Francesco Zugno (1708–1787)-attributed

olio su tela, W. 97 - H. 176 Cm, Expertise Prof. Egidio Martini, "Ospiti al Museo. Maestri veneti dal XV al XVIII secolo tra conservazione pubblica e privata “, Musei Civici di Padova, 2012 (sch

olio su tela, W. 53 - H. 67 Cm

attributed. Table lamp. Chromed metal and white opal glass.. Cm 50,00 x 66,00 x 50,00. 1980s.

Attributed Francesco Spanghero (Italian, 1892-1945). Marble statue of a winged goddess, likely Nike, the goddess of victory. Signed along the base.Provenance: From the Estate of Horst Rechelbacher, Os

(Italian, 1822-1883) La Sala di Giove in the Palazzo Pitti, signed lower right "F. Maestosi", oil on linen, 35 x 47-1/8 in.; gilt wood and composition Regency style frame, 47-3/4 x 61 x 4 in. Provenan

Attributed to: Francesco Guardi (Italian b.1712 -d.1793). Titled: “A Capriccio of Venetian Archway Ruin with Figures by Canal” Medium: Oil on Canvas. Image Size: 8-3/8” x 11-1/2" Framed: in peri

Attributed to Francesco Zuccarelli (Italian, 1702-1788) 'Idyll' Oil on Canvas Undated and unsigned, depicting a landscape having a falconing party, in a gold-tone carved wood frame having a brass info

Attributed to Francesco Albani (Italian, 1578-1660) Oil on Panel Undated and unsigned, depicting a mother and child, on a walnut panel in a gold lacquer on wood frame having attribution on paper label

(Attributed to) Francesco Zaccone for Brunner 'Golf' Wood and Metal Chairs c.1990, (6) dining chairs having a bent plywood seat and back and metal frame Height: 32 inches, Width: 22 1/4 inches, Depth:

ATTRIBUTED to FRANCESCO VINEA (Forlì, 1845 - Florence, 1902) Young lady with basket of flowers Oil on canvas, 31,5 x 23,5 cm Signed lower left: F. Vinea Excellent conditions, framed with glass

Framed, under glass. Attribution on reverse. Frame: 20 x 16 inches Sight: 13 x 9 inches Condition: Good. Francesco Bartolozzi RA (21 September 1727, in Florence Š—– 7 March 1815, in Lisbon) was

Attributed to Franceso Casanova (Italy, 1727-1803). Oil on wood panel mother and child with cow in landscape. 9 1/4" x 13" (with frame 16" x 20"). Varnished, crazing throughout, repairs and inpainting

Attributed to Francesco Antonio Simonini (Italian, 1686-1753) Battle Scene ink and wash 8 1/4 x 13 inches. Property from the Estate of Stephen B. Contro, Bassando del Grappa, Italy and Chicago, Illino

Attributed to Francesco Spicuzza Listed Wisconsin Artist (1883-1962) Original Oil on Canvas "Beachside Landscape" Signed Lower Right Measures 21" x 25"

Attributed to Francesco J Spicuzza Listed Wisconsin Artist 1883-1962 Original Watercolor Signed, "Sunset Over Farm" 14"x18"

Attributed to Francesco Solemena (Italian, 1657-1747) Study ink and wash on paper visible: 7 1/4" x 11 1/4"

Attributed to Francesco J Spicuzza Listed Wisconsin Artist 1883-1962 Original Signed Watercolor Impressionist Stilllife 24"x30"

DESCRIPTION: Attributed to Francesco Tosso (Italian, 1875-1890) Pair of 19th century Renaissance style walnut carved wooden life-size figural statues, depicting a pair of seated monkey figures holding

Francesco Guardi (attrib.), drawing, Attributed to Francesco Guardi (Italy, 1712-1793), Figures in a Piazza, sketch study in ink on paper, unsigned but metal tag on frame, matted and framed under glas

FRANCESCO ALEGIANI oil painting TROMPE L'OEIL 19th C19TH C O/C TROMPE L'OEIL Strongly ATTRIBUTED TO FRANCESCO ALEGIANI. ALEGIANI in several works used some of these exact subjects in his other works,

Tabula tertia de Europa. Francesco Berlinghieri (1440-1501) attributed to Francesco Roselli (1445-before 1513). from Geographia. Engraved map. Florence: N. Laurentii, Alamanus, before 1482-early sixte

Francesco Albani (attrib.), Old Master drawing, Attributed to Francesco Albani (Italy, 1578-1660), Mythological subject, c. 1600, chalk on paper, signed "Albani" lower right, information label verso,

Attributed to Francesco Guardi (Italian, 1712–1793), oval floral still life with bird, oil on board, circa late 18th century, 39" h x 31 1/2" w (view), 40 1/2" h x 35" w (frame). Provenance: from th

Attributed to Francesco Vanni (1563-1610). An old master, Sienese or Florentine, two sided. From the collection of English artist and collector of drawings, Jonathan Richardson (1563-1610). Unframed.