Erin Clark. Les Nympheas

Roy Lichtenstein (American, 1923-1997). "Les Nympheas". Linoleum cut, woodcut, lithograph, and silkscreen. 1993. Signed, numbered, and dated in pencil, lower right. From the regular edition of 100 (th

Pop Culture Memorabilia, including a Gwen Stefani/No Doubt signed Trojan Condom baseball hat, Mouseketeer Sharon Baird signed photo, Les Miserables cast signed brochure, Dave Clark Five band signature

LES ILLUMINATIONS, 1949, double portfolio, with fifteen lithographs on thin chain laid paper each signed in pencil and inscribed Suite X, plus the same fifteen lithographs unsigned, aside from the num

LA CHAINE SIMPSON from Les Maitre De L’Affiche, plate #238, 1900, color lithograph, signed in design, sight 9 x 12 ¾”, printed by Chaix, Paris, Les Maitre De L’Affiche blind stamp lower right,

LES FABLES DE LA FONTAINE (S.134; 115), 1927-1930, two etchings, both with complimentary signatures, from the edition of approximately 300, images 11 ¼ x 9 ½”, full margins, originally unpublished

SUR LES COTEAUX D’ANSAS, 1946, oil painting on board with a painting of a tree on the verso, signed and dated and titled lower right, 13 ¾ x 10 ½”, hand-made custom frame 20 &#18

PARADISE from Les Vitrau (F.74-5N), 1978, color lithograph on Arches paper, signed and numbered 12/250 in pencil, sight 23 ¾ x 17 ¾”, frame 33 ½ x 26 ½” with gl

LES HEURES SE SUIVANT, 1935, gouache on paper, artist's stamp lower right, titled and dated on verso in ink, 10 ¾ x 10 ¾", framed. Provenance: Martin Lawrence Galleries.

LES DEUX ON THE MOVE, 2017, gouache on paper, signed and dated in pencil lower right, 23 x 30”, frame 25 ¾ x 33 ¼” with glass.

LES MYSTERIES DE L’ALCHIMISTE (F.80-4-C), 1980, color lithograph, signed and numbered 120/350 in pencil, published by Levine & Levine for DalArt, comes with Martin Lawrence certificate and promo

THE OPPRESSORS LES OPRIME, 1983, color aquatint etching, signed and numbered 35/100 in pencil, image 14 ¾ x 19 ¼”, full margins, hand-made custom frame 29 ¼ x 33” with Plexi

IL LES ATTRAPE AVEC SON GROS POISSON, 1988, acrylic painting on canvas, signed and dated lower left and titled lower right, 51 x 77”, frame 55 ½ x 81”. Provenance: Boyd/Sherrel Gall

LES ENFANTS TROUVES, PIERRERIES (Precious Stones), 1968, color lithograph on BFK Rives paper, artist’s name in design lower right, from the edition of 350, published and printed by Fernand Mour

ILLUSION, 1986, bonded sand relief sculpture, signed and numbered 52/95 in brush lower left, overall, 60 x 45 ½ 12” including framed, published by Erin Taylor Editions with cleaning instruc

LES DAMNATIONS #4 (S.139), 1966, unique working proof etching with hand-coloring, signed and inscribed Essai (working proof) in pencil, sheet 14 ½ x 10 ½”, frame 22 ½ x 19”

VEUVE AMIOT, CREMANT DU ROI, 1922, color poster, signed and dated on the plate, published by Les Nouvelles Affiches Cappiello, image 60 x 44”, frame 67 ½ x 51 ¾”, probably mounted to linen.

LES ARTS DE LA FEMME, 1895, color lithograph poster with centerfold as issued, printed by Charles Verneau, Paris, 47 x 31”, frame 50 ½ x 34 ½” with Plexiglas.

LES LIVRES DES PEINTRES Series, 1996, four color screenprints, each signed and numbered LXVII/C (67/100 Roman numeral) in silver ink, images 17 ½ x 14”, 11 x 19”, 13 ½ x 17 &#189

LES OH! TOMOBILES (S.306), 1972, color etching, signed in pencil, numbered 56/200, plate 16 1/4 x 21 1/2", full margins, framed with glass.

UNTITLED (B.82.P; R/G.41) 1959, color etching, signed in pencil and inscribed artist proof IV/VII, image 10 x 7 ”, full margins, printed by Georges Visat, Paris, published by Les Editions Galerie Di

LES OBSEQUES DE LA LIONNE from Fables La Fontaine (S.184; S. Livres p.46), 1927-1930, etching from the edition of 40 hand-colored by the artist on Montval paper (a total of 85 hand-colored impressions

LES TOITS OCRES, 1960, oil painting on canvas, signed and dated lower right, 27 ¾ x 39 ¼”, framed. Provenance: Galerie Drouant-David, Lausanne; Ashley Graham’s Galerie Intime, Los Angeles.

LES DEUX PERROQUETS, LE ROI ET SON FILS from Fables La Fontaine (S.190; S. Livres p.46), 1927-1930, etching from the edition of 40 hand-colored by the artist on Montval paper (a total of 85 hand-color

LES DES SONT JETES, 1960, three of the same color lithographs on wove paper, each signed and dated in design, image 16 ¼ x 25 ½”, sheets 21 ½ x 29 ¼”.