Edward Clarke Cabot. 2 19th century Maine watercolors

1. A cranberry glass fairy lamp shade in form of St Edward's Crown with overshot texture, a Clarke's lamp cup is included. 2. A 19th century porcelain lithophane panel. 3. A French blue crystal fairy

Painting: 19th c. watercolor landscape. Unsigned. Sight 9" x 13 1/2", overall 15" x 19 1/2". Provenance: The Edward Herrmann Estate, Salisbury Connecticut.

(lot of 2) Framed watercolor paintings on paper, c. 1880-1900, "Louven" and "Antwerp," "Louven" signed lower right E. Nevil (Edward Nevil, English, late 19th/ early 20th c.), retaining labels verso re

19th c. folk art watercolor "CLARKE'S COMMENTARY…". Gilt frame. Sight 7 1/2" x 9 1/2", overall 9 1/2" x 11 1/2".

American School, 19th Century Still Life with Bird and Fruit Peak's Island Maine watercolor theorem on paper set in a period frame 9 1/2 x 13 1/2 inches.

WATERCOLOR PORTRAIT OF THE SHIP “EDWARD O’BRIEN” OF THOMASTON, MAINE19th CenturySigned and dated illegibly lower left.Framed 25” x 31”.

Pair of watercolors. Portraits. From a Bronx, NY collection. Dimensions: From 2.75" high x 3.5" wide to 10.5" high x 7" wide

Mallard Drake and Hen ink and watercolor 21 1/2 x 17 1/2 inches (overall)

Early 19th c watercolor family record Isaac Ridlon and Mercy Hancock (Baldwin, Maine) ca 1830 with recorded births up to 1839, framed, some staining on lower section, 17" x 12 1/2"

American School, Mid-19th Century Ship Quickstep, Capt. Edward Weeks, Coming into Malta Harbor, 1856 watercolor on paper unsigned 21 1/2 x 29 1/2 inches. Provenance: Ex-collection, American organist a

2 19th century watercolors in birds eye maple frames. 11 1/2" x 9 1/2".

(1) portrait of woman is a painted photograph. Dimensions: (Frame) H 12" x W 10" Condition: Aged toning and rubbing to frames.

Lot (2) 19th c. watercolors including boy with whip, signed and dated "W. Green Lees 1843" (sight 6" x 4 1/2", overall 9" x 7 12), along with side view portrait of a woman (sight 4" x 3", overall 7 1/

Lot (2) 19th c. watercolor portraits in gilded frames. Sights (6" x 4" and 4" x 4").

Lot of (2) 19th c. watercolor theorems of grapes and cherries. Sights 9" x 7" and 10" x 8".

UNSIGNED. BOTH 22" X 23 1/4"

(2) 19th Italian watercolors of ruins, "Temple of Pella", 8-1/8" x 5-1/2" sight; "Place de la Tetre", 6-1/2" x 5-1/2" sight; watercolor on paper, no visible signatures, very good condition

Watercolor on paper signed Edward Medcalf to lower right. Depicting a bridge over a river with a fisherman to one side and cattle to the other. Housed in a a gilt frame. 9.5 inches height, 20.5 inches

One Orientalist, approx. 4 1/4" x 7" unframed, 11" x 14" framed; and one mother & daughters pastoral, signed Losquiu? dated 1821, approx. 6 1/4" x 9 1/4" unframed, 13" x 16" framed. From a collection

Two 19th Century Colonial Peruvian watercolor portraits in gold wood frames. Approximately 17.5 x 20 x 1in. Sight view approximately 6.5 x 9in.

(lot of 2) Framed watercolor and gouache paintings on paper, James Matthews (British, fl.1880-1930), including: (1) "A Sussex Village," signed lower left, titled lower right, sight: approx 1

Both outdoor narrative scenes, one with a man courting a woman from a respectful distance; the other of the same couple later as husband and wife, preparing to travel; in matching dull gold frame, gla

Costume designs with annotations. Dimensions: (Larger) H 6.25" x W 9.75" Condition: Some losses to edges and soiling to paper.

Two (2) 19th Century Ink and Watercolors on paper "Botanicals Of Oranges and Lemons" Unsigned. Measures 16-1/2" x 11-1/2", frame 23" x 18". Condition: Toning from age or in good condition. Estimate: $