CLARK BLICKENSDERFER - Arches of Capistrano

Artist: Clark Blickensderfer Title: Old Faithful Medium: Photo Litho, 1986, USA Dimensions: 5.8x7.3" Description: Heat Wax Mounted on 8.5x11" Conservation Board Artist Bio: Clark Blickensderfer (1882-

Capistrano Arches, oil on wood panel, 8 x 10, signed lower right: Arthur Hill Gilbert; titled on verso: Capistrano Arches,

Cyrus Afsary(b. 1940)Arches of Mission San Juan CapistranoOil on canvasSigned lower right: Cyrus Asfary30" H x 54" W

McNopoly - 1988', watercolor on Arches paper, signed in ink 'Patrick Clark KWS 1988' (lower right), titled in pencil, titled and dated verso, unframed, 23x30in.

LE DANSEUR (Bloch 1849; MOMA 107), 1965, one-block linoleum cut on Arches Script watermark paper, printed in black and brown, signed and numbered 53/200 in pencil, image 25 x 21 7/8”, sheet 29 5

SONG OF SONGS OF KING SOLOMON (Field 71-17), 1971, loose leaf portfolio with twelve color etchings with stencil coloring and gold dust on Arches uppercase watermarked paper, each signed in pencil and

FLOWERS FOR UCLA (B.1297; C.799 ), 1961, color lithograph on Arches paper with block letter watermark, signed in pencil and inscribed epreuve de artiste (artist’s proof in French), aside from the nu

LINCOLN IN DALIVISION (Field 77-1, page 118), 1977, color lithograph with embossing and gray-blue etching on Arches France watermarked paper, signed and numbered E 177/350 in pencil, published by Levi

STEVEDORE (M.693), 1971, color lithograph on Arches watermarked paper, signed and numbered 17/50 in pencil, sheet 49 x 36”.

PERSISTENCE OF MEMORY (74-2A) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 146/150, published by Phyllis Lucas New York, sight 25 ½ x 27 ¼

MASCARA ROJA (P.226), 1976, Mixografia gravure on Arches paper, signed in pencil, Roman numbered XXIII/XXXV (23/35), catalogue calls for XX (20) and X (10) Roman numeral editions, aside from the numbe

FIGURA DE PIE (T.233), 1977, color Mixograph on Arches paper, signed and numbered IX/XXV (9/25 Deluxe Edition) in white crayon, aside from the numbered edition 100, with original certificate from prin

MOSES from the Bible (Cramer 25; Mourlot 125), 1956, color lithograph on Arches paper, signed and numbered 15/75 in pencil, printed by Mourlot, published by Verve, sheet 14 ¾ x 10 ¼&rdqu

UNTITLED from Album 21 (Mourlot 1137), 1978, color lithograph on Arches paper, signed and numbered 12/75 in pencil, printed by Mourlot, published by Maeght Editeur Paris, sheet 25 ½ x 19 &frac1

DOROTHEA TANNING (M.929), 1974, color lithograph on Arches 1970’s watermarked paper, signed in pencil, numbered 10/60, sheet 15 ¾ x 20 ½”, printed by Mourlot, framed, extremely pale toning at sh

MEXICO CITY PERSONAGES I from Octavio Paz Suite (B.364), 1986-88, lithograph on Japanese handmade Ganpi chine applique to Arches paper, signed and numbered PP III/V in pencil (printer’s proof 3

REMBRANDT SELF PORTRAIT (74-2E) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 123/150, published by Phyllis Lucas New York, sight 29 ¼ x 21

VERMEER THE LETTER (74-2F) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 76/150, published by Phyllis Lucas New York, sight 31 ¼ x 21 ¼”,

RAPHAEL THE MARRIAGE OF THE VIERGE (74-2C) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 98/150, published by Phyllis Lucas New York, sight 3

VELASQUEZ LAS MENINAS (74-2D) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 5/150, published by Phyllis Lucas New York, sight 31 ¼ x 21 ¼��

FOUR ARCHES, 1974, color lithograph, signed in pencil, from the numbered edition 150, sheet 27 ¾ x 22 ¼â€, framed, very pale discoloration upper left corner and along right sheet edge, otherw

VELASQUEZ THE SURRENDER OF BREDA (74-2B) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 37/150, published by Phyllis Lucas New York, sight 24

PARADISE from Les Vitrau (F.74-5N), 1978, color lithograph on Arches paper, signed and numbered 12/250 in pencil, sight 23 ¾ x 17 ¾”, frame 33 ½ x 26 ½” with gl

PERRO, 1975, color Mixografia on Arches paper, signed in pencil, numbered 66/89, sheet 21 ¼ x 29 ½”, in good condition.