts/Maine, 1878-1968) Perkins Cove, Maine, signed lower left "A. Carleton" and titled verso, oil on paperboard, 8-1/4 x 10-1/4 in.; modern gilt wood frame, 16-3/8 x 18 in.

American, circa 1810-1830. Quality two part tiger maple highboy. Chest on legs with flat top seated on Queen Anne legs with ball and claw feet (later addition). Measuring approx 76" tall x 42" wide x

American (New England), 18th Century. Rare pie scalloped apron. 25.75"h. 30.5"w. 19.5"l.

19th Century American School, Rocky Seacoast with Sailboats, 1878, oil on canvas, 14 x 24 inches, signed indistinctly with initials and dated lower right, framed in a gilded wood cove style frame meas

FIGURES ON THE BEACH, OGUNQUIT BEACH, MAINE; FIGURES ON THE BEACH WITH UMBRELLAS, OGUNQUIT BEACH, MAINE, each an oil painting on canvas board, the first signed lower right, both 8 x 10”, framed, som

birches along the road sgn. l.r. Emile A. Gruppe; also sgn. and titled on stretcher o/c; 30 by 25 in.; framed 34.5 by 29.

"Danseur" bronze 26 inches. edition 1/8 Susse Foundry Paris. signed and dated 1965. N.B. Chana Orloff (1878-1968), a figurative sculptor, was a member of the Ecole de Paris. She was a portraitist of t

(ILLINOIS/ FRANCE, 1878-1968); OIL ON CANVAS; SIGNED AND DATED 1934 IN LOWER LEFT 41 3/4" X 37 3/4"; BLACKLIGHT REVEALS IN-PAINTING (SEE PHOTO 7), BUT THE CANVAS IS ORIGINAL AND HAS NOT BEEN RE-BACKED

A SET OF THREE RARE PORTFOLIOS BY PAVEL KUZNETSOV, 1923 A VERY RARE COMPLETE SET OF THE THREE SETS OF ORIGINAL LITHOGRAPHS BY PAVEL KUZNETSOV (RUSSIAN 1878-1968), comprising: a) TURKESTAN. Lithographs

"Margaret Ann "Meta" Morris Grimball was born in 1810. She was the grandmother of the famous artists Meta Morris Grimball (1878-1968) who was with Gutmann and Gutmann NYC, she worked along side Bessie

LETITIA MARION HAMILTONIreland/England, 1878-1964"The Kildare Hounds". Initialed lower right "LMH". Titled verso.Oil on board, 8" x 10". Framed under glass 10.5" x 11.5". Provenance:The Dawson Gallery

KRONDORF, William F. (1878-1968, German): Coquina Pits'' near St Augustine, April 1965. Watercolor, 8.75'' x 11.75'', signed lower right and verso, unframed.

Artist Meta Morris Grimball 1878-1968, American artist and illustrator who worked for Gutmann & Gutmann publishing in New York.Also known as Meta Ann Morris Grimball. https://bessiepeasegutmann.com/Me

An American antique mahogany block front desk, retaining an overhanging molded top, above a single long rectangular block front drawer. Inset panel door within the kneehole. The drawer fronts with bat

Set of 8 American New England solid cherry spindle back Windsor chairs having saddle seats with mortised chair leg construction; 37.5"H 20"W 17"D

In the manner of Nicolas de Largillière (1656-1746) French, portrait of Princess Anne of Denmark, later to become Queen Anne of England, oil on canvas, unsigned. An almost identical portrait of M

William Charles Penn (england, 1877-1968) Oil On Board, Family Breakfast, 1913 17 X 13 Inches Exhibited At The Royal Institute Of Oil 1948

ENGLISH SCHOOL, A PORTRAIT PAINTING, "George of Denmark Consort of Queen Anne of England," EARLY 18TH CENTURY, oil on canvas, painted wearing a periwig and lace tied cravat with an ermine lined red ve

second half-18th century; standing royal figure with standing lion, possibly Queen Anne of England, small Meissen mark on back edge, marked "K.C.H." underneath, 8 1/2 in. H.; Estate of Dr. William M.

American (New England), 18th century. A Chippendale camelback sofa in burgundy upholstery having a shaped crest and scrolled arms, having tufted seat cushions and serpentine front, rising on straight

American (New England, attributed to Hudson River Valley), late 18th – early 19th Century. Pine scraped down to old, possibly original, blue over red paint; the molded cornice above an open ste