ATTRIBUTED TO JOHN RUBENS SMITH (New YorkPennsylvania/United Kingdom, 1775-1849), "Mr. Donaldson

John Rubens Smith (American, 1775-1849) Brandywine River Mills Circa 1835 mixed media on paperboard 13 x 18 1/2 inches (sight).

SMITH, John (1580-1631). New England the most remarqueable parts thus named by the high and mighty Prince Charles, Prince of great Britaine. Observed and described by Captayn John Smith... Copperplate

Qing Dynasty, Qianlong PeriodHigh 12.50CM Caliber 15.70CM Bottom diameter 4.80CM PROVENANCE:Mr. John Smith is the chairman of a private collector, real estate agent, and equity securities investment c

Qing Emperor Kangxi golden glazed bucket color dark carved dragon wear moire plate Size: high 4.00CM diameter 29.80CM bottom diameter 17.40CM PROVENANCE:Mr. John Smith is the chairman of a private col

ATTRIBUTED TO JOHN GADSBY CHAPMANNew York/Italy, 1808-1889Expansive landscape with classical ruins in the distance. Unsigned.Watercolor on paper, 21.75” x 36”. Framed 25.5” x 39.75&#

Attributed to John Henry Belter, New York, ca. 1844-1865. Laminated rosewood. Ladies armchair with carved roses and grapevines. Red velvet reupholstery. 15" seat, 45"h.

Pair of American Rococo Revival Laminated Rosewood Armchairs in the "Henry Clay" Pattern, mid-19th century, attributed to John Henry Belter, New York, each with a floral-, foliate- and fruit-carved cr

Seven-Piece American Renaissance Revival Walnut Parlor Suite third quarter 19th century, attributed to John Jelliff, Newark, New Jersey, consisting of a pair of sofas, each with a central carved portr

Attributed John Sloan (American, 1871-1951) "Smokestacks, New York" oil on canvas board. signed 'John Sloan' (lower right) 20 1/4 x 25 1/8 in.

Attributed to John Henry Belter (1804-1863), New York, ca. 1850-1860. Carved and Laminated. 46"h For a similar example, see Neal Auction Company, New Orleans, LA, September 12, 2015, Lots 123-124

Attributed to John Henry Belter (1804-1863), New York, ca. 1850-1860, carved and laminated in the "Tuthill King" pattern. Armchair: 46"h x 26"w (over arms) Footstool: 14-1/2"h x 18-1/2"w x 18-1/2"d Th

Antique original still life oil on canvas painting attributed to John Vanderlyn Jr. (1805-1876 New York) Depicts a still life with fruit with arch and drape background. Apparently unsigned. Work windo

Attributed to John James Audubon, American (1785-1851). Watercolor on paper. 'The Stanley Hawk'. M. Knoedler & Co, New York label on verso. Paper is laid on board. Paper measures 20 7/8" H x 14 1/4" W

Attributed to John Opie (British, 1761-1807) "Portrait of Robert Brereton" oil on canvas unsigned. Framed. 30" x 25", framed 37" x 31-1/2"

The rectangular top with drop leaves and central panel sliding open to a leather-lined backgammon board and reversing to an inlaid chessboard, the stepped frieze with two mahogany-lined drawers oppose

"Attributed to John Nost Sartorius (British, 1759–1828) Setting Out for the Meet Oil on canvas16 3/8 x 22 in. (41.6 x 55.9cm) Provenance Lane Fine Art Ltd., London, United Kingdom.Private

DATED 1863 NEW YORK OR CONNECTICUT RIVER VALLEY LANDSCAPE WITH STREAM AT SUNSET. INITIALED "J.S.J" (ATTRIBUTED TO) JOHN JAMESON (1842-1864) IN ORIGINAL GILT FRAME 20 1/2" X 11" TERMS: THIS IS AN ON-SI

AUDUBON, John James (1785-1851) and John BACHMAN (1790-1874). The Quadrupeds of North America. New York: V.G. Audubon, 1849, 1851, 1854. 3 volumes, 8vo (265 x 177 mm). Half-titles, 155 hand-colored li

AUDUBON, John James (1785-1851). The Quadrupeds of North America. New York: V.G. Audubon, 1849-1854. First octavo edition. Comparable: Christie's, William Reese Sale, 2022 - $20,160. IN ORIGINAL PARTS

John Haley Bellamy (1836-1945) (attributed) Pilot house eagle figure. Carved wood with original paint and gilded surface. Probably coastal New England, circa 1865. Eagle only: 12" L16" Wingspan: 17".

Untitled, 1949 Oil on canvas Initialed and dated upper center: HS; signed twice and dated verso: Hassel Smith 55.25" H x 72.25" W Provenance: Andre Emmerich Gallery, New York, NY The New Arts, H

Attributed to Pietro Bellotti(1625-1700)"Lachesi"Oil on canvasAppears unsigned; titled on the frame plaque44.5" H x 37" W Provenance: Property of an Important New York Corporate C

John E. Ferneley, Junior English, 1815-1862 A Black Horse in a Landscape Signed John Ferneley Jr. and dated 1849 (ll) Oil on canvas 25 x 30 inches (63.5 x 76.2 cm) Provenance: Pawsey & Payne, Ltd., Lo

Oil on canvas, attributed to Thomas Hart Benton, approx. 31x23 in. Thomas Hart Benton was an American painter and muralist. Along with Grant Wood and John Steuart Curry, he was at the forefront of the