A.W.N. PUGIN (1812-1852), PROBABLY FOR CRACE & SON

A.W.N. PUGIN (1812-1852) OR E.W. PUGIN (1834-1875) (ATTRIBUTED DESIGNERS) GOTHIC REVIVAL REFECTORY oak and pitch pine(225.5cm long, 75.5cm high, 107cm deep)

A.W.N. PUGIN (1812-1852) OR E.W. PUGIN (1834-1875) (ATTRIBUTED DESIGNERS), POSSIBLY FOR GILLOW & CO. oak(226cm long, 74cm high, 68cm deep)

A.W.N. PUGIN (1812-1852) FOR MINTON & CO. SET OF TWELVE DINNER PLATES, CIRCA 1850 glazed and printed earthenware, variously marked (each 25.5m diameter) Qty: (12)

A.W.N. PUGIN (1812-1852) FOR JOHN HARDMAN & CO., BIRMINGHAM PYX, BIRMINGHAM 1856 silver and silver gilt, stamped maker's mark, hallmarked Birmingham 1856 (4.3cm diameter)

British Arts and Crafts Oak Glastonbury Chair, after the A.W.N. Pugin (British, 1812-1852), original designed 1840, and based on the model made for Richard Whiting, last Abbot of Glastonbury, with typ

Revival Encaustic Tiles English, late 19th century, designed by A.W.N. Pugin (Augustus Welby Northmore Pugin, 1812-1852), encaustic tiles inlaid in the medieval style, five different designs, some sta

Augustus Welby Northmore Pugin (British, 1812-1852) attributed antique casket box with pierced strapwork metal mounts in the Gothic taste, the hinged domed lid surmounted by a handle with two dragon h

AUGUSTUS WELBY NORTHMORE PUGIN (1812-1852) OR EDWARD WELBY PUGIN (1834-1875) NEEDLEWORK RUG, CIRCA wool, with later linen backing, with later cotton binding to each end, the panel a section of a large

Pair of English cast iron Gothic Revival firedogs or andirons in the manner of Augustus Welby Northmore Pugin (English 1812-1852), 19th century, each having a a lozenge form with brass cartouche, and

James Stephanoff (British, 1788-1874) and Augustus Welby Northmore Pugin (British, 1812-1852), Four Hand-Colored Engravings of the Coronation of George IV, including: "The Coronation of His Majesty, G

JOHN G. CRACE & SON, LONDON ORIGINAL FABRIC PANEL, CIRCA 1870 glazed oilcloth, with maker's stamp PRIVATE DESIGN/ JOHN G. CRACE & SON/ 38 WIGMORE STREET LONDON/ 8030, later framed(101.5cm x 66cm)Note:

John Hoppner, R.A. (British, 1758-1810), "Portrait of a Gentleman Identified in the Dillon Collection as Hon. James William Dillon (1792-1812), Son of Charles Dillon, the 12th Viscount", ca. 1808, oil

Rare Sevres Porcelain and Bronze Vase ca. 1812, probably from the "Service Iconographique Grec", dated under the foot, with a double "L" mark, and a gilder's or decorator's mark. h. 15-1/2", dia. 4-1/

Pair of Gothic Revival Gilt Metal Two-Tiered Pedestal Candelabra, circa 1870s, each with 13 lights in two tracery aproned tiers supported by a pedestal base, in the manner of A.W.N. Pugin (English, 18

ENGLISH SCHOOL VICTORIAN GOTHIC REVIVAL TERRARIUM, CIRCA 1860 cast iron, zinc and glazed earthenware, the tiles by A.W.N. PUGIN FOR MINTON & CO., painted and glazed frame(42cm wide, 68cm high)

A set of six oak Gothic Revival dining chairs, late 19th century, in the style of AWN Pugin, each with a studded leather back and seat, over octagonal faceted supports united by stretchers, the front

Minton Majolica Gothic Revival Large Revolving Luncheon Tray The design based on a tile pattern by A.W.N. Pugin, shape no. 799, date cypher, circa 1870 Embossed in the encaustic style, the central flo

attributed to A.W.N. Pugin, 18 1/2"d, professional rim and hairline repair

Probably Joseph Meeks & Sons, NY, ca. 1830 8'8"h x 4'6-1/2"w x 28-1/4"d Provenance: The Stanley Weiss Collection Literature: "Fine American Antiques in the Stanley Weiss Collection" by Stanley Weiss,

ENGLISH CAMEO ART GLASS OPEN SALT, white to red, flowering tree design, applied silver rim with faint hallmarks, factory-polished base and pontil mark. Probably Thomas Webb & Sons. Fourth quarter 19th

Asia.- Chinnery (George, 1774-1852) The cook's stall, probably Macao, pencil, inscribed with artist's annotations in shorthand underneath, on thin handmade Chinese paper, 90 x 115 mm (3 1/2 x 4 1/2 in

Antique Sterling Silver Samovar with Burner, probably made by Kirk & Son for retailer Loring Andrews Co. Cincinnati in circa 1906. The pattern is definitely a Kirk & Son style pattern. Weighs 68 troy

Gilt Sterling Silver mounts hallmarked Edward H Stockwell, London, 1875 over a "moon-flask" clear glass claret jug, probably by Thomas Webb & Sons engraved in imitation of rock crystal, with designs o

All probably by Enoch Wood & Sons, comprising: six 7" plates in the Suspension Bridges pattern, six 9 1/4" plates in the Railway pattern, a single 10 1/4" plate in the Suspension bridges pattern, twel