Elihu Vedder, Branches and Leaves

ELIHU VEDDER (1836-1923) "Simple Simon, His Book." Hand-calligraphed and illustrated unpublished manuscript titled "Simple Simon, his Book / by Elihu Vedder - his Mark 1913" [cover title]. Cover and c

ELIHU VEDDER New York/Italy, 1836-1923 A building, likely in Italy. Signed lower left. Provenance:Raydon Gallery, New York. Oil on canvas, 12" x 8". Framed 19" x 15".

Elihu Vedder American, 1836-1923 Windswept Olive Trees, Bordighera, Italy, 1866 inscribed with artist's mark and dated 1866 (lr); Signed Vedder and dated Bordighera / 1866 on the reverse Oil on canvas

Elihu Vedder American, 1836-1923 Stairway, San Remo, 1866 Signed Vedder (ll) and dated San Remo / 1866 (lr); signed Vedder and dated San Remo / 1866 on the reverse Oil on canvas 12 3/4 x 5 1/8 inches

Carved Black Forest Wood Bear Bench. 59" long by 35" tall. Two large bears at each end. Back has a bear resting on branches with oak leaves. Impressive.

ELIHU VEDDER Castle Ruins near Liguria. Oil on canvas, circa 1869. 345x530 mm; 13x20 inches. Ex-collection Mark Borghi Fine Art, Inc., New York, with the label on the frame back; private collection, N

ELIHU VEDDER New York/Italy, 1836-1923 "Near the Lake Mount ... Must have been the return of the Rustic Rumpus". Signed lower left "Vedder". While relined, the reverse has a copy of the original descr

Elihu Vedder (1836-1923): Landscape at Dusk Oil on canvas, 1902, signed 'Elihu Vedder' and dated lower right, lined. 14 1/4 x 20 in., 22 x 28 in. (frame), Mark Borghi Fine Art, NY. Private Collection,

Elihu Vedder (American, 1836-1923) Cart in a Farmyard Signed bottom right, oil on canvas (9 1/2 x 13 in. (24.1 x 33cm)) Provenance Private Collection, New York, New York. Footnote:

Italian Coast. Oil on canvas on board. Signed lower right. Ex- Leland Little Auction, Sept. 2016. From a New York, NY collection. - Dimensions: 11" h x 14" w.

Elihu Vedder (American, 1836-1923), "Divorce of Reason," oil on panel, unsigned, gallery label (Kennedy Galleries, Inc., New York City, NY) affixed verso, panel: 6.5"h x 11.5"w, overall (with frame):

Elihu Vedder (American, 1836-1923) Ruins at Porto d'Anzio Signed and titled bottom left; also signed and titled again, dated '1911' and inscribed 'Where the statue of the so called/ "Fanciulla d'Anzio

Attributed to Elihu Vedder (Italian/American, 1836-1923) "Odalisque" Oil on panel. 8 3/4 x 15 3/4 in.

oil on canvas laid on board, signed and illegibly dated at lower right, presented in a later gilt composition frame. SS 10.5 x 13 3/8 in.; DOA 14.25 x 17 in. Born in New York City, Vedder considered I

ELIHU VEDDER (American, 1836-1923)Design for Bronze Cup, 1899Pencil and cha

Elihu Vedder (American 1836-1923), "Portrait of a Roman Girl", 1878, oil on canvas, Pre-Raphaelite shoulder length portrait depicting a red haired beauty wearing a three strand pearl necklace, signed,

Aboo Faddah (1890), mixed media, 6 1/4 x 7 1/2 in (15.9 X 19.1 cm), signed lower right

Heading: Author: Fitzgerald, Edward, translator Title: Rubáiyát of Omar Khayyám:: The Astronomer-poet of Persia Place Published: Boston Publisher:Houghton Mifflin and Company Date Published:

ELIHU VEDDER (American, 1836-1923)Design for Mirror Base, circa 1900Pencil

ELIHU VEDDERNew York/Italy, 1836-1923Three female figure studies. Unsigned.All crayon and pastels on cream laid paper, 12.25” x 18.75”. Unframed.

Three pencil drawings from a sketchbook. Appear to be of French views with haystacks. All three inscribed November 23, 1876. Unsigned. With Kennedy Galleries labels verso. Each label gives full inform

''Rubaiyat of Omar Khayyam, The Astronomer - Poet of Persia'', illustration by Elihu Vedder, translated by Edward Fitzgerald, Houghton Mifflin and Company, Boston, 1886, appears to be 53 illustrations

Large C JERE Mixed Metals Branch & Leaves Wall Sculpture. Copper branches with brass leaves. Marked & dated 82. . -- Dimensions: H: 42 inches: W: 52 inches: D: 11 inches ---

1910 Digressions of Elihu Vedder Illustrated Rome Biography Versailles Florence American symbolist artist Elihu Vedder is best known for his illustrations of the Rubáiyát. After the successes of ‘