Etching Dark Hours Signed J.S. Eland 455-110

MARTIN LEWIS Charleston Practice—Lunch Hour. Etching and sand ground printed in dark brownish black, 1926. 200x250 mm; 7x9 inches, full margins. Edition of only 20. Signed in pencil, lower right

JOHN SLOAN Night Windows. Etching, 1910. 136x179 mm; 5¼x7 inches, full margins. Fifth state (of 5). Edition of 110 (from an intended edition of 100). Signed in pencil, lower right. A superb, dark

JESUS RAFAEL SOTO, Untitled, Signed, Etching 18 / 110, 73 x 64.5 cm / 28.7 x 25.3 inches, With certificate. USD $5,350-$7,000

Marc Chagall (French/Russian, 1887-1985) An Der Staffelei (plate 18 from Mein Leben), 1922-1923 etching and drypoint signed and numbered 77/110 in pencil 9 3/4 x 7 1/2 inches. Literature: Cramer books

Marc Chagall (French/Russian, 1887-1985) Der Musiker (plate 23 from Mein Leben), 1922-1923 etching and drypoint signed and numbered 73/110 in pencil 10 5/8 x 8 1/4 inches. Literature: Cramer books 2 P

Van Rijn, Rembrandt Harmenszoon (1606-1669) Self portrait in a cap and scarf with the face dark Description: Etching on paper, signed and dated on lower left Rembrandt f. 1633 Dimension (PO): 5 1/8" x

After Georges Braque (French, 1882-1963) Hommage à J.S. Bach (Maeght 1019), 1950-1959 etching and aquatint signed and numbered in pencil published by Maeght, Paris, France edition of 300 17 1/4"

Sean Scully R.A. (Irish, born 1945) Dark Fold Etching and aquatint printed in colours, 2003, on wove, signed, titled, dated and numbered 13/40 in pencil, published by Burnet Editions, New York, with w

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

DANIEL GARBER Harmonville. Etching printed in dark brownish black, 1925. 200x298 mm; 7x11¾ inches, full margins. Signed, titled and inscribed "DG imp" in pencil, lower margin. A very good impress

SALVADOR DALÍ Don Quichotte (Horseman). Etching printed in dark reddish brown, 1964-75. 390x295 mm; 15½x11¾ inches, full margins. Artist's proof, aside from the edition of 200. Signed a

HEUER - a gentleman's Calculator chronograph wrist watch. Stainless steel case with calibrated bezel. Reference 110.___, serial 298914. Signed automatic calibre 12. Blue dial with luminous baton hour

Title: Mosaic. John Sloan (1871-1951) Medium: Etching, 1917. Edition 100 - printing 35. Signed in pencil. Inscribed "100 proofs" and "JS imp." This impression was printed by John Sloan. Plate size

SAMUEL CHAMBERLAIN Manhattan Twilight. Etching and drypoint printed in dark brownish black, 1932. 336x240 mm; 13¼x9 inches, full margins. Signed and numbered 41/100 in pencil, lower margin. A sup

SAMUEL CHAMBERLAIN Manhattan Twilight. Etching and drypoint printed in dark brownish black, 1932. 336x240 mm; 13¼x9 inches, full margins. Signed and numbered 94/100 in pencil, lower margin. A sup

ROLEX - a gentleman's Oysterdate Precision wrist watch. Circa 1972. Stainless steel case. Reference 6694, serial 3738764. Signed manual wind calibre 1225. Dark grey dial with baton hour markers, date

Joan Miró (1893-1983) MIDI LE TRÈFLE BLANC (DUPIN 455) Color etching and aquatint, 1968, on wove paper, signed and inscribed H.C. in pencil, an hors commerce aside from the edition of 88, pr

Anders Zorn (Swiss 1860-1920)- ''A Dark Corner (Les Deux Modeles Pres du Lit)'' (Asplund 175); (Delteil 173) & (Hjert & Hjert 239 ii/II)- etching, 1903, signed in pencil. 7 7/8 x 5 7/8''

JOHN SLOAN Turning Out the Light. Etching, 1905. 127x178 mm; 5x7 inches, full margins. Edition of 110 (from an intended edition of 100). Signed, titled and inscribed "100 proofs" in pencil, lower marg

REGINALD MARSH Loco--Erie Watering. Etching, 1929. 178x253 mm; 7x10 inches, full margins. Fourth state (of 4). Edition of approximately 50. Signed in pencil, lower right. A superb, dark impression.Bor

JOHN SLOAN Hell Hole. Etching and aquatint, 1917. 204x253 mm; 8x10 inches, wide margins. Second state (of 2). Edition of 110 (from an intended edition of 100). Signed and titled in pencil, lower margi

FRANZ VON STUCK Die Sinnlichkeit. Etching, 1889. 215x172 mm; 8½x6 inches, full margins. Signed in pencil, lower right. A very good, dark impression. Von Stuck (1863–1928) was educated in Mu

Miro, Joan (Spanish/French, 1893 - 1983); Original Etching, Aquatint, and Carborundum in colors titled 'Le Cassier'. Executed in 1969, printed on Chiffon de Mandure paper. Signed in pencil in lower ri

Damien Hirst Throw it around (from In a Spin, the Action of the World on Things, Volume II) 2002 Etching in colour on 350gsm Hahnemühle paper 91.5 × 112 cm (36 × 44.1 in) Signed, dated and titled E