ASCAN LUTTEROTH 1842 Hamburg - 1923 ebenda Landschaft

ASCAN LUTTEROTH 1842 Hamburg - 1923 ebenda Ansicht der Isola Bella (Lago Maggiore) l auf Leinwand auf Malkarton. 40 x 34 cm. Unten links bezeichnet 'A Lutherroth; Insl Bella; 87 ...'. Verso: Bezeichnu

ARTIST: Ascan Lutteroth (Germany, 1842 - 1923) NAME: View Of Hoopte MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Some minor paint losses. No visible inpaint under UV light. Wear to frame

Larry Flynt Emile Andre Boisseau (1842 - 1923): Man with Sword bronze; signed to base 34 x 11 x 13 in. (86.36 x 27.94 x 33.02 cm.)

Hardy, Weywood (1842-1923). A Welcomed Refreshment. Oil on canvas. Signed lower left: "Heywood Hardy" 17 1/4" x 26 1/2", 23 1/2" x 32 1/2" framed.

Emilie Boisseau (French, 1842-1923)Le Crépuscule, 1880Bronze with brown pat

Emile Andre Boisseau (1842-1923, France) bronze sculpture of a man wearing a fur loin cloth, he holds a sword in one hand and leans beside a farmer’s plow; titled on a brass plaque on the front in L

Late 19th C, Emile-Andre Boisseau (France 1842-1923) a fine bronze sculpture, signed "E. Boisseau" and marked "societe des Bronzes de Paris", modeled as an Italian Renaissance lute player on a stool,

DESCRIPTION: Emile Andre Boisseau (1842-1923) bronze titled “La Defense Du Foyer†features two figures in a golden patina , the man stands tall with a sword in his hand protecting a crouchin

Frederick Stuart Church (1842-1923, American). On cardstock or illustration board; pencil drawing under ink drawing; a few gouached or similar highlights to figure. Probably in/ for Harper's C1890. Si

Scottish chemist and physicist (1842-1923) best known for his invention of the vacuum flask. Superb matte-finish 6 x 7.75 photo of Dewar posing beside an impressive flask, affixed to its original 10.5

After Virgilio Mattoni (Spain, 1842-1923) oil on panel painting titled "Les derniers jours de Ferdinand III le Saint," (The Last Days of Ferdinand III, also called The Saint, originally painted by Mat

Charles Oliver Murray. (1842-1923). Glasgow. Hand pulled copper plate etching on laid paper. 1883. Excellent. Image Size 7 x 11 inches. Approximately 16 x 20 inches. This piece has been professionally

John MacWhirter. (Scottish, 1837-1911). The Vanguard. Antique etching on thick laid paper after the original by master etcher Charles Oliver Murray (Scottish, 1842-1923). 1879. Signed in the plate. Ex

John MacWhirter. (Scottish, 1837-1911). West Highlanders. Hand pulled copper plate etching on laid paper after the original by master etcher Charles Oliver Murray (Scottish, 1842-1923). 1881. Signed i

John MacWhirter. (Scottish, 1837-1911). West Highlanders. Hand pulled copper plate etching on laid paper after the original by master etcher Charles Oliver Murray (Scottish, 1842-1923). 1881. Signed i

John Masey Wright. Thomas Hobbes. Antique Hand Pulled copper plate etching on wove paper after the original by master etcher Charles Charles Oliver Murray (Scottish, 1842-1923). 1884. Excellent. Image

Charles Oliver Murray. (Scottish, 1842-1923). "Dumbarton". Hand Pulled copper plate etching on laid paper. 1883. Signed in the plate lower left. Excellent. Image Size 6 3/4 x 9 3/4 inches. Image Size

Paul Sandby. (English, 1731-1809). "Landscape". Antique Etching on heavy wove paper after the original by master etcher Charles Oliver Murray (Scottish, 1842-1923). 1888. Excellent. Image size 6 7/8 x

Paul Sandby. (English, 1731-1809). "Landscape". Antique Etching on heavy wove paper after the original by master etcher Charles Oliver Murray (Scottish, 1842-1923). 1888. Excellent. Image size 6 7/8 x

MIGUEL ZARAGOZA ARANQUIZNA (Philippines, 1842- Manila, 1923). "Spoliarium". Oil on canvas. It has slight restorations. Signed in the lower right corner. Measurements: 50 x 90 cm. This work reproduces

JULIUS BAKOF 1819 Hamburg - 1857 ebenda Zwei Landschaftsansichten Tuschezeichnung, laviert, auf chamoisfarbenem Papier. 15 cm x 21 cm und 15 cm x 30 cm. Jew. unten links signiert 'J. Bakof'. Besch. In

(1929 Hamburg - 1995 ebenda) "frosch Klausewitz". Originaltitel Das Aquarell ist eine Variante des Motivs bzw. Studie für das Plakat zur Ausstellung "der Foliant - eine Krankengeschichte" i

(1929 Hamburg - 1995 ebenda) "Morgenlaune". Originaltitel Szenische Darstellung mit zwei Mädchenakten und zwei grotesken Figuren, die in für Janssens charakteristischer Weise des

(1929 Hamburg - 1995 ebenda) Komposition mit Porträts, Stillleben und Textzeilen Janssen verwendete für diese Arbeit einen alten, bereits um 1800 beschrifteten Papierbogen, legte