Earlom (Richard) The Lion and Boar

Finely detailed cast of a lion and boar sculpture, in patinated bronze, unsigned. [10 1/4" H x 18 3/4" W x 7 1/2" D].

Pair of vintage relief carved wall plaques of lions attacking boars. [7" H x 17" W (with tail)]. One tail broken.

60 Earlom, Richard (English 1743-1822), Etching and Roulette, Mezzotint Landscapes. All different images dating from 1776 and 1777. After the drawings by Claude Le Lorrain. Image size 8" x 10". Fair t

Earlom, Richard (British, 1743-1822). After Claude Lorrain (French, c.1600-1682). 40 etchings from “Liber Veritatis. Or, A Collection of Two Hundred Prints, After the Original Designs of Claude

RICHARD EARLOM 1743 London - 1822 ebenda 'A BLACKSMITH'S SHOP' (NACH JOSEPH WRIGHT OF DERBY) (1771) Mezzotinto auf Papier. SM 59 x 42 cm (R. 84 x 63,5 cm). Unten rechts in der Platte bez. 'Richd Earlo

18th C Richard Earlom Hand Colored and Framed Lithograph of Mordaunt's Cock Match. Colonel Mordaunt's Cock Match at Lucknow, 1786 after Johann Zoffany R.A. 24 inches x 30 inches

Richard Earlom (British, 1743-1822) After Frans Snyders (1579-1657) Published by John Boydell, London, 1 December 1778 A Concert of Birds, 1778 engraving 14 1/4 x 22 1/4 inches. This lot is located in

DRESDEN CARDBOARD Christmas tree decoration, pig, 9 cm, wild boar, lion German Description DRESDNER PAPPE Christbaumschmuck, Schwein, 9 cm, Wildschwein, Löwe

Group of ten prints on wove paper after drawings by Claude Lorrain, circa 1774. All imprinted at bottom "From the Original Drawing in the Collection of the Duke of Devonshire". Includes plate numbers:

An African carved ironwood sculpture depicting a lion attacking a wild boar. Unmarked. Provenance: Carved by local artists in Kenya, Africa. Purchased in the late 1980's.

The Landing on the Latium Coast Medium: etching and aquatint (after the drawing). Engraved by Richard Earlom (1742-1822) after Claude le Lorrain. From Claude Lorrain's Liber Veritatis, this is Plate 1

ALLEGORICAL SUBJECTS, 1786-1789, a collection of thirteen monochromatic engravings after Cipriani, eleven by Earlom and one by Catherine Preftel and one anonymous, sheets 19 x 13 ”, each with a coll

with chalice and sword, 14", excellent.

Richard Earlom (1743-1822), After Claude Lorrain (1605-1682), pair of 18th Century Engravings H 15.5" W 18.5"

Group of ten prints on wove paper after drawings by Claude Lorrain, circa 1774. All imprinted at bottom "From the Original Drawing in the Collection of the Duke of Devonshire". Includes plate numbers:

Richard Earlom (1743-1822), After Claude Lorrain (1605-1682), pair of 18th Century Engravings H 15.5" W 18.5"

Group of ten prints on wove paper after drawings by Claude Lorrain, circa 1774. All imprinted at bottom "From the Original Drawing in the Collection of the Duke of Devonshire". Includes plate numbers:

Richard Earlom (1743-1822), After Claude Lorrain (1605-1682), pair of 18th Century Engravings H 15.5" W 18.5"

Richard Earlom (British, 1743-1822), "Landscape with Figures and Cattle" and "Seascape", plates 188 & 200, c. 1777, 2 etchings with mezzotint, after Claude Lorraine (French, 1600-1682), from Liber Ver

Richard Earlom After Claude Lorrain Etching & Mezzotint, English 1743-1822. Published in 1775 by John Boydell engraver in Cheapside England. Etching is die sunk 10x8", framed 18x15". Excellent conditi

Two plates published by John Boydell 1776. Dimensions: (Frame) H 15.5" x W 17.5", (Sight) H 8.25" x W 10.5" Condition: Some cracks in frame surface.

Richard Earlom (1743-1822), after Claude Lorrain (1605-1682), 18th century, Engraving, No. 139 from Liber Veritatis, a book of drawings by Claude Lorrain, depicting The coast of Naxos with Bacchus and

Richard Earlom (British, 1743-1822) Four Landscapes After Claude Lorrain. Etching and aquatint dated to 1766 Each: 8" x 10.25" Frames: 16.75" x 18.75"

Set #MK053 Richard the Lion Heart Mounted with Sword. Condition Excellent. Box. 1 Piece