J. de Salazar y Mendoza (New Orleans, 1750-1802)

Heading: (Mexico) Author: Toledo y Salazar, Antonio de, Viceroy of New Spain Title: Document from the Viceroy of New Spain, regarding the occupation by bandits of cattle lands belonging to a helpless

Naive style oil on canvas copy portrait painting of Juan de Mendoza y Luna, Marquis of Montesclaros, Viceroy of New Spain and Peru. Small canvas tear below hand. Custom gilded wood frame with red velv

Jehann-Jules Berjonneau (French, 1890-1972) Vase de Fleurs signed 'J. Berjonneau' (lower left), titled on a presentation plaque and on a label from Kurt E. Schon, Ltd., New Orleans (affixed to the str

(American, 1738-1820) Battle of New Orleans, impression by J. Yeager, printed by Y. Sourman, hand-colored lithograph, plate legend on bottom bearing title, date and key to scenes of battle, 16-1/

Two Battle of New Orleans prints, 1) printed by Y. Saurman, published by J. Yeager, in overall good condition, and 2) A.R. Wald - D.G. Thompson. [Image: 5 x 8 1/2 inches; Frame: 16 1/2 x 20 inches].

Title/Content of Map: 1827 c. Bellin Map of New Orleans -- Plan de la Nouvelle-Orleans sur les Manuscrits du Depot des Cartes de la Marine Date Printed: 1827 c., Paris Cartographer: J Bellin Size: 7.4

Addison & Steele, The Spectator London: F. J. Quinby & Co., 1901, "Edition de Magnifique", number 1 of 10, complete in eight volumes, in full red morocco, the boards with gilt rinceau panel and fillet

Pablo Picasso (Spanish/Paris, 1881-1973), "Little Square with Face (A.R. 633)", 1971, red earthenware, inscribed on reverse "J. 168, 132/500" and stamped "Poincon Originale de Picasso" and "Madoura Pl

"Bosqujo De La Republica De Costa Rica, Sequido De Apuntamientos Para Su Historia" Con Varios, Mapas, Vistas Y Retratos (New York: S.W. Benedict, 1851), 8vo, original cloth stamped in blind and gilt,

Salazar de Mendoza, Pedro. "Origen de las Dignidades Seglares de Castilla y Leon". Madrid; MDCLVII (1657). Vellum bound, 4to (12" high). Some wear and losses, pages with toning and foxing. ESTIMATE $1

Adolph Rinck (French/New Orleans, 1802-1895), "Bayou Scene with Deer", 1877, oil on canvas, signed and dated lower right, "P.J. Ulrich, Manufacturer and Importer, New York" label on stretcher, 35 3/8

Eugene J. Kupjack (American, 1913-1991) 1968 New Orleans Kitchen, c. 1800 mixed media Height overall 25 1/2 x width 31 3/4 x depth 30 3/4 inches. Property from the Palm Springs Art Museum, Palm Spring

Follower of Antonio David (Italian, 1698-1750) "Prince Charles Edward Stuart, 'Bonnie Prince Charlie' (1720-1788)", ca. 1730-1745 oil on canvas unsigned, painted after the original commissioned in Rom

Maximilien Luce (French, 1858-1941) "Bord de la Chalouette, Moulineux", 1904 oil on artist board signed and dated lower left, titled en verso with various gallery and shipping labels. Modern frame. 14

Rare French Bronze Dore et Patine Surtout de Table first quarter 20th century, in the rococo taste, the surround molded with pierced scrollwork and rocaille work, accented with chased details, and dec

Diamond Tennis Bracelet 14k white gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 12.70 carats in total, approximate color H-I-J and approximate clarity VS2-I1. l.

Alexander John Drysdale (American/Louisiana, 1870-1934) "Live Oak in the Bayou", 1914 oil on board signed and dated lower right, and with a "W. E. Seebold, Academy Board, 132 Carondelet Street, New Or

Monumental English Twelve-Piece Silverplate Surtout de Table, contemporary, Sheffield, in the Victorian Orientalist taste, including a four-dish epergne, h. 21-1/2", w. 15", a pair of four-light cande

Michel Delacroix (French, b. 1933) "La Place de l'Opera" oil on canvas signed lower left, signed, titled and localized "Paris" en verso canvas. Framed. 23-3/4" x 28-1/4", framed 29" x 35" Provenance:

Rare American Rococo Revival Laminated Rosewood Bedstead, Bearing the Patent Stamp of J. H. Belter, New York mid-19th century, in two-part form with a serpentine headboard, footboard and sides, the ce

Claude Venard (French, 1913-1999) "Paysage Urbain au Bord de L'eau" oil on canvas signed lower left, and "Galerie Felix Vercel, New York-Paris" stamps en verso. Framed. 38-1/2" x 51", framed 46-1/2" x

Hans J. Wegner "Papa Bear" Chair mid-20th century, for A. P. Stolen, Copenhagen, model AP19, stained teak and vintage upholstery, the front seat rail stamped underneath "Made in Denmark/Designer:/Han

Suite of Eight George III-Style Mahogany Dining Chairs 19th century, attributed to W. & J. Sloane, New York, possibly Irish, consisting of two armchairs and six side chairs, each with a foliate-carved

American Rococo Revival Laminated Rosewood Gentleman's Armchair mid-19th century, attributed to J. H. Belter, New York, in the "Tuthill King" pattern, profusely carved with a floral crest and the back