Countering Anti-Japanese Prejudice in California,

Big silver ingots from the headquarters of the Anti-japanese hero in Mihon Mun

ROBBERS, 1982, color screenprint, signed and numbered 200/275 in pencil, published by Martin Lawrence Limited Editions, with their and printer’s blind stamps lower left, image 24 ¼ x 24

THE IMPRESSIONISTS (Yamagata pg. 141), 1984, color screenprint, signed and numbered 136/295 in pencil, published by Martin Lawrence Editions with blind stamp lower left, image 19 ¾ x 29 &frac34

FEATHERLESS, 1972, watercolor on paper, signed and dated upper left, Plexiglas box frame 40 x 28”

THE WRIGHT BROTHERS, 1980, color screenprint, signed and numbered 22/300 in pencil, published by Martin Lawrence Limited Editions, image 26 ¾ x 36”, full margins, frame 39 ¾ x 48 &

MISS PARIS, color screenprint, signed and numbered 275/300 in pencil, image 27 ½ x 22”, sheet 35 x 29”, in Plexiglas frame 41 x 35”

THE IMPRESSIONISTS (Yamagata pg. 141), 1984, color screenprint, signed and numbered H.C. (hors commerce) 19/75 in pencil, aside from the numbered edition of 295, published by Martin Lawrence Editions

L’EXPRESS, circa 1977, color screenprint, signed and numbered XXX/C (30/150 Roman numeral) in pencil, pre-Martin Lawrence edition, image 25 ½ x 21 ¼”, full margins, frame 34

VARIOUS WOMEN, 1986-88, seven color screenprints, each signed in pencil, three numbered and four artist’s proof, all published by Mirage Editions, six with blind stamps, sheets from 36 x 30&rdq

SNOW CELEBRATION, 1992, color screenprint, signed and numbered 236/305 Roman numerals in pencil, artist’s blind stamp lower left, image 25 x 23”, full margins, frame 39 x 36” with plexig

BEAUTIFUL WOMAN, four color screenprints, each signed in pencil, each from a numbered edition or an artist’s proof, all published by Mirage Editions with blind stamps, sheets average 36 x 30&rd

EXTANT #1, 2000, acrylic, pastel, graphite and mixed media on paper, signed and dated lower left, 39 ¼ x 26 ¼”, finger-joint frame 46 ¾ x 32 ¾” with Plexiglas

PARADE OF ANGELS, 1986, color screenprint, signed and numbered 7/50 HC (Hors Commerce) in pencil, Martin Lawrence Ltd. Editions blind stamp lower left, image 30 x 24”, full margins, frame 46 x 4

BEST BUDDIES, 1992, color screenprint, signed and numbered 30/50 HC (Hors Commerce) in pencil, artist’s blind stamp lower left, image 18 ¼ x 21 ½”, full margins, frame 34 &frac12

LE MOULIN ROUGE, 1979, color screenprint, signed and numbered AP (artist’s proof) 12/30 in pencil, aside from the numbered edition 300, published by Martin Lawrence Limited Editions, image 24 x

THE GYMNAST, 1996, color screenprint with hot foil stamping, signed and numbered 175/195 Roman numerals in pencil, Kato Art Studio California blind stamp lower left, USA Olympic gold embossing lower c

WATER CASTLE, 1990, color screenprint, signed and inscribed AP (artist’s proof), in pencil, artist’s blind stamp lower left, image 25 ½ x 25 ½”, full margins, frame 41 x 40&rdq

GREEN TEAPOT, glazed ceramic lidded teapot with single handle, signed, 10 ½ x 9 x 3”; CHECKBOARD, glazed ceramic Rhombus shape vessel, signed, 3 x 12 ½ x 7”; GREEN VESSEL WIT

MISTY MOUNTAIN, oil painting on canvas, signed lower left, 20 x 24”, frame 27 ½ x 31 ½”.

Nagel Eleven Commemorative posters (NC #5-NC #15), 1985-1988, each a color screenprint, sheets average 36 x 24”; Together with Mukai BEAUTY WITH GREEN EYES, 1986, color screenprint, signed and i

JUICY TROPIC, 1992, color screenprint, signed and numbered 2/30 AP (artist’s proof) in pencil, artist’s blind stamp lower left, image 23 x 23”, full margins, frame 40 x 39” with plexig

Mitsuzo Shimizu (1905-1986, Japanese, California), "Misty Mountain Top," early 20 th c., oil on canvas, signed lower right, presented in a carved giltwood frame with a brass nameplate, H.- 17 1/2 in.,

THE KITE, 1992, color screenprint, signed and numbered 7/250 in pencil, artist’s blind stamp lower left, image 9 x 11 ¼”, full margins, frame 23 x 24 ¼” with plexiglass. Fr

ANTI-JAPANESE ORIGINAL POSTER ART Original ink and ink wash poster by noted Philadelphia newspaper political artist GILBERT ALLAN GEIST (1895-1937), 25 ½" x 14 ½" (sight), ca. 1917, a rather siniste