Bodhisattva, Sumatra, 20th cent.,

Thangka painting on textile. Sino-Tibetan, 20th cent. A superb thangka, rich in figural depictions of Buddhas, bodhisattvas, saints and monastic scholars (acaryas). The lower section presents krodha-d

Stein & Goldstein Carousel Horse. Brooklyn, early 20th century. Carved inside row wooden neighing horse stander with rose on head, feathers in front and a wolf’s head on back and carved saddle a

Silver scoop with enamels, Russian style. - Russia (?), 20th cent. - 20x11,5 cm, 334 g. Silver. Casting, enamels, gilding. Hallmark (unreadable).

[Russian]. Silver enameled tankard. - Russian Empire, late 19th - early 20th cent. - 12 cm x 11,5 cm, diameter 9 cm.- Weight: 371 g. Silver, enamels, gilding. Marked with 84 standard, head in kokoshni

Housed in original box with 1910 manual. Has a Gurley solar attachment added. Moderate wear from use but appears complete. Has original tripod as well. Used by Nathaniel C. Mason (1847-1930) of Frankl

INCREDIBLY RARE BRAND "FRONTIER" BRAND JEAND MADE FOR HARD WORK ON THE GREAT PLAINS OF THE AMERICAN WEST PRE 1920s SUSPENDER BUTTON ERA Size 35" WAIST 29" INSEAM condition: GOOD/WEARABLE

Scott & Stuart Gentling (Am. 20th Cent.), Of Birds in Texas, Ed. 66/500, folio 29 1/2 x 23 1/2, sign on cover page in ink by: Scott Gentling, John Graves and Stuart Gentling. Folio; Edition of 500, 19

Silver scoop with enamels, Russian style. - Russia(?), 20th cent. - 20x13x10 cm; 347 g. Silver. enamels, gilding, cabochon. Hallmark of 84' fineness.

Abstraction, mixed media on canvas, 48 x 36, signed lower right: Julia Marc

Silver scoop with enamels and a cabochon, Russian style. - Russia (?), 20th cent. - 15,5x8 cm, 241 g. Silver. Casting, enamels, gilding. Hallmark (unreadable).

Russian silver salt cellar. - Russia, 20th cent. - 6,5x6,5x8 cm. Weight: 129 g. Silver. Enamels. Gilding. Hallmark of 88' fineness, master's mark "FK" (?, unreadable).

Silver cup holder with enamels "Souvenir", with spoon. - Russia (?), 20th cent. - 8,5x10x6,5 cm, 137 g (cup holder), 13,5x2,5 cm, 23 g (spoon). Silver. Casting, enamels, gilding. Hallmark (unreadable)

Set of Three Works: (1) Pecos Beauty © 1990, watercolor and gouache on paper 15 1/2 x 19 1/2, signed lower right: © 1990 Dan R Williams; (2) Uncle Buck & Uncle Luke © 1990, watercolor a

The good blue sponged antique example is unsigned. Be aware that internet sales tax applies to all Internet transactions and local sales tax may apply to local pick-up transactions. For 1-4 small item

An early twentieth century painted wrought iron bird cage in the manner of David Hicks having a pagoda top over two diamond front doors. Supported on straight leg base. Ht: 87" Width: 33" Depth: 17.5"

Cased Set of 50 Prosthetic Glass Eyes. 19th/early 20th century. In a fitted case. 6 1/8 x 10 ¾ x 1”.

Music box, Switzerland 20th century, inscribed on a label in the lid ''Reuge Musik (...) interchangeable 72 lames 15 airs'' followed by a list of all titles. Under the lid another one with a glass ins

a quarter century appraising and evaluating denim and have never seen this tag on a chore coat before a true rare beautiful denim piece teens or twenties with chinstrap construction and design indicat

John Cole (20th Cent. Washington) ''Big Flat Deschutes River'' Oil on Canvas 24''x30'' Image. A colorful modernist northwest scene. Signed l.r. Gallery framed 31''x37''. Small area of paint flaking an

DESCRIPTION: Magaly Malape Vvellan (20th Cent.) "Star Is Born" Abstract Painting. Signed, dated and tiled along the back. CIRCA: 20th Cent. ORIGIN: South America DIMENSIONS: H: 47.5" W: 76.5" CONDITIO

China, 20th century Dimensions: 15.5" (39.37cm) H Dehua white porcelain statue of guanyin standing a stop two lotus flowers and accompanied by a male child. Provenance: Hong Kong family collection in

Jon Flaming (Am. 20th Cent.), Back Road, New Mexico, oil on canvas 20 x 24, signed upper right: Jon Flaming

Doug Clark (Am. 20th Cent.), Leading the Way, Old Blue, Ed. 5/50, bronze 7 x 10 x 4, signed on sculptural base: DB Clark. 5/50

Jacals with Bluebonnets, oil on canvas, 24 x 36, signed lower left: F. De La Fuente