Curt Fischer, 'Midgard' scissor light, 1926

Articulated wall mounted industrial lamp designed by Curt Fischer for Midgard, Germany, circa 1920. 48" L.

Art Deco platinum diamond ring. Round cut center stone flanked by four emerald cut diamonds. Approximately .75ct. Inscription to band "From BP to SK Oct. 3, 1926." Light scratches and abrasion to meta

Baroque light plaster scissors, 17th century, brass, on wick plaster box relief of a goddess of victory flanked by 2 putti, scissor arm with caryatid in relief, a similar piece in the Landesmuseum Old

Napoleone Martinuzzi Pair of three-armed wall lights, model no. 2151, 1926-1930 Coloured glass, painted steel. Each: 37 x 48 x 30 cm Produced by Venini & C., Murano, Italy. Each fixture impressed wit

oil on canvas; unsigned; inscribed to canvas verso "Painting by Roger Kuntz Claremont, Calif, Circa 1956"; Provenance: The Estate of Barbara Beretich, Artist and Collector of Art, Claremont, CA; 18 x

Roland Petersen (American, b. 1926), "Figure in Morning Light," monotype, pencil signed lower right, titled lower center, "impression by artist" written lower left margin, image: 21.75"h x 17.5"w, ove

A pair of three shade system Louis Poulsen copper wall lights designed by Paul Henningsen 1925/1926. 45 cm diameter .

A pair of three shade system Louis Poulsen copper wall lights designed by Paul Henningsen 1925/1926. 45 cm diameter .

A pair of three shade system Louis Poulsen copper wall lights designed by Paul Henningsen 1925/1926. 45 cm diameter

R. Lalique Molded Glass Rinceaux Light Fixture Marcilhac no. 2468, designed in 1926 Of bowl form, decorated with deep intaglio graduated wedge shaped motifs, in colorless glass, engraved R. LALIQUE FR

Rook advertising paperweight with Rookwood Pottery on one side of the plinth and Fine Tiles on the other, cast in 1926 and covered with dark over light blue mat glazes. Marks include the Rookwood logo

SST counter top display sign, has very good color and shine, shows light wear, marked American Circle Co., dated 1926, 7.5"x10.5"x4.5", rated 8.25

VINTAGE BEADED CHIFFON AND LACE PARTY DRESS, c1926 This late 1926 party dress is a sheer light weight black chiffon and chantilly lace, accented with hand sewn floral red, pink, blue and green beadwor

Konstantin Alexeivitch Korovin 1861 Moscow - 1939 Paris study of a Summer tea ceremony in a light-flooded thicket. Oil/canvas. 56 x 72 cm. Inscribed lower left in Cyrillic. Framed.

Vase Adolf Beckert (design), Loetz Wwe., Klostermühle, 1909 Colorless glass, underlaid with gradient pink opal, overlaid in light green. Etched decor, acid polished. Marked on the lower wall: Loetz

Shell object Toots Zynsky Extended, fused and hot-formed glass threads in light blue. Ref.: Z (melted light blue glass thread). H. 12 cm; W. 43 cm Lit.: Contemporary Crafts and the Saxe Collection, Th

Miniature jar with bees Daum Frères, Nancy, c. 1905 Colorless glass with powder fusions in white, yellow and light brown. All around flat relief etched and painted in colorful enamel decoration: br

Vase ''Oriente'' Dino Martens (design), Aureliano Toso, Murano, 1952 Colorless glass with 'zanfirico' glass rods, opaque crumb flecks in red, white, yellow, light blue, black violet and aventurine and

Vase ''citron yellow phenomenon Gre 3/430'' Loetz Witwe, Klostermühle, 1903 Colorless glass, with leaking lemon yellow opal underlay and fine light green coronet enamels. Oval silver-yellow flecks

Vase ''Valva'' Flavio Poli (design), Seguso Vetri d'Arte, Murano, 1956 Colorless glass with smoky gray and light sapphire blue underlay ('grigio zaffiro'), cut and polished. Marked in diamond scratch:

Zierhenkelvase ''Soffiato'' Vittorio Zecchin (Entwurf), M.V.M. Cappellin & C. , Pauly & Cia., Compagnia de Venezia e Murano (Vertrieb), Murano, 1925 - 1926 Amethsytfarbenes Glas, Henkelappliken in Dun

Meyr's nephew, Adolf near Winterberg, ca. 1912 Colourless, light green overlaid glass. The cylindrical cuppa with fourteen-fold peel grind. Below the lip there are irregularly scattered polished spher

Vase with hydrangeas Emile Gallé, Nancy, c. 1920 Colorless glass, inside with light salmon colored partial underlay, outside triple white, light purple and green overlay. All around with relief etc

Spherical vase ''Formose'' René Lalique, Wingen-sur-Moder, 1924 Colorless, faintly opalescent glass, pressed into the mold, refined by polishing. Light blue patinated. Relief decoration: veiltail f