Attr Eliphalet Terry, O/B Bovine Study

A late Georgian gold opal and diamond ring. The oval-shape opal, with diamond surround, to the pale blue enamel band reading 'Tim Terry Ob 16 Apr 1736 Ae 29'. Ring size O. Weight 4.6gms.

Attributed to Thomas Hart Benton (American, 1889–1975), study for Niagara, New York mural, graphite pencil on paper, signed "Benton" and dated 1960, 15 1/2" h x 12" w (view), 21" h x 17" w (frame).

A Rare Chippendale Cherry Chest on Chest, Attr. to Eliphalet Chapin Attributed to Eliphalet Chapin, circa 1750-1780. Carved fretwork and scroll top. Nice mellow patina. Literature: Fine Points of Furn

Two (2) WPA era oil on board paintings attributed to Jean "Virginia" Hogan (Connecticut, born 1909), including one (1) depicting a street scene with people milling around a construction site with buil

Attributed to Hans Zatzka (Austrian, 1859-1945), oil on board titled 'Visiting Cherubs,' depicting a scene of a young maiden reclining in the woods while putti shower her with flowers, possibly as an

Attr. to Rosa Bonheur Fr. 1822-1899 Study of Monkeys Oil on paper laid to canvas, framed Christie's label attached to verso 12 3/8" x 23 5/8" actual, 21 1/4" x 32 3/8" framed Provenance: Sold by Chris

attributed REYNOLDS, Joshua, (English, 1723-1792): Study for a portrait of John Dunning, Lord Ashburton, seated with black robes and long wig, Oil/Canvas, no visible signature, older auction label and

Attributed to Jean Francois LeGillon (France/Belgium, 1739-1797) oil on board pastoral painting depicting a shepherdess seated on a knoll overlooking her livestock, including a goat, sheep, and two co

Oil on canvas board, signed lower right Dimensions: Frame H 22.25" x W 18.75" Condition: frame and work slightly bent

Attributed to Carel "Charles" van Falens (Netherlands, 1683-1733) oil on panel genre scene depicting a nobleman astride and another preparing to mount their horses observing a farrier shoe a white hor

Charcoal on paper drawing attributed to Alberto Giacometti, 1901 to 1966, a Swiss-French Modernist sculptor known for his surreal elongated figural artworks. The drawing depicts an abstract male portr

A charcoal and chalk on paper surreal composition study. Signed and attr. Yves Tanguy (French, 1900-1955, Paris, France). Accompanied by certificate. A glimpse of Giorgio de Chirico’s painting

Attrib. Duncan McFarlane (1834-1871) United Kingdom, Oil on Board. Portrait of the Brig Swan in 3 positions. The swan was engaged in the New York - Liverpool trade in the 1850's. She was a merchant sh

Eugene Francis Savage (Am. 1883-1978), two related studies mural for Communications Building, New York World's Fair, 1939, each titled and signed. Unframed: 15" high, 19" wide. Soiling, edge wear.

Colored chalk on paper, study featuring figure. Signed and attr. Salvador Dali (Spanish, 1904-1989) on lower right corner. 9.8 x 7.9 inch (25 x 20 cm). Salvador Dalí was a leading proponent of Surr

Ink study of figure. Signed and attr. Salvador Dali (Spanish, 1904-1989) on lower margin with reference number on verso. 11 x 9 inch (28 x 20 cm). Salvador Dalí was a leading proponent of Surrealis

Ink on paper. Study of lion. Signed and attr. Eugen Delacroix (French, 1798-1863) with initials. 7.7 x 9.6 in. (19.5 x 24.5 cm). Romantic painter Eugène Delacroix was once described by the French p

Pastel and chalk on paper study, featuring a bather. Signed and attr. Edgar Degas (French, 1834–1917, Paris, France, based in Paris, France). Though he rejected the label, Edgar Degas contribut

Terry Duen (T.D.) KelseyAmerican, b. 1946Study for Three Little Pigs, 2010Bronze, signed, titled and dated, edition 4/5Two warthogs and their trio of piglets traversing the naturalistic base.12 x 12

Attributed to Thomas Hart Benton (American, 1889–1975), study for the "Arts of the City" mural for the Witney Museum of American Art in New York City, graphite pencil on paper, signed "Benton" and d

unsigned, attributed to Aldro Thompson Hibbard (Am. 1886-1972). Snowy town scene with church in the background, perhaps a study for a larger work "Vermont". Frame size: 21 5/8" high, 25 5/8" wide. Sma

Attributed to Nicholas Condy Sr. (British, 1799-1857), first quarter 19th c; 'Fisher folk on Beach," oil on board depicting fishermen working on boats, apparently unsigned. Provenance: from the Estate

Pair of channel-back lounge chairs in soft French terry, attributed to Lawrence Peabody for Selig, c. 1960's-1970's. Dimensions: H 36" x W 29" x D 38" x SH 13" Condition: Channel tufting may not be or

Detailed oil portrait study on paper. Unsigned. Attribution verso. Dimensions: (Paper) H 11.25" x W 8.5" Condition: Paper with some edge tears and some handling wear.