Ireland.- Scotland.- [Hole (Samuel Reynolds)] A Little

Samuel Augustus Mitchell (1790-1868), "County Map of Scotland and Ireland," 1852, hand colored, H.-11 5/8 in., W.- 9 1/4 in.

OIL ON CANVAS, H 29", W 24", PORTRAIT OF CHARLES I Depicting the portrait young Charles I of England, Ireland and Scotland with blue sash medal donning a prominent falling band collar. Schmidt's Antiq

Case in excellent condition. Little hole in grill cloth. Model AU190.

Seven Beswick porcelain figurines to include a rare Duchess figurine backstamp 2 with flowers, Tom Kitten, Benjamin Bunny, Samuel Whiskers, Little Pig Robinson, Mrs. Tittlemouse, and Pigling Bland Lar

After Pieter Lely (British, 1618-1680) oil on canvas self-framed portraits of Charles II, King of England, Scotland and Ireland (1660-1685) and his brother James II, King of England, Scotland and Irel

James II (King of England, Scotland, and Ireland, 1633-1701) Inspeximus and exemplification relating to Sir Ralph Sadler, fine engraved portrait of James II, royal coat of arms and floral decoration a

NO RESERVE Britain.- Camden (William) Britannia, or, a Chorographical Description of the Flourishing Kingdoms of England, Scotland, and Ireland...Enlarged...by Richard Gough, 4 vol., second Gough edit

WILLIAM III: (1650-1702) King of England, Scotland and Ireland 1689-1702. Prince of Orange. A good, large D.S., William R, as King, at the head, two pages, large folio, n.p., n.d. (1690). The manuscri

SAMUEL REILLY, CORK, IRELAND STERLING SILVER SAUCE BOAT 1780 L 6.5" 4.4 tr oz. Impressed "SR" and STERLING. Shell knees, hoof feet, punch bead border and surround knees. Very delicate. Simple lines an

"World's Champion High Diver" - It Depicts a Dog Leaping from Great Heights. The Sign Measures 7' 9" x 7' 10". The Canvas has a Few Holes in it, One a Little Over an Inch Long, the Other 2 1/4" Long b

Attributed to Frank Sinatra, it does not have COA. Medium: acrylic canvas, 28 x 22 inches. There is a little dent, it is not a hole, please refer to photos for more details. Provenance: private owner.

Sir Joshua Reynolds, P.R.A. (1723-1792), Portrait of Mr. and Mrs. Sylvanus Grovesoil on canvas (lined), unsigned, circa 1753, retaining exhibition labels and identification notes to the verso of each,

1959 Gibson ES-355 Hollow Body Electric Guitarserial number A 31527 on label; obscured FON "91176S (?)" under left F-hole; bound maple top, back and sides; mahogany neck with mother-of-pearl position

Samuel Waldo and William Jewett (American, 19th century), Portrait of George Bradishoil on panel, the verso stamped "Waldo & Jewett / 183(?) / New York," presented in a period gilt frame. Panel 31 x 2

Attributed Sam Middleton (American, 1927-2015), Summeroil on canvas, signed and dated "Samuel Middleton '55" at upper right, inscribed '"Summer" 1-15-55 / S. Middleton" to verso, presented in a later

Attributed Samuel Bell Waugh (American, 1814-1885), Portrait of Abraham Lincolnoil on canvas (lined), unsigned, frame retains a Newman Galleries of Philadelphia label to the verso, presented in a peri

Edwardian Mahogany Center Desklate 19th century, mahogany veneer, oak secondary, rectangular double-sided form with inset green leather tooled top, one side with single small drawer above knee-hole co

Belleek Horse and Snake Parian SculptureIreland, third black period mark (1926-1946), after the original parian created in 1860 titled Napoleon's Horse Marengo by William Adams and Co., a version of t

Three Mid-Century Modern Plantersincluding a pair of rosewood veneer, aluminum and steel three part planters with open drain-hole basin (31.25 x 15.5 in. diameter); together with a rectangular walnut

1995 Martin Single Cutaway Acoustic Guitarserial 566581 on heel block, bound sunburst top with distinctive oval sound hole; rosewood fingerboard with abalone position dots; Martin tuners. Includes mol

A Victorian Silver Tea and Coffee Service with Silver-Plated Waiter(4) piece service with mark of Samuel Hayne & Dudley Carter, London (1852), including a coffeepot (10 in.), a tea pot (7 in.), a crea

George I Figured Walnut Knee-Hole Deskearly 18th century, oak and pine secondary, diminutive form featuring a book-matched veneered top with banded veneer edge, molded corner edge, upper lipped long d

Three Neoclassical Architectural Plasterwork Models by Timothy Richardscirca 2002-2006, the first a model of the Casino Marino in Dublin, Ireland (11 x 14 5/8 x 14 5/8 in.); the second and third are t

McCleery (NJ), Ruddy Turnstonelast quarter of the 19th century, with attribution to Jonas Sprague, solid construction, painted eyes, inserted hardwood bill, a hole drilled through the tail for carryin