Attributed to WILLIAM DE LEFTWICH-DODGE (America

Attributed to William de Leftwich Dodge (American, 1867-1935) Coastline, oil on canvas, areas of pigment loss. Size: 34.75" x 46.5", 88 x 118 cm (stretcher).

William de Leftwich Dodge (1867-1935) Boats and Harbor signed and dated 'William. L Dodge. 1889' (lower right) oil on canvas 10 1/8 x 18 1/8 in. (25.7 x 46 cm.) Painted in 1889. Footnotes: Provenance

William de Leftwich Dodge (1867-1935) Surf Under Red Skies signed 'W. De. Leftwich-Dodge -' (lower left) oil on canvas 19 x 38 1/8 in. (48.3 x 96.8 cm.) Painted circa 1906-20. Footnotes: Provenance

William de Leftwich Dodge (American, 1867 - 1935) For Her Majesty's Hand Oil on canvas. Elements of this painting can be found in the late, now legendary Frank Frazetta. 35.5" x 65.5"; framed 44" x 74

BRIDE (Woman on Balcony), gouache and mixed media on panel, signed lower right, 23 1/2 x 15 1/4", framed.

4 COLOR LITHOGRAPHS OF A Various OPERAS; Sapho, The Flying Dutchman, Lakme, La Favorite, after various artists including William Leftwich Dodge, Zeigler, The Flying Dutchman, 12 x 8.25 inches, each fr

Attributed William (The Younger) Van de Velde original watercolor of ships on laid paper. Mounted to tissue and tipped-in at upper edge (glue?) to mat frame. Sheet measures 8 in. x 11 in. and frame me

A William de Lillo (attributed to) necklace and pair of earclips, set with faux pearls, and multicolor stones. Unsigned. L. necklace 50 cm.

Latin America, Mexico, Jalisco, Totatiche, attributed to Geronimo de Leon, dated August 20, 1896. Published in Saints & Sinners, Mexican Devotional Art, California Heritage Museum, page 55. A finely p

"Map of the New Continent" Copper Engraved Map Published 1791, London for "Natural History, General and Particular" by the Comte de Buffon. Translated by William Smellie. Engraved A. Bell after Robert

Engraved A. Bell, based on Vaugondy's earlier Map. Copper Plate Published 1785, London for "Natural History, General and Particular" by the Count de Buffon. Translated by William Smellie Folds as issu

Twenty-seven (27) early 20th century volumes of classical literature published by The Book League of America, including 'Don Quixote' by Miguel de Cervantes; 'Vanity Fair' by William Makepeace Thacker

ATTRIBUTED TO AUGUSTE RODIN (FRENCH 1840-1917), CHALK OVER GRAPHITE, "PORTRAIT DE MADAME RODIN PAR SON FILS", INSCRIBED AND TITLED C.1871. SIGHT 12 3/4 X 19 1/4"; FRAMED AND GLAZED 20 1/2 X 26 1/2"

ATTRIBUTED TO FILIPPO DE PISIS (ITALIAN 1896-1956), OIL ON PAPER, BROCCA CON FIORI, SIGNED. SIGHT 12 3/4 X 23 3/4"; FRAMED AND GLAZED-16 X 27"

Modern, H:26.5 inch; Width:53.00 inch

Contemporary, High: 52.00 inch; Width: 26.5 inch

Plus Don Pedro de Alvarado. Copper Plates Published 1778, London for "The History of America, From Its Discovery by Columbus to the Conclusion of the Late War" by William Russell. Rare. Paper Size: 10

Plus Don Diego de Almagro. Copper Plates Published 1778, London for "The History of America, From Its Discovery by Columbus to the Conclusion of the Late War" by William Russell. Rare. Paper Size: 10

Sailing ships at sunset. Signed lower left. Dimensions: H 16.25" x W 24" Condition: Craquelure, repair, holes and tears to canvas. Art loose and joint separation to frame.

ITALY, 19TH CENTURY An exceptional example of a William De Morgan for Cantagalli Iznik style bottle vase. The vase stands just under seventeen inches on a short foot with a tear drop shaped body risin

Attributed William Hogarth (British, 1697-1764), Portrait of a Boyoil on canvas (lined), retaining a label for William & Philip Evans at 37 Beak Street in London (1884-1907), also retaining remnants o

WILLIAM DE MORGANEngland, 1839-1917Charger with central decoration of a Viking ship and a floral border. Unmarked. Ceramic with ruby glaze, diameter 13.5î.

Grant by Abbot Peter and the community of the Cistercian Abbey of St. Mary, Woburn of local fields and a mill pond to William de Medmenham, in confirmation of an agreement before the king's court at W

Y SCOTTISH REGENCY ROSEWOOD CENTRE TABLE, ATTRIBUTED TO WILLIAM TROTTER EARLY 19TH CENTURY the circular top above a bead moulded frieze, raised on four scrolled supports with flower head terminals, on