French-Made Cavalier Hat Attributed to Confederate General John Bell Hood

AeroArt Military Miniatures - The St. Petersburg Collection #0120 - American Civil War Confederate General John Bell Hood. Produced in 1995 and a total of 254 figures ever made. Near Mint, Unboxed, 2

4.25" x 6.5". Cabinet card with studio mark of L.C. Handy, Washington D.C. **Good condition overall. Some minor wear to corners and edges.** $100-$300

2.5" x 4". No Backmark on verso. **Some minor wear and darkening.** $200 - $400

Western Legend Series, General John J. Pershing Trooper in pursuit of Pancho Villa, plus Confederate General John Bell Hood. 2 pieces. Condition mint in excellent boxes. Extremely limited production.

#KX016 Confederate General John Bell Hood. 1 piece. Condition Mint in excellent box

Details: John Bell Hood autograph clipped from a larger document. Very good condition. John Bell Hood (June 1 or June 29, 1831 – August 30, 1879) was a Confederate general during the American Ci

RARE Confederate Civil War General Antique CDV Photograph of John Bell Hood 1831-1879. This is an original civil ware period image of Hood.

CONFEDERATE GENERALS CDV PHOTOGRAPHS, LOT OF TWO, printed "GEN. HOOD" for General John Bell Hood, and "GEN. GARNETT" for General Richard Brooke Garnett" below images, no back marks. Garnett was killed

(Maryland/New York/England, 1820-1879) Important portrait of Confederate General Robert E. Lee. Excellently executed example which is signed at the middle left hand side and dated 1868. The piece has

36 X 28. BROUGHT BACK FROM THE CIVIL WAR BY GENERAL JOHN FREDERICK HARTRANFT. THERE ARE SEVERAL SMALL HOLES AND SOME STAINING ON THE UPPER PORTION. PLEASE SEE PHOTOS.

carving attributed to John Pollard, Philadelphia, circa 1770, works by David Patterson, Sunderland, England, an impressive and fully developed clock with exceptional carving, the hood with rocaille an

Platinum and 18k yellow gold; Stamped: Made in France / French hallmarks / 18k / 950 The cluster ear clips are set with a total of thirty-two round full-cut, square step-cut and marquise-cut diamonds

Attributed to Michel Nicolas-Bernard Lepicie (French, 1735-1784) La petite fille and Le petit garcon (two works) oil on canvas 15 3/8 x 12 3/8 inches. Provenance: John Hobbs & Co., London (one example

French export assay marks, signed Cartier, 18K, Made In France #30627, 18K yellow gold diagonal textured links set with 77 full-cut diamonds totaling approximately 3.00 cts., graded F-G color and VS-S

Circa 1885 Providence, Rhode Island, scroll-top oak case with freestanding ropetwist columns on hood, trunk, and base, fan carving in arch of trunk door, raised panel base on paw feet, engraved brass

Jacques Adnet French Sideboard/Cabinet circa 1945. Two-door ceruse oak, travertine top, raised on layered platform base, attributed to Jacques Adnet, 69 x 20 x 40 inches. Provenance: purchased from Re

French, 18th/19th c.; pair of carved white marble busts depicting Louis XVI and Marie Antoinette, attributed to Francois Remond, each signed "Remond". Marie: 28" h and Louis: 26" h

Portrait of George Washington Attributed to John Trumbull (1756-1843) Pencil on paper. A finely detailed drawing, likely preparatory for the 1792 life sized painting "General George Washington at Tren

French, 19th Century, Unsigned, Eighteen Lights With Blue Opaline Stacked Bells, Vases And Candle Cups With Gilt Greek Key Pattern, Scroll Fountain Canes And Massive Twist Candle Arms, Hung With Cut C

NICOLA MARSCHALL (American, 1829–1917), Portrait of a Confederate General (Possibly Nathan Bedford Forest), 1874, oil on canvas, canvas: 30 x 25 inches, signed and dated lower left. Condition:

French Made 18K (Tested) Yellow Gold 2.1Ct Diamond & Ruby Ring, Size 6.5, Regency Plate Box.

20th C. French Hat Wig Stand Ladies Bust Hand Painted M De Chelles, 14 inches height x 7.5 in. size: 14x7.5

Silver Plate, French Made! Centerpiece: H 19.5" x W 20" / Candelabras: H 27" x W 24"

John French Sloan (American, 1871-1951) Black Rocks and Ledges, 1915 oil on canvas inscribed G.S. (on reverse) 26 x 32 inches. This work is recorded as #106 in the Sloan archives on deposit at the Del