Maxfield Parrish ( 1870-1966) four prints

After Maxfield Parrish (American, 1870-1966). "Our Beautiful America", set of four prints together with two other prints by Parrish. In green paper portfolio with title page. Approx. 17" x 12.5" (each

Maxfield Parrish (1870-1966), print, marked LLC "Maxfield Parrish", LRC "The House Of Art N.Y.". Sight 29 1/2" x 17 1/2".

MAXFIELD PARRISH (1870-1966) Print in colors applied to board 24" x 30"

Maxfield Parrish (American, 1870-1966). Print, Old King Cole. 26" x 6 1/4" (with frame 9 3/8" x 29 1/8"). Minor losses to frame. Provenance: From the Estate of Angela Gross Folk.

MAXFIELD PARRISH (AMERICAN 1870-1966), PRINT, DAY BREAK, SIGNED. ORIGINAL FRAME AND GLAZED-21 1/2 X 33"

MAXFIELD PARRISH (AMERICAN 1870-1966), PRINT, "CONTENTMENT", SIGNED COPYRIGHT 1927. ORIGINAL FRAME AND GLAZED-23 X 14 3/4"

Maxfield Parrish (American, 1870-1966). Print The Waterfall, above a mirror. Print 8 3/4" x 6 1/2"; with mirror 28 3/4" x 8 3/4"

Framed Maxfield Parrish House of Art Women Tree Print. This is a framed Maxfield Parrish (American, 1870-1966) print depicting two women beneath a tree. The women look dreamily off into the distance.

Maxfield Parrish (American, 1870-1966), Print, "Dinky Bird'. Chipping to paint finish on frame. Lower left corner under glass has loss. Sight size: 14 3/4" x 9 1/4" Frame size: 17 3/4" x 12 3/4"

Maxfield Parrish (1870-1966). Two vintage prints. Comprised of "The Knave of Hearts Watching Lady Violetta Depart" (also known as The Page). Printed by The House of Art NY. Sight measurement 12" x 9.5

Maxfield Parrish (American, 1870-1966), 3 original prints, "Daybreak" and "The Lute Players", original Art Deco frames, largest 13-1/4" x 20-3/4", framed, good condition

Maxfield Parrish (USA, 1870-1966) 'Ecstasy (1929)' Print. Frame size" 21 x 27.25". Painting size: 15.25 x 21.25". Copyrighted 1929.

AFTER MAXFIELD PARRISH (AMERICAN, 1870-1966)DaybreakLater print by House of Art, N.Y., after the original by Parrish, depicting two young Grecian lovers under columns before a vast and magnificent mou

Such a pretty print from illustrator and muralist Maxfield Frederick Parrish (1870-1966). Well known print called Daybreak originally created in 1922. Measures 7" x 11" framed.

Maxfield Parrish (1870-1966) The collection of framed prints by Maxfield Parrish, titles include Harvest (circa 1905), At Close of Day (circa 1941), A New Day (circa 1949), Arizona (circa 1930) and Ev

MAXFIELD PARRISH FRAMED OLD KING COLE PRINT Maxfield Parrish (American 1870 - 1966). Red mark on print to left of king. 25 3/4" X 8 1/4"

Maxfield Frederick Parrish (American, 1870 - 1966), "Daybreak" Period print on paper ,measures 5.5 " x 9" inches

AFTER MAXFIELD PARRISH (AMERICAN, 1870-1966)Lute PlayersLater print by House of Art, N.Y., after the original by Parrish, depicting three young Grecian beauties with lutes astride a still lake. Set be

Maxfield Frederick Parrish (1870-1966) Circa 1920s Five framed prints, titles include: The Dinkey Bird, Bellerophon, Garden of Allah, Night is Fled and an advertisement for Brill Brothers 'Get the Hab

Maxfield Frederick Parrish (1870-1966) Circa 1920 The three prints as shown in period frames, titles include Daybreak, Garden on Allah and Royal Gorge. Framed sizes range from 11.5 x 19 to 25.75 x 18

[LITHOGRAPHY]. [PARRISH, Maxfield, 1870-1966]. Edison Mazda Lamps Print Blotter Trade Card. General Electric Company, 1924. Color lithograph blotter trade card on cardstock (this one is blank, without

after Maxfield Parrish (American, 1870-1966), Hilltop Farm, Winterreproduction print, with printed signature at lower right, matted and framed. DOA 32 1/2 x 35 1/4 in. Private Collection, Greensboro,

Maxfield Parrish (American, 1870 - 1966) "The Dinky Bird" framed print measuring approx 15" H x 11" W (without frame). Est. early 1900s.

Three Maxfield Parrish Framed Prints: "Reveries," "Evening," "Twilight" (American 1870-1966) Print titled "Reveries." Marked lower right, Copyright 1926 made for a calendar advertising Edison Mazda La