McClellan and Lafayette & Porter Headquarters, African

Charles Ethan Porter Lilacs African American Still Life, the 2nd of 2 Porters from the same Estate in this auction, oil on canvas, 19.1 x 23.1 inches, 0.9 inches deep for shipping calculations, signed

TITLE: C. 1862, UNION OFFICERS AT HEADQUARTER'S W/ AFRICAN AMERICAN BOY ARTIST/SOURCE: MATTHEW B. BRADY (American, 1823-1896); Brady National Photographic Art Gallery MEDIUM: CONTEMPORARY PHOTOLITHOGR

TITLE: C. 1862, UNION OFFICERS AT HEADQUARTER'S W/ AFRICAN AMERICAN BOY ARTIST/SOURCE: MATTHEW B. BRADY MEDIUM: CONTEMPORARY PHOTOLITHOGRAPH DATE/PERIOD: C. 1862 DIMENSIONS [INCHES]: 8 x 10 ORIGIN: UN

Title: C. 1862, UNION OFFICERS AT HEADQUARTER'S W/ AFRICAN AMERICAN BOY Artist/Source: MATTHEW B. BRADY Medium: CONTEMPORARY PHOTOLITHOGRAPH Date/Period: C. 1862 Dimension [INCHES]: 8 x 10 Origin: UNI

One is a African-American Porter, large version, wheeling suitcases and with separate individual bobbing head. Second is a Poor Pete, figure gets bitten by dog while eating watermelon, with original d

Civil War scene, Battle of Antietam, Abraham Lincoln and George B. McClellan meet at headquarters, October 1862. Sepia-tone photo print, after an original photograph by Alexander Gardner. Created in t

Civil War scene, Battle of Antietam, Abraham Lincoln and George B. McClellan meet at headquarters, October 1862. Sepia-tone photo print, after an original photograph by Alexander Gardner. Created in t

Civil War scene, Battle of Antietam, Abraham Lincoln and George B. McClellan meet at headquarters, October 1862. Sepia-tone photo print, after an original photograph by Alexander Gardner. Created in t

Civil War scene, Battle of Antietam, Abraham Lincoln and George B. McClellan meet at headquarters, October 1862. Sepia-tone photo print, after an original photograph by Alexander Gardner. Created in t

Civil War scene, Battle of Antietam, Abraham Lincoln and George B. McClellan meet at headquarters, October 1862. Sepia-tone photo print, after an original photograph by Alexander Gardner. Created in t

Porters chair Bespaq; African side table Rainbow Hand; Hookah AU; Monkey shade lamp AU

Cabinet photo of Pres. Lincoln meeting with Gen. McClellan and staff at Headquarters Army of the Potomac, previous to reviewing the troops and the Battle-Field of Antietem, 3d, Oct. 1862, Brady's Albu

William "Bill" Papas (South African, 1927-2000) "Porter" figural work of man with pipe Aquatint etching on paper Pencil signed to lower right, titled to lower middle, edition 16/75 Approx. 19.25" x 15

5 printed CDVs of Union Generals: Maj. Gen. Thomas, Gen. Fitz John Porter, Maj. Gen. McClellan, Maj. Gen. Hooker, and Kilpatrick, 4"T x 2.5"W

Lot Includes 3 books. “The Hummingbird Book” by Donald & Lillian Stokes” Where The Tree Man Was Born” By Peter Matthiessen” “The African Experience” Eliot Porter. “The Encyclopedia of

Oil on canvas painting by James Amos Porter, 1905 to 1970, an African-American artist. The artwork depicts a profile portrait of a young black man. Signed by the artist in the lower right. Wooden fram

Unusual and uncommon map of the United States, showing the principal botanical divisions, by Thomas C. Porter, Professor of Botany at Lafayette College and noted Colorado Botanist. A rich and beautifu

Drawing on paper 10 3/4 x 8 in, manner of James Amos Porter (December 22, 1905 – February 28, 1970) was an African-American art historian, artist and teacher. He is best known for establishing the f

Drawing on paper 11 x 8 in, manner of James Amos Porter (December 22, 1905 – February 28, 1970) was an African-American art historian, artist and teacher. He is best known for establishing the

African American History, General Orders, signed by T. D. Hodges, Capt of the 35th United States Colored Troops. Document titled Headquarters, Department of the South, Hilton Head, SC April 5, 1865 is

[CIVIL RIGHTS]. Press photograph of Carl Maynard, a young African American at the March on Washington headquarters, posed with letter and poster promoting the upcoming demonstration. New York, 11 Augu

Dogon, Mali H 72 cm. Provenienz: - Galerie Walu, Basel (1960). - Ernst Winizki, Zuerich (1915-1997). - Denise David, Zuerich (1928-2011). Publiziert: Seylaz, Paul (1971). Afrique Noire. Sculptures des

Stab, "kibango" Luba, DR Kongo Ohne Sockel / without base Holz. H 178 cm. Provenienz: - Musée missionnaire des Orphelins, Auteuil. - Abbaye Blanche, Mortain. - Galerie Künzi, Gottfried Künzi (1920-

24 JAMES BROOKS (1906 - 1992) Quod (1961) oel auf Leinwand H 122 cm. B 170 cm. Provenienz: - Kootz Gallery, New York. - Rudolf und Leonore Blum, Zumikon. Publiziert: Plane/Figure: Amerikanische Kunst