Charles Spencelayh, RMS, HRBSA (British, 1865-1958) Overdrawn at the bank

Charles Spencelayh - (1865-1958) Oil on canvas painting portrait of a genre scene. Signed bottom right corner. Period carved wood frame. Charles Spencelayh was active/lived in United Kingdom. Charles

(lot of 3) Framed equestrian prints, including: (1) embellished print on canvas, "Coming Home," after Charles Spencelayh (English, 1865-1958), (1) engraving on paper, three plates from "Twelve of the

Charles Spencelayh, English, 1865 to 1958, oil painting on canvas, Musicians and Friends, depicting a double portrait of men, a guitar player, 1946. Signed and dated, lower left. Framed. A gold tone p

Charles Pears, RSMA (British, 1873-1958)Thames sailing barges at dusk signed 'CHAS.PEARS' (lower left)oil on canvas51.4 x 60.9cm (20 1/4 x 24in).This lot is subject to the following lot symbols: A

initialled (lower left), oil on canvas (Dimensions: 75cm x 151cm (29.5in x 59.5in))(75cm x 151cm (29.5in x 59.5in))

initialled (lower right), oil on canvas (Dimensions: 60cm x 120cm (23.75in x 47.5in))(60cm x 120cm (23.75in x 47.5in))

Hugo Grenville (British 1958-) Still Life with Anemones and Coffee Pot, 2009 initialled and dated (lower right), studio stamp (to reverse), oil on canvas (104cm x 78cm (41in x 30 7/8in))

Hugo Grenville (British 1958-) Yellow Summer, 2021 initialled (lower right), oil on canvas(85.5cm x 90cm (33.75in x 35.5in))

Hugo Grenville (British 1958-) Thinking It Through, 2015 initialled (lower left), studio stamp (to reverse), oil on canvas (49.5cm x 75cm (19 3/8in x 29 1/2in))

Charles Banks Wilson Lover's Leap Spring River 1976 Signed lower left and titled 'Lover's Leap Spring River' verso. According to online sources, 'Lover's Leap is a high rocky ledge at the west end of

Charles Banks Wilson (1918-2013) End Men 1942 The composition of performers in blackface being subject matter unlike any other in the artist's oeuvre, despite his documenting many facets of American l

(lot of 104) American sterling silver flatware service, Watson Company, in the "Meadow Rose" pattern, designed by Joseph E. Straker, Jr. (British, 1865-1955), including: (12) hollow handle knives, 9.7

LEONARD WYBURD (1865-1958) FOR LIBERTY & CO., LONDON ‘ATHELSTAN’ ARTS & CRAFTS ARMCHAIR, CIRCA 1900 oak with leather drop-in seat, stamped to back seat rail EF (67.5cm wide, 90.5cm high,

John Frederick Herring was a British painter of the 18th and 19th century famed for his lively depictions of race horses and agricultural scenes. He is widely considered one of the best animal painter

DAVID CHARLES JENKINS (British 1867-1916) A PAINTING, "A Summer's Day at Sefton Park," CIRCA 1910, oil on canvas, signed L/L, "David C. Jenkins;" 72" x 48", framed 77" x 53". Exhibited: Liverpool Autu

Julian Opie (British, born 1958) Twenty Six Portraits The complete set of twenty-six prints in colours, 2006, comprising sixteen lithographs, five Lambda prints and five screenprints, on wove, signed

Charles Oakley (British, 1925-2008) The Interior acrylic and collage on panel construction, with hinged layered triptych 43 x 41.5cm (16 15/16 x 16 5/16in). Footnotes: Provenance With

Charles Haigh-Wood (British, 1856-1927) A favourite pet signed 'C.HAIGH-WOOD' (lower right) oil on canvas 53.5 x 78.5cm (21 1/16 x 30 7/8in). Footnotes: Provenance Private collect

Elizabeth, Jacket, T-shirt & Trousers, 2000; Vinyl on painted wood; Signed and titled; 12" x 5" x 2"; Provenance: Private Collection, Boston

King (Charles) The British Merchant, 3 vol., list of subscribers to vol.1, 2 folding letterpress tables, endpapers to vol.1 reinforced with tape, book-labels laid down to endpapers of each vol., title

Charles Church - British, b. 1970 Justify Oil on canvas 12" x 14" Signed and inscribed Despite not making a single start as a 2-year-old, Justify took the racing world by storm. After winning a maiden

(British, 1795-1865), oil on board, signed l.l., retains traces of an old label on verso Overall: 17"h x 21"w Sight: 13-3/4"h x 18"w Provenance: Property from the Collection of Winston and C.Z. Guest

(British, 1810-1865), 'Over the Brook' and 'Over the Hedge', oil on canvas Each 11-3/4"h x 17-3/4"w overall, 9"h x 14"w sight Provenance: Richard Green, London; Property from the Collection of Mimi Ad

Charles Frodsham (British, founded 1834) 8 day marine chronometer, circa 1870. Number 0041, silvered face, dial with up and down indicator, spotted plate with Earnshaw's spring detent, Kullberg's auxi