Curt Fischer, 'Midgard 126' clamp light, 1926

Articulated wall mounted industrial lamp designed by Curt Fischer for Midgard, Germany, circa 1920. 48" L.

Tito Agnoli, '255' clamp light, 1954, H. 69 cm (max.). Made by Oluce, Milan. Tubular metal, metal sheet, nickel-plated, black plastic, rubber, metal pin with rubber cap., Gramigna, Repertorio 1950-198

Dieter Waeckerlin. 'Saffa' table light, 1957. H. 50 cm, L. (max.) 88.5 cm. Made by SLZ, Zurich. Cast iron, chrome-plated tubular steel, sheet steel, painted black.

Table: H. 77 x 160 x 80 cm. Light: H. 50 x 86 x 10 cm. Made by Olivetti, Ivrea. Sheet metal, sectional metal, painted black and gray, gray plastic, table top made from imitation wood; Clamp light and

Art Deco platinum diamond ring. Round cut center stone flanked by four emerald cut diamonds. Approximately .75ct. Inscription to band "From BP to SK Oct. 3, 1926." Light scratches and abrasion to meta

Light fixture. . Cm 126,00 x 80,00 x 126,00. Lacquered metal, for Lightolier, 50s. Original labels present

Napoleone Martinuzzi Pair of three-armed wall lights, model no. 2151, 1926-1930 Coloured glass, painted steel. Each: 37 x 48 x 30 cm Produced by Venini & C., Murano, Italy. Each fixture impressed wit

oil on canvas; unsigned; inscribed to canvas verso "Painting by Roger Kuntz Claremont, Calif, Circa 1956"; Provenance: The Estate of Barbara Beretich, Artist and Collector of Art, Claremont, CA; 18 x

Roland Petersen (American, b. 1926), "Figure in Morning Light," monotype, pencil signed lower right, titled lower center, "impression by artist" written lower left margin, image: 21.75"h x 17.5"w, ove

A pair of three shade system Louis Poulsen copper wall lights designed by Paul Henningsen 1925/1926. 45 cm diameter .

A pair of three shade system Louis Poulsen copper wall lights designed by Paul Henningsen 1925/1926. 45 cm diameter .

A pair of three shade system Louis Poulsen copper wall lights designed by Paul Henningsen 1925/1926. 45 cm diameter

R. Lalique Molded Glass Rinceaux Light Fixture Marcilhac no. 2468, designed in 1926 Of bowl form, decorated with deep intaglio graduated wedge shaped motifs, in colorless glass, engraved R. LALIQUE FR

Rook advertising paperweight with Rookwood Pottery on one side of the plinth and Fine Tiles on the other, cast in 1926 and covered with dark over light blue mat glazes. Marks include the Rookwood logo

SST counter top display sign, has very good color and shine, shows light wear, marked American Circle Co., dated 1926, 7.5"x10.5"x4.5", rated 8.25

Konstantin Alexeivitch Korovin 1861 Moscow - 1939 Paris study of a Summer tea ceremony in a light-flooded thicket. Oil/canvas. 56 x 72 cm. Inscribed lower left in Cyrillic. Framed.

Vase Adolf Beckert (design), Loetz Wwe., Klostermühle, 1909 Colorless glass, underlaid with gradient pink opal, overlaid in light green. Etched decor, acid polished. Marked on the lower wall: Loetz

Shell object Toots Zynsky Extended, fused and hot-formed glass threads in light blue. Ref.: Z (melted light blue glass thread). H. 12 cm; W. 43 cm Lit.: Contemporary Crafts and the Saxe Collection, Th

Miniature jar with bees Daum Frères, Nancy, c. 1905 Colorless glass with powder fusions in white, yellow and light brown. All around flat relief etched and painted in colorful enamel decoration: br

Vase ''Oriente'' Dino Martens (design), Aureliano Toso, Murano, 1952 Colorless glass with 'zanfirico' glass rods, opaque crumb flecks in red, white, yellow, light blue, black violet and aventurine and

Vase ''citron yellow phenomenon Gre 3/430'' Loetz Witwe, Klostermühle, 1903 Colorless glass, with leaking lemon yellow opal underlay and fine light green coronet enamels. Oval silver-yellow flecks

Vase ''Valva'' Flavio Poli (design), Seguso Vetri d'Arte, Murano, 1956 Colorless glass with smoky gray and light sapphire blue underlay ('grigio zaffiro'), cut and polished. Marked in diamond scratch:

Zierhenkelvase ''Soffiato'' Vittorio Zecchin (Entwurf), M.V.M. Cappellin & C. , Pauly & Cia., Compagnia de Venezia e Murano (Vertrieb), Murano, 1925 - 1926 Amethsytfarbenes Glas, Henkelappliken in Dun

Meyr's nephew, Adolf near Winterberg, ca. 1912 Colourless, light green overlaid glass. The cylindrical cuppa with fourteen-fold peel grind. Below the lip there are irregularly scattered polished spher