Kay Henkel (20th Century California)

20th California Landscape signed Elmer oil on canvas signed 1917 9 x 12" 16 x 19" as framed

78.5 x 26.5 in

John William Hilton (American, 1904-1983) Oil on Artist Board, Ca. Mid 20th C., "California Desert Landscape", H 12" W 16" | Signed in the lower right. California desert landscape with mountains in th

Women painting in sand dunes, circa 1920s Oil on canvas Unsigned 22" H x 30" W

UNTITLED, wood construction with inset glass, a signature not found, overall 32 ¾ x 22 x 5-7” depending on installation.

A magnificent large painted and glazed ceramic vase with side handles, with artist’s cypher stamp, 23 x 12 ½ x 10”.

1947; oil on canvas; signed illegibly and dated lower left; Provenance: The Estate of David Karpeles, the Karpeles Manuscript Museum, Montecito, CA; 18 x 24 inches; 25 1/4 x 31 1/4 inches frame

IMPRESSIONIST BOATS, oil painting on canvas, signed lower left, 25 x 30”, frame 31 x 36”.

QUEEN OF HEARTS, cold-painted and patinated cast bronze sculpture, signed, numbered 12/30, size 27 x 16 x 11” including base.

oil on canvas board; signed lower left; 12 x 16 inches; 16 x 20 1/4 inches frame

AT MISSION CREEK, acrylic painting on linen signed lower right, 15 x 30”, frame 21 x 36”.

PEACH BLOSSOM II, 2004, acrylic painting on canvas, signed and dated and titled on verso, 48 x 36”, unidirectional.

June Carey DESERT LANDSCAPE, oil painting on Masonite, signed lower right, 20 x 30”, frame 28 ¼ x 38 ¼”; Lee Logan DESERT LANDSCAPE, oil painting on canvas, signed lower left, 20

STEEL RAINBOWS (Green), 2002, powder coated metal sculpture, signed and dated and titled, 15 ¼ x 23 x 9”.

UNTITLED, 1978, acrylic painting on paper, signed and dated lower right, image 23 x 21”, sheet 29 ½ x 25 ½”, frame 33 ½ x 29 ½ with glass. Provenance: acquired directly from the artist by the

"Spring Thaw", Native American figures with horses and teepee in a landscape Gouache on paper under glass Signed and dated lower right: Sherry L. Gribben / 1982 and with the copyright symbol, titled b

BALLERINA, 1989, oil painting on canvas, signed and dated lower right, 24 x 18”, frame 30 ½ x 24 ½ x 2 ½”.

ARTIST’S TOOLS: FOUR SMALL CANS OF PENS, PENCILS AND PAINT BRUSHES, 1986, each a painted and glazed ceramic, three cans signed and dated underneath, cans approximately 4” tall, eight brushes longe

ARTIST’S TOOLS: TWO CANS OF PAINT BRUSHES, 1985, each can contains eight brushes, each a painted and glazed ceramic, one can signed and dated underneath, longest brush 13 ½”. Provenance: Acquired

TACTILE VISIONS BLUE, 2006, acrylic painting on canvas with metal overlay and tinsel, signed and dated and titled on verso, 52 ¼ x 52 ½ x 2 ½”

TWO BOOT, 1990, acrylic painting on canvas, artist’s label on verso, 48 x 24”.

ARTIST’S TOOLS: TWO CANS OF PAINT BRUSHES WITH SCISSORS AND TUBES OF PAINT, 1987, each a painted and glazed ceramic, cans 5” tall each, one can signed and dated underneath, twelve brushes longest

Signed lower left and in original Californian frame.This is a beautiful scene of a Californian mission and it's lovely exterior courtyard. We can also see a lovely floral detail on the structure as we

FOUR MEN IN A FIELD, gelatin silver print, signed and numbered 1/30 in pencil on verso, 16 x 20”. Note: Cooper is a well-respected still photographer for Scorsese, Spielberg & Tarantino, amongst oth