KRUZIFIX Deutsch, Staatliche Majolika Manufaktur

Paul Speck, Inkwell, 1927-30, H. 6 x 26.5 x 8.5 cm. Made by Staatliche Majolika-Manufaktur, Karlsruhe. Earthenware, glazed orange. Marked: manufacturer's stamp., Exh. cat. Paul Speck und die Karlsruhe

JUNGE MIT FISCHEN Deutsch, Karlsruhe, Großherzogliche Majolika-Manufaktur, Anfang 20. Jh. Keramik, heller Scherben, polychrome Unterglasurmalerei. H. 19 cm. Eingepresste Manufakturmarke mit 'Baden',

Vase mit Tulpen Max Laeuger (Entwurf), Majolika - Manufaktur Karlsruhe, 1897 Dekoriert in bunt glasierter Schlickermalerei. Mündungsrand mit minimaler Restaurierung. Unterseite bez.: Preßstempel

Max Laeuger for Karlsruhe Majolika-Manufaktur Vases with stylized leaves, set of two Germany, 1921-29glazed earthenware with squeeze-bag decoration 8.625 h x 8 dia in (22 x 20 cm) 8.25 h x 7 dia i

Grossherzogliche Majolika-Manufaktur low vase with blue bell flowers encirlcing the form. Clearly a Max Laeuger inspired piece with impressed company logo circa 1921 to 1929, the name Baden, a partial

KRUZIFIX Deutsch, um 1700 Wohl Buchsbaum, reliefplastisch geschnitzt, dunkel gebeizt. H. 31 cm. Reliefplastische Darstellung Christi, darueber Gottvater mit der schwebenden Taube. Am Fuss des Kreuzes

Max Laeuger, H. 17.2 cm. Made by Majolikamanufaktur Karlsruhe. Majolica, glazed blue and brown/beige on egg-white. Marked: Maker's mark, 1853, PROF. LaeUGER, Made in Germany, Fa.

Walter Bosse, H. 2.8-18.6 cm; H. 4.2-4.7 cm. Made by Hertha Baller, Vienna resp. Majolikamanufaktur Karlsruhe. Cast brass, cast metal, patined, majolica, glazed blue. Bear with maker's label.

Staatliche Bernstein Manufaktur (SBM), Königsberg, c. 1930, .835 Silver, marked SBM and 835S on bottom, 4 ozt., height 4.25 inches.

Designed by Siegmund Schutz and manufactured by Staatliche Porzellan Manufaktur. Circa 1956. Stamped to underside with the sceptre mark and "S". From a Scarsdale, NY estate. - Dimensions: ap

RICHARD BAMPI 1896 Amparo - 1965 Kandern ZWEI KLEINE VASEN Deutsch, Fayence-Manufaktur Kandern GmbH, 1927-1947 Keramik, roter Scherben, orange Glasur. H. 7,3-8,7 cm. Eingepresster Manufakturstempel, e

WANDTELLER MIT URBINO-DEKOR Deutsch, KPM Berlin, in der Art der Castelli-Majolika, Ende 19. Jh. Porzellan, polychrome Malerei. D. 31,5 cm. Unterglasurblaue Zeptermarke, brauner Reichsapfel mit KPM, Pr

Sir Anthony van Dyck (1599-1641)-circle, Portrait of a young man in black clothes, white robe, in front of a black backgorund; oil on canvas. 73x63cm

Phillippe de Champaigne (1602-1674)-attributed, Portrait of a gentleman with curly hair in front of dark background; oil on canvas.

Francois Alfred Delobbe (1835-1920), Romeo and Julia, oil on canvas, signed bottom right. Framed. 59x67cm

A pair of magnificent Art Nouveau panels, both in rectangular form showing two ladies in landscape, in pietra dura technique, with different marble and half precious stones, surrounded by green and br

Piero della Francesca (1416-1492)-manner,Portrait of a man looking to the right with red cap and red coat in front of dark background oil on wooden panel framed

Iwan Konstantinowitsch Aivasowski (1817-1900)-attributed, Coastal seascape at moonlight, oil on canvas, described bottom right and dated 1856, framed. Dimensions: 36x49cm

George Romney (1735-1802)-attributed, portrait of a elegant lady with hat in landscape, oil on canvas, framed. On the reverse old paper label by the gallery „J.Flack“ London. 75x63cm

Marcus Gheeraerts the Younger (1561-1635)-attributed, Portrait of an aristocratic lady with rich embroidery pearl necklace in front of a green backgroud; oil on wooden panel, framed. 61x51cm

Napoleon Bonaparte (1769-1821) bust, as Emperor of France, with laurel leaves, fine sculpted marble bust, 19th Century. 60cm height

Medusa’s head, in classical style with curled hair, feather wings and snakes; on integrated base; masterly executed sculpture work in white carrara marble; Italian 19th Century. Height 80cm

Attributed to Stanislav Libensky (1921-2002) and Jaroslava Brychtova (1924-2020), Head I, glass cast in yellow amber colour, partly transparent and matt; open centre; described on the bottom side S:LI

A early Iron Helmet with arched shape, with four iron fields crossed with two iron bands and circular iron band on the bottom, connected by riveted iron nops, in the front centre an Iron nose protecti