James Ward (1769-1859) English, Engraving

James Ward attributed (English 1769 - 1859) original pencil wash sketch of deer in meadow. Unsigned. Toning, 7"x 10.25". From the estate of Robert Goodwin, Colgate University Professor, longtime colle

Charles Turner (1774-1857) after James Ward (1769-1859) RALPH JOHN LAMBTON ESQR., HIS HORSE "UNDERTAKER" AND HOUNDS Hand-colored engraving, 1821; Together with J. Harris after John Frederick Herring S

Manner of James Ward (1769-1859), 19th century, Oil on canvas, A portrait of a horse and a dog in a landscape with a church tower beyond. Approx. 19 3/4" x 29 3/4"

James Ward (England, 1769 - 1859) Interior scene. Oil on canvas. Signed lower right. Sight Size: 15 x 13 in.

James Ward (British, 1769-1859) "Mare and Foal" oil on cradled wood panel Frame with artist plaque. 18-3/4" x 21-3/4", framed 25-3/4" x 30" Provenance: Bruce McCashin Collection.

James Ward (British, 1769-1859) "Scenes from the Country Life" collection of three oils on panel the two smaller examples signed lower left, the larger monogrammed lower left. All framed alike. smalle

BRITISH CANINE SPORTING PRINTS, LOT OF FOUR, engraving on paper (each), including two examples engraved by Henry Richard Cook (19th century), one "Bloodhound", after James Ward (1769-1869), and the ot

Edward Matthew Ward. (English, 1816-1879). James II in his Palace of Whitehall, Receiving the News of the Landing of the Prince of Orange. Antique Engraving on wove paper after the original oil on can

Edward Matthew Ward. (English, 1816-1879). The South Sea Bubble, (a Scene in ‘Change Alley in 1720). Antique Engraving on wove paper after the original oil on canvas by master engraver James Car

WILLIAM WARD (ENGLISH, 1762-1826) ENGRAVINGSRabbits & Guinea PigsPortrait pairs of rabbits and guinea pigs, text along lower edge reading "Painted by G. Morland; Engraved by William Ward; Engraver to

James Pyne, English pastoral engraving, James Pyne (British, 1800-1870), "Vale of Keswick", c. 1853, 15"h x 21.25"w (sight), 21"h x 27.25"w (frame size), matted and framed under glass Provenance: Prop

James Stark (1794-1859): English Garden Park Pencil on paper on a card mount, 1857, signed 'J. Stark' and dated lower right. 14 x 16 in. (sheet), 21 x 25 1/4 in. (frame). Halcyon House Antiques, Luthe

Lot 116 Edwin Arthur Ward English (1859-1933) Portrait of a Young Woman (1885) watercolor on paper signed upper right sight: 16 1/4 x 11 3/4 inches Provenance: The Estate of Consuelo Cotter

Hedley Fitton (English, 1859-1929), Pantheon, engraving, pencil signed lower right, overall (with frame): 26"h x 31"w

A William Henry Pyne (English, 1769 - 1843) aquatint engraving titled 'Staircase' depicting a view from the bottom of a staircase in Windsor Castle. Titled in plate lower center.

19th century English Landscape Engraving by James Smillie after the painting by Thomas Cole (1801-1848), framed 18"h x 14"w.

2 Engravings: James Abbot McNeil Whistler 1859 Black Lion Wharf and Frederic Henriet, Cliff & Sea size: (8 x 9), (8.5 x 10.5) shelf F

Attributed to James Stark (British, 1794 - 1859), oil on canvas English country scene depicting a thatched water-powered mill, apparently unsigned, 21"h x 25"w, overall size with frame 29.25"h x 32.5"

Two Antique English Engravingsthe first, James Gillray (English, 1757-1815), L'Infanterie Francaise en Egypte, etching with hand-coloring, published 1799, matted, unframed; the second, an engraving fe

George Hunt and James R. Mackrel, English hunt scene, hand colored engraving, 1843, “The Noble Time”, 14 x 19”, 20 1/2 x 25 1/2” framed.

after JAMES GWIN (British 1700-1769) TWO HAND COLORED ENGRAVINGS, plate 33 "De la Volte sur la Passe au Dehors des Armes," and plate 6 "Position pour la garde de tierce et le coup de quarte sur les Ar

A fine late 19th century English hand colored engraving The Humble Francis Scott. Plate size measuring approx 22" tall x 29" wide and overall with matte (not glued) is 28" tall x 35.5" wide. Some foxi

After Thomas (Sir) Lawrence (British, 1769-1830) pair of stipple engravings on paper, Portraits of Miss Mary Isabella Bloxam. Circa early 19th century. Sir Thomas Lawrence is an artist who gained fame

After James Gwyn (1700-1769) [FENCING SCENES] Three hand-colored engravings, from Domenico Angelo's L'École des armes, 1763, framed. Plates 10 x 14 1/4 inches.; 254 x 362 mm. Frames 19 x 23 5/8 i