Ideler, Christian Ludwig: Brief 1827 + Beigabe

Christian Ludwig Attersee "Tropfeneinmaleins" 1981 oil on canvas; framed 117.5 x 117.5 cm inscribed, signed and dated at the top: Tropfeneinmaleins Attersee 81 private property, Austria Museum Moderne

Christian Ludwig VON LOWENSTERN (1701-1754) German artist pair of oil on canvas paintings, signed. 10 7/8” H x 15 1/4” W frame included, 7 1/2” H x 11 3/4” W without frame. Shipping in USA or

CHRISTIAN LUDWIG ATTERSEE (1940 PRESSBURG) TULPENELSTER, BLUMENDIEBIN, 1973 Farbserigrafie auf festem Papier, Blattgröße: 51 x 69,5 cm, ungerahmt Signatur vorne rechts unten: Attersee 73 Be

CHRISTIAN LUDWIG ATTERSEE (1940 PRESSBURG) FREUNDIN HONOLULLY, 1973 Farbserigrafie auf festem Papier, Blattgröße: 69,5 x 51 cm, ungerahmt Signatur vorne rechts unten: Attersee 73 Bezeichnun

(Geb. 1940 Pressburg. Ansässig u.a. in Wien) /T/"Die schönsten Erfindungen". Originaltitel// Farbserigraphie/Papier, 1970. Sign., dat. u. nummeriert 16/100. Wvz. Attersee 13. Blatt ca. 65,5

Christian Ludwig Martin signed etching. Signed by artist in pencil lower right. Measures 5-1/8" x 5-1/8" image size, 11-3/8" x 15.75" sheet size. Ex/Ex+. Unframed, loose and not glued or mounted. Prov

Walnut Empire sideboard, mid 19th C., Christian Ludwig Antique Furniture label on back, 39" high x 74" x 24"

Attributed to Karl Christian Ludwig Hofer or Carl Hofer (German, 1878-1955) Signed with initials, lower right. Measures 27" x 22" including frame, 19" x 15" image only. #Art #Paintings This lot has no

Expressionismus Der Anbruch. Sammlung von vier Heften. Mit Holzschnitten und Lithographien nach Arbeiten von Emil Nolde, Christian Rohls, Ludwig Meidner, Lyonel Feininger, Otto Müller, Max Pechstein

Ludwig Kurtz Printed Himmels Brief, Strasburg, York Co. Pa. Circa 1831-1846, Hand-colored version of the famous "Letter from Heaven". In a period-style, grain-painted frame, 20-1/2" x 16" overall.

Alexandre-Gabriel Decamps (French, 1803-1860). Truffle Hunter. Antique copper plate etching on wove paper after the original by master etcher Ludwig Friedrich (German, 1827-1916). 1876. Signed in the

Rosa-weiß melierter Marmor sowie Silber. Über rundem, eingezogenem Sockel kurzer, montierter Balusterschaft mit vollplastischer Silberbüste des bekannten deutschen Kom

Joe and Eva Saunders of Maine had their first glimpse of Christian Jonak’s work during a morning walk past a shop window in Austria in the 1990s. The shop had not yet opened for the day but the

Joe and Eva Saunders of Maine had their first glimpse of Christian Jonak’s work during a morning walk past a shop window in Austria in the 1990s. The shop had not yet opened for the day but the

Joe and Eva Saunders of Maine had their first glimpse of Christian Jonak’s work during a morning walk past a shop window in Austria in the 1990s. The shop had not yet opened for the day but the

Joe and Eva Saunders of Maine had their first glimpse of Christian Jonak’s work during a morning walk past a shop window in Austria in the 1990s. The shop had not yet opened for the day but the

Joe and Eva Saunders of Maine had their first glimpse of Christian Jonak’s work during a morning walk past a shop window in Austria in the 1990s. The shop had not yet opened for the day but the

Joe and Eva Saunders of Maine had their first glimpse of Christian Jonak’s work during a morning walk past a shop window in Austria in the 1990s. The shop had not yet opened for the day but the

Joe and Eva Saunders of Maine had their first glimpse of Christian Jonak’s work during a morning walk past a shop window in Austria in the 1990s. The shop had not yet opened for the day but the Saun

Joe and Eva Saunders of Maine had their first glimpse of Christian Jonak’s work during a morning walk past a shop window in Austria in the 1990s. The shop had not yet opened for the day but the Saun

Joe and Eva Saunders of Maine had their first glimpse of Christian Jonak’s work during a morning walk past a shop window in Austria in the 1990s. The shop had not yet opened for the day but the Saun

Joe and Eva Saunders of Maine had their first glimpse of Christian Jonak’s work during a morning walk past a shop window in Austria in the 1990s. The shop had not yet opened for the day but the Saun

Joe and Eva Saunders of Maine had their first glimpse of Christian Jonak’s work during a morning walk past a shop window in Austria in the 1990s. The shop had not yet opened for the day but the Saun

Joe and Eva Saunders of Maine had their first glimpse of Christian Jonak’s work during a morning walk past a shop window in Austria in the 1990s. The shop had not yet opened for the day but the Saun