Costume for a Character in Opera Atelier's Production

Seven Conceptual Opera Costume Illustrations, Late 1960s-2012 This lot includes seven costume illustrations for various opera productions. THE FIRST Orgon in Tartuffe by Moliere. (likely a late 1960's

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

These stunning pieces were worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera a

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

These stunning pieces were worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera a

These stunning pieces were worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera a

These stunning pieces were worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera a

These stunning pieces were worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera a

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

These stunning pieces were worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera a

These stunning pieces were worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera a

These stunning pieces were worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera a

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

These stunning pieces were worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera a

This stunning piece was worn by the cast of AIDA at a La Scala, Milan, Italy Opera production, probably between the 1930s and 1960s. Attributed to A. CORBELLA, the foremost Italian maker of opera and

1920s- 1930s opera costume in ivory satin, sequined and painted gold leather trim and two round breastplates. Possibly used in a production of Die Walkure on Broadway or from a film as the name in the

Color pencils and graphite on paper drawing by Kazimir Malevich, 1879 to 1935, a Russian Avant-Garde artist and art theorist. A sketch of a costume for the Victory Over The Sun opera, the character of

4 Spanish Lady costume designs, 1950s production of Robinson Crusoe opera. By Hugh Stevenson (British, 1910-1956). 2 signed, dated 1951 lr. 14 3/4" x 11".

Two photocopied pages of a original piece of artwork created by the award winning costume designer Robert Blackman. These pages were used by the production in the creation of the character of "Darmok"