Goya etching. The Caprices, 1937 edition. Plate 9 'Tantalus'.

Salvador Dali (Spanish, 1904-1989), "Corcuato de Carso, plate 77 from Les Caprices de Goya," color etching, and aquatint, pencil signed lower right, edition EA on rives paper, plate: 9"h x 8"w, overal

Salvador Dali (Spanish, 1904-1989), "Como Dios Manda, plate 18 from Les Caprices de Goya," color etching, and aquatint, pencil signed lower center, edition EA on rives paper, plate: 9"h x 8"w, overall

Francisco de Goya y Lucientes. 'Ya tienen asiento' (They've already got a seat). Plate 26 from Los Caprichos. 5th edition (1881-1886); This fifth edition of Los Caprichos was printed between 1881 and

Francisco de Goya y Lucientes. 'And still they don't go!' ('Y aun no se van!'). Plate 59 from Los Caprichos. . 5th edition (1881-1886); This fifth edition of Los Caprichos was printed between 1881 and

Plate 78: "Se Defiende Bien" ("He Defends Himself Well").Harris 223.III.11st edition, edition of 500.The 1st edition was printed in eight groups of ten prints. Some age foxing. Size: 13 1/8" x 9 5/8".

Artist: Francisco Goya Title: Plate 9 Year: 1816 Dimensions:17 in. by 12 in. Edition: From the limited edition Suite: La Tauromaquia Medium: Etch

David ITCHKAWICH (American, Born 1937): "Master of the Courts I". Etching on wove paper. Edition of 100. Signed, titled, and numbered in pencil. Plate size: 6 x 9 inches.

David ITCHKAWICH (American, Born 1937): "Master of the Courts II". Etching on wove paper, 1979. Edition of 100. Signed, titled, and numbered in pencil. Plate size: 6 x 9 inches.

(Israeli, 1937-2004) Artist at Work, edition 18/22, signed lower left "Moreh" and in Hebrew, color etching, 9-7/8 x 7 in. (plate); gilt silver frame, 17-1/4 x 14 in.

Title: Untitled. Artist: Ernest D. Roth (1879-1974)Etching, 1937.Unsigned. Only signed in the plate. Edition 50-80.Image size 6 1/4 x 4 5/8" (15.8 x 14.8 cm). 1st State without Christmas greeting in

American, 20th Century. Etching on wove paper. Untitled color abstract portrait etching. Edition 1480/1500, signed and dated to the lower right. Frame 17"h. 14.5"w. Sheet 10.5"h. 7.75"w. Plate 9.5"h.

Medium: original etching. This impression on Arches laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers", issued in an edition of 1000. Plate size: 9 x 6 inch

Male Figure, limited edition etching, #4/80, pencil signed "L. Levine" lower right, in a silver leaf box form frame with double mat, glazed, OS: 18 1/2" x 15", Plate: 9 1/2" x 7 3/4". Frame paint loss

Kainen, Jacob (American 1909 - 2001). Headland. Etching on wove paper. Signed, titled, dated, and editioned in pencil. Edition of 20. Plate: 9 3/4" x 7 1/4". 20" x 17 1/2". Condition: Very good. Not e

Anatole Krasnyansky(1930-2023)"Accordian over Rostov"Etching on paperEdition: 39/74Signed and numbered in pencil in the lower margin: A. Krasnyansky; titled on a label affixed verso; with an

Francisco Goya etching: Cogida de un moro estando en la plaza (A Moor caught by the bull in the ring). Etching approximately 13 1/2" x 9 1/2"

Pablo Picasso L’AGE DE SOLEIL (B.680), 1950, etching, signed in the plate, from the later “Pour Robie” Collectors Guild edition aside from the original 1950 edition of 114, plate 9 &

Mary Huntoon (Kansas, 1896-1970) 1937 1) Bridge Approach (1937) drypoint etching, edition of 100, signed within the plate, Federal Art Project print, Huntoon number E40. 2) Topeka High (1937) drypoint

Winter forest, 1986 Etching on paper Edition: 112/150 Signed, dated, and numbered in the lower margin: T. Ryohei Plate: 9.25" H x 5.75" W; Sight: 12.5" H x 8.75" W

Peter Milton (American, b. 1930), "The Jolly Corner II: 6," 1971, resist-ground etching and engraving on paper, pencil signed and dated lower right, edition 47/90, plate: 9.75"h x 14.75"w, overall (wi

Group of 4 European Prints by Various Artists: 1) Auguste Brouet (French, 1872-1941) Vieille rue a Dieppe , etching from an edition of 75. Size: 4.75" x 3.5", 12 x 9 cm (plate), 9.5" x 7", 24 x 18 cm

Joan Miro (Spanish, 1893-1983) "Picasso i Els Reventos," etching and aquatint on paper, 1973, signed in pencil lower right, edition number: 160 / 182. Plate: 9.25" H x 17.25" W; image: 16" H x 22.5" W

Medium: original etching and aquatint. This classic Villon etching was published in Paris in 1955 by Manuel Bruker in an edition of 200. Plate size: 9 1/4 x 7 inches (240 x 180 mm) with full original

NO QUIEREN from the Los Desastres de la Guerra (Disasters of War), 1810-1815, plate 9, aquatint etching, plate 5 ½ x 7 ¼”, full margins, frame 14 ¾ x 16 ¾” with