Fugazi: Margin Walker

Needlepoint sampler, "Our Father prayer", , alphabet top margin, by Jane Matilda Walker, Alphington 1828, 6.5" by 21.1/8"

(American, 1903-1975) Coal-Dock Workers, Havana, Cuba, 1932, printed 1971, signed mount lower right, gelatin silver print, sheet 8 x 10 in.; matted, 16 x 20 in. Note: Also inscribed margin ?(Crim of C

Pencil, crayon and paint on paper, unframed. Signed in the upper left hand margin and dated 1974. Depicting and man facing a child standing on a chair. 18" ht. x 24" wd. Inez Nathaniel Walker 1911-199

Japanese Aquatint Print,2005, self-published, numbered 58/130, titled and signed in the lower margin SIZE IN INCHES: paper size: 12 x 16, image size: 5.75 x 8.8 inches EMIKO AIDA (b.1956) was born and

This large engraving by Henry Bryan Hall Jr. (England, 1839-1913) depicts John Walker's painting of the Battle of Gettysburg. It was commissioned by John B. Bechelder. The lower margin reads: "Gettysb

C1840 Engraved map of North America by Samuel Walker, Boston. Fine with short tear at left margin, measures 9 x 10.5”. Please note that this lot has a confidential reserve. When you leave a bid in a

KARA WALKER (1969 - )Lil Patch of Woods.Etching and aquatint on Mulberry chine collé on Rives BFK paper, 1997. 298x229 mm; 11 3/4x9 inches, full margins. Signed, dated and numbered 2/35 in pencil,

UNTITLED from the Vandal Series, color screenprint, signed in pencil, numbered 133/300, image 13 ½ x 35 ½”, full margins, unidentified blind stamp lower left, framed.

screenprint in colours, 2007, signed in pencil, numbered 29/300, on wove paper, with full margins, 340 x 900 mm (13 3/8 x 35 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, detai

After Walker Evans (1903-1975), Houses and Billboards in Atlanta 1936, Martson Hill Edition 2002, Pigment inkjet print by Sven Martson and John T. Hill, bottom margin inscribed 2/56, and "SM&H MARTSON

Map of Russia in Europe Part IX and Georgia. Baldwin & Cradock/SDUK., Walker, J. & C.1835-08-01. Based on the Imperial Russian atlas, the Survey of Krimea and Monteith. Browned, margin soiled. Quarto

5 Etchings- 1.) William Walker- Crenelated Building; 2.) Paul Jeffay- River with Bridge; 3.) Agnes B. Fernbach- Fishing Shack- 2 tears in top margin; 4.) Andrew Dauchez- Houses in a Marsh; 5.) Wassili

WES WALKER RANCH; ARCHALARIUS RANCH, two gelatin silver prints, each signed and titled in in pencil, sheets 20 x 16â€, some soft handling creases, some cockling in margins, otherwise both in good s

Chinese jade and hard stone fruiting and flowering tree issuing from a rectangular gilt-metal jardiniere with canted corners, raised on four bracket feet, decorated with scrolling foliage, the front a

“Plan of the Approach and Attack on Fort Sumter, by the Federal Iron Clad Fleet 7 April 1863.” Signed [in type]: Wm A Walker, C.S. Eng. Corps. Charleston.Walker (born March 11, 1839 in Charleston,

RARE WILLIAM AIKEN WALKER (AMERICAN, 1839-1921) PORTRAIT TRIPTYCH, oil on board, each a fine full-length depiction with excellent detail of a cotton picker in the field, two men flanking a woman

Kara Walker (American, b. 1969) The Emancipation Approximation (scene 18), 1999-2000 screenprint on Somerset 500G paper signed, dated, and numbered XII/XXV in pencil, verso 43 7/8 x 33 7/8 inches.

IZANNAH WALKER (RHODE ISLAND, 1817-1888), ATTRIBUTED, FOLK ART PAINT-DECORATED CLOTH CHILD DOLL, an expressive example with brown eyes and painted boots. Fitted in period attire, including printed cot

Kara Walker (American, b.1969) 'Resurrection Story without Patrons' Etching with Aquatint 2017, signed lower right, X/XXX, etching with aquatint, sugar lift, spit bite and drypoint depicting a large f

William Aiken Walker (American, 1835-1921) Cotton Pickers, A Man and Woman (a pair of works) oil on academy board signed WAWalker. (lower left) each 12 x 6 1/4 inches. We would like to thank John Fowl

(American, 1839-1921)Signed l.r. and titled verso "Field." 9"h x 11 1/2"w

WILLIAM AIKEN WALKER (AMERICAN, 1838-1921) SOUTHERN GENRE PAINTING, oil on academy board, depicting an elderly African-American man and woman in a field picking cotton, she is carrying a basket of cot

Kara Walker (born 1969) Excerpt, 2014 Lithograph on Somerset satin paper, signed in pencil, dated and numbered PP 2/5 (a printer's proof, aside from the edition of 50), published by the Institute of C

framed to 17" x 12" - paint on board, signed. 100% authentic. Period frame.