John Nost Sartorius British, 1755-1828 Before the Hunt

Attributed to John Nost Sartorius (British, 1755-1828), "Huntsman and Hounds at an Alehouse", oil on canvas, unsigned, period label with artist and title on stretcher, 17 5/8 in. x 22 5/8 in., framed,

"Attributed to John Nost Sartorius (British, 1759–1828) Setting Out for the Meet Oil on canvas16 3/8 x 22 in. (41.6 x 55.9cm) Provenance Lane Fine Art Ltd., London, United Kingdom.Private

(British, 1759-1828) Four fox hunting scenes: Breaking Cover, 22-3/8 x 28-5/8 in.; Over the Fence, 22-1/4 x 28-1/2 in.; The Chase, 22-1/4 x 28-5/8 in.; The Kill, 22-1/4 x 28-5/8 in., some bearing sign

Framed print, "Hunting Plate 1 - The Meeting," after J.N. Sartorius (John Nost Sartorius, English, 1759-1828), sight: approx 18.5"h, 24"w, overall: 23"h, 28.5"w, 9.5lbs Start Price: $80.00

John Nast Sartorius (1755-1828, UK/England) oil on canvas titled verso 'Dead Heat Charles XII Euclid' signed lower left and dated 1769 14.5" x 26" ss / 21" x 33" oa

Follower of John Nost Sartorius Breaking Cover; Over the Fence; The Chase; and The Kill: Four Fox Hunting Scenes All but the last inscribed H. Alken and dated 1809 (lr) Each oil on canvas Each approxi

John Nost Sartorius (1759-c. 1830): Mr. Champion out Shooting with His Dogs Oil on canvas, 1797, signed 'JN Sartorius' and dated lower left, lined. 24 x 32 in., 30 x 37 1/2 in. (frame). Estate of Don

Attributed to John Nost Sartorius A Horse beside a Stable Inscribed J N Sartorius fecit (lr) Oil on canvas 20 1/8 x 24 inches (51 x 61 cm) C Estate of Dr. Robert A. Silver

A Life-Size Cast Iron Bust of Mercuryearly 20th century, naturalistic casting of the mythological deity wearing his winged helmet, likely after a model by John Flaxman (British, 1755-1826), unmarked.

Attributed to Gilbert Stuart (British/American, 1755-1828), "Wheeler Martin," oil on panel, sight: 27"h x 22"w, overall (with frame): 32"h x 27"w

Josiah Wedgwood and Sons jasperware vase designed by John Flaxman (British 1755-1826), 18th century, having a cylindrical form decorated with Classical style scenes accented with Corinthian columns, 6

Property from a Private Collector, Amelia Island, GA Description: Probably Thomas John Banks (British, 1828-1896), Berry Pickers, Oil on Canvas, signed lower right, depicting a group of figures ha

After John Flaxman (British, 1755-1826) Two Engravings. Four engravings by Reveil, after original drawings by Flaxman. Matted and unframed Sight: 4.25" x 8" Mat: 15" x 13"

Joseph Mallord William Turner (English, 1775-1851). Aysgarth Force. Antique engraving on wove paper after the original by master engraver John Scott (British, 1774-1828). Year: 1878. Reference Wilton

Two works: both of a single white horse hitched to a jaunting cart before a red brick building, left and right facing each: oil on canvas each: unsigned each: 16" H x 20" W Provenance: The Widener Est

in elaborate carved and pierced giltwood frames, comprising "Hounds Chasing Fox" and "Horses & Hounds", both after John Nott Sartorius, (English 1759-1828), signed and dated lower right "N.A. Sartoriu

28.5" x 33.5". Framed and matted antique hand colored mezzotint engraving after William Redmore Bigg (English, 1755-1828) by John Johns (English, 1745-1797), titled "Dulce Domum, or The Return from Sc

JOHN ATKINSON (BRITISH 1863-1924), WATERCOLOR, HUNT WITH HOUNDS, SIGNED. SIGHT 15 X 21"; FRAMED AND GLAZED-24 X 29"

John Minton British, 1917-1957 Portrait of Robert Hunt at Age 19, 1948 Graphite on paper 14 3/4 x 10 3/4 inches (37.5 x 27.3 cm) Provenance: Thomas Agnew, London Spink & Son, London C Property from th

John Wilson Hepple (British, 1886-1939), "Joining the Hunt", oil on canvas, signed lower left, an old "Melvin Picture Frame Co./New York, NY" label en verso frame, a London supplier stamp en verso can

[Biography] Irving, Washington. A History of the Life and Voyages of Christopher Columbus. JOhn Murray, London, 1828. First British Edition. 4 volumes. xii, [2], 473; [vi], 490; viii, 413; vii, [1], 4

Manner of Gilbert Stuart (1755-1828) American. Study of a Portrait of George Washington, Pencil, bears an Inscription on the reverse, Unframed, 14.5" x 13".

(British, 1755-1840) Two fencing prints from Theory and Practice of Fencing: Displaying the Intricacies of Small-Sword Play, hand colored engravings, sight 9-3/8 x 13-3/8 in.; matching gilt wood frame

After Joseph Farington, RA (British, 1747-1821) and Joseph Constantine Stadler (German, 1755-1828) A Set of Three Etchings from A History of the River Thames variously inscribed hand-colored etchings