Antonio Francesco Peruzzini (Ancona 1643 o 1646 –

(Ancona, 1643 - Milano, 1724) Paesaggio con figure e castello Olio su tela ovale, cm 70X58 Il dipinto si riconduce al catalogo di Antonio Francesco Peruzzini, artista anconetano giudicato un collabora

olio su tela, W. 97 - H. 176 Cm, Expertise Prof. Egidio Martini, "Ospiti al Museo. Maestri veneti dal XV al XVIII secolo tra conservazione pubblica e privata “, Musei Civici di Padova, 2012 (sch

FERRETTI, Francesco. Diporti notturni del mediterraneo.Ancona, Francesco Salvioni, 1579 [1580]8vo, mm. 145x95; Leg. in pergamena rigida, tit. mss. al dorso, tagli azzurri; pp. 16 nn, compreso Front. i

After a model by Francesco Antonio Franzoni (Italian, 1734-1818) made for Pope Pius VI and in the collection of the Vatican Museum, Rome, Italy. With two supports with mythical winged rams and garland

After a model by Francesco Antonio Franzoni (Italian, 1734-1818) made for Pope Pius VI and in the collection of the Vatican Museum, Rome, Italy. With two supports with mythical winged rams and garland

19th Century Austrian Romantic Scene Antonio Telser (1861-1942), O/C, SLC, Beautiful Woman playing with 2 Cupids, 39 x 29", 51 x 41" Original Period Gild Frame.

19th Century Austrian Romantic Scene Antonio Telser (1861-1942), O/C, SLC, Beautiful Woman playing with 2 Cupids, 39 x 29", 51 x 41" Original Period Gild Frame.

(Roma, 1635 - documentato fino al 1675) Natura morta con carte da gioco, scrigno e alzata con dolci Olio su tela, cm 120X169 Antonio Tibaldi fu allievo di Francesco Noletti detto Il Maltese (1611-1654

olio su tela, W. 67 - H. 77 Cm

Antonio Toribio (Dominican, 20th c.) "At Twelve O'Clock Black", 1960, mixed media painting on canvas, signed and dated. Size: 24'' x 24'', 61 x 61 cm (stretcher). Provenance: David Herbert Gallery, Ne

(Parma, 1686 - Firenze, 1753) Scene di battaglia Olio su carta applicata su tela, cm 31X40 (2) Formatosi con Francesco Monti detto il Brescianino delle Battaglie (Brescia 1646 - Parma 1712) e Ilario S

Giovanni Francesco Barbieri, called il Guercino (Cento 1591-1666 Bologna) A small child seated on a stone step with his head inclined and resting his elbow on a ledge red chalk on laid paper, watermar

Francesco Pavan (1937 Padua - lives ibid.), Necklace and bracelet, 1970s, Yellow gold, iron, pearls, moonstone. Necklace: Ø (inside) approx. 130 mm. 73.48 grams. Bangle: Ø (inside) appro

Terry O. Mathews (US/England/Kenya, b. 1931), elephants, 1974, bronze ed. 2/6 height 8 in. x width 43.5 in. x depth 6.5 in. Provenance: A prominent San Antonio, Texas corporate collection We happil

(Brescia, 1646 - 1712/1713) Scontro tra cavalieri Olio su tela, cm 48X40 La tela in esame presenta una eccellente conservazione e raffigura lo scontro tra cavallerie europee e le caratteristiche di st

ANTONIO SAVERIO GRUE, CASTELLI, FINE DEL XVII-INIZIO DEL XVIII SECOLO decorato con scena di caccia al cervo; poche usure e difetti Alt. cm 3, diam. cm 27,8 A CASTELLI MAIOLICA DISH, LATE 17-EARLY 18TH

FRANCESCO ALEGIANI oil painting TROMPE L'OEIL 19th C19TH C O/C TROMPE L'OEIL Strongly ATTRIBUTED TO FRANCESCO ALEGIANI. ALEGIANI in several works used some of these exact subjects in his other works,

Antonio Pio Macchi Cassia, 2 '541' table lights, 1968, H. 24.5 cm, Ø 12.5 cm. Made by Arteluce, Milan. Sheet metal, painted black and white, magnets. Marked: Manufacturer's label., Krzentowski

Angelo Lelii (Ancona 1915 - Monza 1987) Table lamp model "12291 Stellina o Kennedy". Produced by Arteluce, Monza, 1950s. Brass, glass, blue lacquered aluminum. (h 34 cm.) (slight defects and restorati

Antonio Da Ros, 'Sommerso' bowl, c. 1960, H. 15.5 cm; Ø 33 cm. Execution: Gino Cenedese. Cased glass, colorless, green and orange.,

Antonio Grediaga Kieff (Canadian/Spanish, b.1936) Love VI , 1973, Bronze, signed and numbered e/o.Raised on marble base. Dimensions: 14 in. total ht. including base, 10.5 in. ht. of bronze only. Con

children herding sheep sgn. l.r. F. P. Michetti, o/c, 11 by 14.5 in., framed

(Cento, 1594 - Bologna, 1661) San Luca Olio su tela, cm 62X51 Bartolomeo Gennari fu il migliore allievo di Giovanni Francesco Barbieri (Cento, 1591 - Bologna, 1666) e nel 1643-1644 è attestata la sua

(MEXICAN IMPRINT--1646.) Thomas Gonzalez. Explicacion de las syllabas sobre el Libro Quinto de Antonio de Nebrija. [1], 41, [1] leaves. 8vo, contemporary vellum, moderate wear; leaf 25 defective with