MAX ERNST Hibou. Color lithograph, 1955. 492x362 mm; 19½x14¼ inches, full margins. Signed

RENÉ MAGRITTE (after)Le Fils de l'Homme.Color lithograph, 1973. 777x595 mm; 30x23½ inches, full margins. Signed, titled, annotated and numbered 110/150 by Georgette Magritte, the artist's wi

MARC CHAGALL Moïse et les Tables de la Loi. Color lithograph, 1962. 650x497 mm; 25x19 inches, full margins. Signed and numbered 16/50 in pencil, lower margin. Printed by Mourlot, Paris. Published

KEITH HARING (1958-1990) Keith Haring: Into 1984/Tony Shafrazi Gallery. Color offset lithograph. 880x580 mm; 34¾x22¾ inches, full margins. Signed and dated "86" in silver ink, lower center.

ALEXANDER CALDER La Lune. Color lithograph, 1960. 495x422 mm; 19½x16¾ inches, full margins. Signed and numbered 71/90 in pencil, lower margin. Published by Maeght, Paris. A very good impress

SYLVIA PLIMACK MANGOLD Flexible and Stainless. Color lithograph, 1975. 261x381 mm; 10¼x15 inches, full margins. Signed, dated, titled and numbered 9/50 in pencil, lower margin. Paul Narkiewicz, N

RUFINO TAMAYO Cabeza. Color lithograph, 1959. 660x510 mm; 26x20 inches, full margins. Signed and numbered 42/100 in pencil, lower margin. A very good impression of this scarce, early lithograph.Tamayo

HENRY MOORE Seventeen Reclining Figures with Architectural Background. Color lithograph, 1963. 513x678 mm; 20¼x26¾ inches, full margins. Signed, dated and numbered 36/75 in pencil, lower mar

GEORGES BRAQUE (after)La Palette au Fond Gris, Galerie Maeght, Paris.Color lithograph, 1959. 484x625 mm; 19x24¾ inches, full margins. Signed and numbered 51/300 in pencil, lower margin. Published

RALSTON CRAWFORD Third Avenue Elevated #4. Color lithograph, 1952. 435x260 mm; 17x10¼ inches, full margins. Signed and numbered 27/45 in pencil, lower margin. Printed by Desjobert, Paris. A very

RUFINO TAMAYO Hombre. Color lithograph, 1979. 225x190 mm; 8¾x7½ inches, full margins. Signed and numbered 99/100 in pencil, lower margin. Printed by Ediciones Polígrafa, Barcelona. From

LYNN CHADWICK The Guards (The Watchers). Color lithograph, 1960. 380x250 mm; 14x9 inches, full margins. Signed and numbered 205/300 in pencil, lower margin. Published by the Kestner-Kesellschaft, Hano

HENRY MOORE Two Reclining Figures with River Background. Color lithograph, 1963. 305x629 mm; 12x24¾ inches, full margins. Signed, dated and numbered 50/50 in pencil, lower margin. Printed by Curw

RENÉ MAGRITTE (after)Le Chant de la Violette.Color lithograph, 1979. 736x521 mm; 29x20½ inches, full margins. Signed by the artist's widow, Georgette Magritte, and numbered 193/300 in pencil

GIORGIO DE CHIRICO Trovatore. Color lithograph, 1972. 590x445 mm; 23¼x17½ inches, full margins. Signed, titled and numbered 43/99 in pencil, lower margin. Published by Alberto Caprini, Rome,

JOAN MIRÓ Montroig 4. Color lithograph, 1974. 760x570 mm; 29x22½ inches (sheet), full margins. Signed and numbered 27/30 in pencil, lower margin. Printed and published by Polígrafa, Bar

SALVADOR DALÍ Crazy Horse. Color lithograph, 1966-68. 725x541 mm; 28½x21¼ inches, full margins. Signed and numbered 223/250 in pencil, lower margin. Printed by Desjobert, Paris. Publish

RUFINO TAMAYO Hombre en la Puerta. Color lithograph, 1964. 558x457 mm; 22x18 inches (sheet), full margins. Signed and numbered 20/24 in pencil, lower left. Printed and published by Tamarind, Los Angel

SAM FRANCIS An 8 Set--8. Color lithograph, 1963. 597x400 mm; 23½x15¾ inches (sheet), full margins. Signed and numbered 94/100 in pencil, lower margin. Printed by Joseph Press, Los Angeles, w

PIERRE ALECHINSKY Illusion d'optique. Color lithograph, 1967. 495x655 mm; 19½x25¾ inches (sheet), full margins. Signed and numbered 75/150 in pencil, lower center. Printed by Imprimerie Clot

GEORGES BRAQUE (AFTER) Varengeville. Color aquatint, circa 1955. 260x645 mm; 10¼x25 inches, full margins. Signed and numbered 253/300 in pencil, lower margin. Printed by Crommelynck, Paris, with

MAX WEBER Beautification. Lithograph, 1932. 393x458 mm; 15½x18 inches, full margins. Signed in pencil, lower right. A superb, dark, richly-inked impression of this scarce lithograph.Perhaps more

FAIRFIELD PORTER Girl in the Woods. Color lithograph on Arches, 1971. 724x565 mm; 28½x22¼ inches, full margins. Signed and numbered 62/100 in pencil, lower margin. Printed by Bank Street Ate

SALVADOR DALÍ L'Unicorne laser désintégre les cornes de rhinoceros cosmique. Color engraving and lithograph, 1974. 755x560 mm; 29¾x22 inches, full margins. Signed and numbered 96/1

CONRAD MARCA-RELLI Dark Shapes. Color lithograph and collage, 1967. 335x540 mm; 13½x21¼ inches, full margins. Signed, dated and numbered 9/30 in pencil, lower margin. A very good impression.